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ESPN Still Strong Despite Challenges

Jason Barrett

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It’s been a rocky year for ESPN, which shed high-priced, high-profile talent – reportedly under orders from Disney to cut costs – and continued to lose cable subscribers.

These two facts coupled together – ESPN cuts costs while losing subscribers – has triggered a wave of coverage speculating these are the first signs of eventual financial doom. With headlines such as “Is ESPN a giant bubble about to burst?” and, more colorfully, “The numbers behind ESPN’s grim meathook future,” these stories basically argue the nationwide trend of people ditching cable will further sap ESPN of income while the network still owes gobs of money to sports leagues to broadcast their games.

With apologies to our colleagues in sports media – we’re all engaging in crystal-ball journalism here based on incomplete financial glimpses of media conglomerates – there’s just as strong an argument to be made that ESPN is better positioned than any of its competitors to handle a market transition from cable bundle to a la carte streamed television.

Here are a few reasons why:

1. ESPN is the most-watched cable station in America.

This is a footnote in recent coverage, but it bears repeating: ESPN is America’s top-rated cable network.

Yes, ESPN, like all cable networks, has seen its subscriber base slide, dropping more than 3.2 million in a little more than a year, according to the Wall Street Journal. And yes, ESPN charges cable companies, and therefore consumers, far more than any other channel: $6.61 per subscriber, according to data collected by SNL Kagan, more than four times what the next most expensive channel charges (TNT, at $1.65 per subscriber). But ESPN commands that price because of the 90-some million cable subscribers in America, more watch ESPN than any other network.

In a post-cable, unbundled world, however, ESPN would have to charge way more than $6.61 monthly per subscriber, because the network would lose income from the millions of non-sports fan cable subscribers who wouldn’t buy ESPN. A recent survey found only 35.7 percent of people would pay for ESPN if they could pick their own cable lineups, fueling estimates the network would have to charge $20 to $30 monthly in an unbundled world.

ESPN doubters argue sticker shock would scare away so many sports fans the network would be in serious trouble. While it is true ESPN would have to strike a delicate balance in pricing a standalone product affordable enough to attract some cord-cutters while not so cheap it prompts droves of sports fans to cancel their cable subscriptions, that doesn’t mean the “World Wide Leader” is in any more trouble than any other cable network in a rapidly changing industry.

Michael Nathanson, senior research analyst at MoffettNathanson, estimates ESPN would actually have to charge about $36 monthly in an unbundled world, but he thinks the network would still get more than enough customers. The sports networks really threatened by a move away from cable, according to Nathanson, are ESPN’s competitors Fox Sports 1 and NBC Sports, both on a recent list he compiled of the 10 most expensive cable channels not among the most viewed.

“If everyone gets weaker, the bottom end of the market would get weaker, and (Fox Sports 1 and NBC Sports) therefore would probably have less conviction to get into bidding wars with ESPN … for these sports rights,” said Nathanson.

Which brings us to our next point.

2. If sports television rights are a bubble, we’re not seeing signs of a burst yet.

A central premise to the argument ESPN is in big trouble is that sports rights fees, which have gone up astronomically over the last decade, are a bubble. Just like a homeowner who bought an overpriced house in 2007 before real estate values plummeted, the argument goes, ESPN could soon be underwater on the billions it owes the NFL, MLB, NBA, and various college leagues to televise their games.

(Any guess at exactly how much ESPN spends on rights fees is just that – a guess – but a recent Fox Sports story estimated ESPN’s annual tab at $6 billion.)

The problem with this argument is we’re not seeing many signs of a slide in the actual value of these rights. There have been signs of leveling off for local television rights – stations launched by pro sports teams in Houston, Kansas City and Charlotte have struggled – but every time a national sports league puts its product on the market, it makes more money than it did before. Live sporting events continue to be more DVR-proof than any other kind of programming, and broadcasters desperate for captive audiences continue to shell out more money to sports leagues.

Most recently, the NFL got a reported $300 million from CBS for its Thursday night package for the upcoming season, up from $275 million the year before. Last fall, ESPN and TNT agreed to nearly triple their annual payments to the NBA – from $930 million to $2.66 billion per year – in order to renew their contract through 2025.

