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Majkowski Is Backbone of Mets Broadcasts

Jason Barrett

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Mets fans haven’t always had a great team to root for, but they have been treated to outstanding broadcasts of the team’s games on the radio and television for decades. The current incarnations of those booths are beloved: Gary Cohen, Keith Hernandez, and Ron Darling in the SNY booth for TV, and Howie Rose and Josh Lewin in the WOR booth.

Chris Majkowski, the producer and engineer who operates behind the scenes in the radio booth, isn’t exactly an unknown among die-hard Mets fans. He hasn’t taken a day off in over twenty years, a streak that has had Howie Rose calling him “‘The Immortal’ Chris Majkowski” on broadcasts for years. And his Twitter feed, @MetsBooth, is popular.

Majkowski doesn’t really think of what he does as work. He considers his seat the best one in the house, or at least the next-best to Rose’s seat. He clearly appreciates that he gets to do what he does for a living and thoroughly enjoys it.

A lifelong Mets fan, Majkowski who grew up in Albertson, a town in Nassau County, and graduated from Fordham University in The Bronx, where he got the radio bug while working at WFUV, the school’s well-regarded radio station. He remembers the first game he attended as a child, sitting in the back rows of the field boxes at Shea Stadium for a double-header between the Mets and Reds on a sweltering day. But it was tough to see much of anything from those seats, and they only stayed for the first game.

His first vivid memories of sports came in 1973: the Mets’ playoff push late in the regular season, Rusty Staub dislocating his shoulder against the A’s in the World Series, and literally running home from school to catch playoff games—which were all played during the day—on the black-and-white television in the basement at home.

Majkowski got his start in the radio business about a year after he graduated college when Bob Jewell, who was the chief engineer at WFUV, told him he knew a couple of guys that were looking for someone who could handle radio equipment and had an understanding of sports, someone who could keep a scorecard and know when timeouts were coming up to assist the broadcasters.

“Oh, well that sounds like something that would be up my alley,” Majkowski thought.

So he started with those guys: Joel Blumberg and Brian Ferguson. Some of the first games he worked were Hofstra football and Islanders hockey. And he worked his first baseball games at Shea for visiting broadcasting legends Harry Caray of the Cubs and Harry Kalas of the Phillies.

“Harry Caray was funny because I had to go and find him to record the manager’s show. Harry didn’t do anything when he recorded the manager’s shows, except he took a hold of the microphone. You had to go with a tape deck at the time, hand Harry the microphone, tell him, ‘okay, we’re recording,’ hit a stop watch, and signal,” he says as he holds up one finger at a time, “one minute, two minutes—because you’re supposed to do four minutes—three minutes, four minutes, and then he knew we had to wrap it up.”

The technology in the booth at the time wasn’t nearly as advanced or useful as what’s available today. Majkowski filled out lineup cards for Murphy with home run and RBI totals. He laughs a bit and says, “We didn’t get into the on-base and the slugging and everything else that we pull in today.”

Out-of-town scores, which can be tracked easily in real time in a number of ways now, were a bit of a production.

He did some work at Madison Square Garden, too, and the Mets’ gig opened up in 1993. He went to work with Bob Murphy, the Mets’ own legendary broadcaster, and Gary Cohen in the radio booth.

“We used to have this sports ticker and this roll of paper that would keep spitting out. And at that time, it made a bit of a racket, but if you were doing it long enough—it was a dot-matrix printer,” he says as he mimics the sound of it. “If you did it long enough and you were sitting next to this thing for hours upon end like I was, a home run had a certain rhythm to it. You know somebody hit a home run, not even by looking at it, just by hearing how that thing was going—’oh, that’s a home run, I better check that out.’”

A couple of decades later, he might not feel like he’s at work, but Majkowski says the longest days are the first days of a road series or a home stand. He sets up the booth on those days—running cables and checking mics—and is naturally fond of long home stands.

To finish reading the rest of this article visit Amazin Avenue where it was originally published

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Sports Radio News

Dan Dakich: Craig Carton is ‘The Way Talk Radio Should Be’

“If you’re being critical because you want to be the guy that’s always critical I don’t think you can do that either. I think you gotta be honest. And criticism comes with it.”

Jordan Bondurant

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Craig Carton has prided himself on being one of those hosts who tells it like it is, especially when talking about New York’s pro sports teams.

That willingness to call a spade a spade and levy criticism on teams like the Jets and Giants, especially when things are not going well on the field, is something Dan Dakich has always seen as a recipe for success in the industry.

Interviewing Carton on Thursday on his Outkick show Don’t @ Me, Dakich praised the WFAN afternoon host for essentially creating a blueprint for how sports talk should be done.

“In Indianapolis I’m the bad guy right, because I say look the Colts stink, this regime is 46-49-1 – why are you telling me the GM is the best in the country – why are you telling me Frank Reich can really coach?” Dakich said. “New York’s different, though, right? I mean, New York they expect you to say look if you ain’t any good then you ain’t any good. Yu don’t sugarcoat nothing, and I think that’s the way talk radio should be.”

Carton noted that what’s key in how you critique a team or a front office, executive or owner is finding a balance. He said you can’t as a host be the ultimate homer and blow smoke up everyone’s behind.

“You have to be able to be critical when it’s warranted,” Carton said. “If you’re being critical because you want to be the guy that’s always critical I don’t think you can do that either. I think you gotta be honest. And criticism comes with it.”

Carton pointed out that the fan bases in both New York and in Indianapolis are ultimately the same, because at the end of the day it’s all about making sure you have competent people calling the right shots. He added that the organizations are the same too because of how sensitive they can be to criticism, which he said if they don’t like it, “too bad.”

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Nick Ashooh Joins BetMGM Tonight

Jordan Bondurant

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The talent lineup for the BetQL show BetMGM Tonight is expanding, and Nick Ashooh is joining the team.

The news became official on Thursday when BetQL announced the addition of Ashooh on Twitter.

Ashooh has worked mainly in the D.C. market up to this point in his career, hosting for Audacy and NBC Sports Washington. He had been contributing sports betting content for the BetQL network for the latter part of the last year.

Ashooh joins co-hosts Trysta Krick and Ryan Horvat on BetMGM Tonight. The show can be heard weeknights from 7-11 p.m.

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Sports Radio News

1010XL Jay Fund Radiothon Raises Nearly $250,000 For Pediatric Cancer Research

“In the 15 year history of the radiothon, the station has raised just under $1.5 billion for the Jay Fund.”

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Jacksonville’s 1010XL used its airwaves to raise money for the Jay Fund for the fifteenth year earlier this week. The radiothon was a smashing success, raising $249,784 to fight pediatric cancer.

This year’s total is a new record for the event. In the 15 year history of the radiothon, the station has raised just under $1.6 million for the Jay Fund.

“I’m truly amazed at the generosity of the 1010 XL listeners in times when a carton of eggs cost six dollars,” said General Manager Steven Griffin, “and equally amazed how the hosts, producers, radio staff and volunteers come together with a singular focus to year-after-year produce these results in one broadcast day.”

Former Jacksonville Jaguars and New York Giants coach Tom Coughlin started the Jay Fund in memory of  Jay McGillis, who developed leukemia while playing for Coughlin at Boston College. The organization has helped over 5,000 families and given away over $16 million in grants in Northeast Florida and the New York/New Jersey Metropolitan Area.

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