One major caveat: we don’t know how much the networks actually profit from these events. We get glimpses in reports of TV ad prices for big games, but we never get post-game profit or loss reports. But if broadcasting companies are losing money on live sporting events, they’re certainly not acting like it. The English Premier League is currently seeking an American broadcaster,according to Sports Business Journal. Expected to submit bids: ESPN, Fox, and NBC.

And while ESPN spends a lot of money on sports rights, it still generates a profit, year after year, of between 20 and 30 percent of its expenses, according to SNL Kagan analyst Scott Robson. Its fledgling competitors have not. NBC Sports, which launched in 2012, turned a profit for the first time in 2014. Fox Sports 1, launched in 2013, should turn a profit for the first time in 2016, according to Robson. (ESPN, Fox and NBC all declined to comment.)

3. These budgets cuts really aren’t that significant, relative to ESPN’s size.

The departures of Bill Simmons, Keith Olbermann and Colin Cowherd have come when, according to The Hollywood Reporter, ESPN has been told to trim $100 million from its 2016 budget and $250 million from the 2017 budget.

ESPN disputes these numbers, but let’s say they’re accurate. Yes, $100 million is a lot of money. But when your annual budget is in the neighborhood of $6 billion (and probably more) $100 million represents less than 2 percent of the overall pie. And ESPN is far from the only cable network looking to trim.

“This is an industry-wide trend,” said cable industry analyst Nathanson. “We’ve had five straight quarters of less than expected television advertising … and you’ve seen a bunch of companies all go through cost-cutting.”

ESPN has a long track record of letting high-priced talent leave. ESPN does not have a long track record of letting competitors corner the market on live sporting events. The network has recently relinquished rights to some events – the British Open, U.S. Open golf and, according to a Monday Sports Business Journal story, the French Open –  but with ESPN locked into deals with America’s major sports leagues for the rest of this decade, the sports cable landscape should stay relatively stable until the early 2020s.

In 2021, ESPN’s contracts with the NFL, ACC, Australian Open, and Big 12 expire. In 2022, ESPN’s deal with Major League Baseball is up. Which brings us to our most speculative point.

4. The biggest threat to ESPN is not other cable sports channels; it’s the leagues themselves.

Cable sports channels exist because there’s more inventory of sporting events than there is airtime on the Big Four broadcasters (ABC, CBS, NBC and Fox), and there are many events that won’t draw large enough audiences to merit airspace on those stations. The leagues themselves have started taking some of that inventory for themselves, though, by airing events on their own stations.

The biggest threat to ESPN, and its competitors, is a scenario develops in which sports leagues can make more money televising their games themselves than they do now selling their television rights to the highest bidder. That day could come, analysts think, but not this decade.

“I think the NFL’s people are the smartest people in the room. If it made more sense for them to go direct to consumer, they would do it tomorrow,” said Rich Greenfield, media and tech analyst at BTIG. “They are laying the groundwork to go direct to consumer over time, but that is a 2020-plus event.”

In the meantime, analysts see ESPN as the best-positioned cable station to monetize America’s sports fans, no matter which medium fans use to watch sports.

Last Monday, on CNBC’s Squawk Box, Walt Disney CEO Bob Iger said he could see ESPN offering a direct-to-consumer product like HBO Go, but it wouldn’t happen in the next five years.

Later the same day, Anthony DiClemente, an industry analyst with Nomura, also appeared on Squawk Box. He was asked about ESPN’s prospects in an unbundled world.

“ESPN has the quality and has the following to go direct to consumer,” DiClemente said. “Ultimately, if the bundle breaks apart, Disney and ESPN are well-positioned because you have such demand for ESPN’s sports … the No. 1 sports brand in the country and in the world.”

Credit to the Washington Post who originally published this article

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Mike Breen: My Dream Was to Be a DJ at WPLJ

“I enjoyed being on the air and talking. So my initial thought was, ‘I’m going to be a disc jockey.’”

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Courtesy: ESPN Images

These days, WPLJ in New York City is a Christian station owned by the Educational Media Foundation. When Mike Breen was a kid in Yonkers though, it was one of the most influential rock stations in America and the man who is now known as the voice of the NBA wanted to be on the air there.

On the latest edition of Dan Le Batard’s South Beach Sessions podcast, Breen revealed that he always loved sports. His first introduction to broadcasting though came from a neighbor named Tony Minecola. He was a few years older than Breen and studying to be a radio broadcaster in college.

“He built a radio station in his basement and played disc jockey,” Breen told Le Batard. “’He had commercials, records, you know, everything. Like it was a real radio station, only it only went from one room to the next. That was what he was into, and that’s what he was going to college for. And we used to hang out in the basement all the time. And one day he says, ‘Hey, why don’t you come in? You want to you want to be the DJ for a little bit?’ And I’m like, okay, let me try it.’ And I fell in love with it.”

Mike Breen didn’t just fall in love with the idea of radio. He saw it as a viable career and knew exactly where he wanted it to take him.

“I enjoyed being on the air and talking. So my initial thought was, ‘I’m going to be a disc jockey.’ WPLJ was like the big rock station in New York back at that time, and I thought, ‘I’m going to be a DJ on WPLJ.’ That was my first goal.

Through the 70s and early 80s, WPLJ was an album rock station. Some of its most iconic on air personalities included Carol Miller, Pat St. John, Fr. Bill Ayers, and Mark Goodman, who was eventually one of MTV’s original VJs.

Breen said he loved the rock music of the time, especially Jethro Tull and Bruce Springsteen, but he realized that a broadcasting career could keep him close to sports too.

Obviously, he chose well. That is not to say that he couldn’t have been a great DJ if given the chance, but he went on to be the voice of the New York Knicks and has called more NBA Finals games than anyone else in history. 

WPLJ was out of the rock business by 1983 when it became a pop station.

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New Episodes of Beyond Limits Coming to CBS Sports

The series, which first premiered in September 2021, is produced by the CBS Sports Race and Culture Unit, with senior producer Sarah M. Kazadi.

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Courtesy: CBS Sports

CBS Sports is set to premiere new episodes of its franchise Beyond Limits, which celebrates athletes who go beyond the implicit boundaries of sports and society. Three half-hour episodes will be hosted by CBS Sports reporter AJ Ross, and will also air on CBS’ linear channel and stream live on Paramount+.

The first episode of the season is titled “Who I Am,” and it will feature Byron Perkins, who is the first openly gay football player at a historically black college or university (HBCU). Perkins is a redshirt senior at Hampton University. The show will also discuss the relationship he has with his mother and how she has impacted him both as a person and an athlete.

Two more episodes will premiere throughout the season – one on making sports adaptable and accessible; and the other featuring athletes who have moved into executive roles. The latter show includes interviews with NBA Executive Vice President and Head of Basketball Operations, Joe Dumars; New Orleans Pelicans Vice President of Basketball Operations and Team Development, Swin Cash; and NFL Executive Vice President of Football Operations, Troy Vincent.

The series, which first premiered in September 2021, is produced by the CBS Sports Race and Culture Unit, with senior producer Sarah M. Kazadi. Its first episode premieres on Sunday, June 11 at 1:30 p.m. EST/10:30 a.m. PST, and should provide fans with unique storytelling and spotlight into the journeys of various key figures in sports and media alike.

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ESPN Colleagues Pay Tribute to Neil Everett

“It was universal praise from the people that knew and worked with Everett.”

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Courtesy: ESPN Images

Neil Everett has become one of the faces of SportsCenter. After 23 years at ESPN, he announced that he is leaving the network.

Colleagues at the World Wide Leader took to Twitter to share their thoughts. It was universal praise from the people that knew and worked with Everett. Chief among them was his SportsCenter partner of fourteen years, Stan Verrett.

Everett has spent the last two years as part of the television studio crew covering the Portland Trail Blazers. He told Front Office Sports that he will be seeking to expand his role with the team.

If Root Sports Northwest requires references, there are plenty ESPN colleagues past and present that were immediately ready to vouch for Neil Everett.

Everett was not laid off. He turned down a new contract that would have forced him to take a pay cut.

The Walt Disney Company is in the middle of layoffs effecting every division. CEO Bob Iger has tasked his leaders with reducing costs by $5.5 billion and cutting 7000 jobs.

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