Some sports talk shows act like you stepped inside the octagon with them as they seek surrender via hot-take submission. Other shows like “3HL” on 104.5 The Zone in Nashville, Tennessee take a different approach. One of the goals Brent Dougherty, Mickey Ryan, and Dawn Davenport have is to talk with the people, not at them. It’s a refreshing approach that helps the show continuously thrive.
Southern hospitality is a phrase that isn’t always applied correctly. The expression is absolutely valid though when describing “3HL.” I could feel it when I sat down with the cast. You can hear it when listening to their show. It doesn’t mean the trio has a shortage of strong opinions. They just present their views in a way that invites a conversation while keeping the vibe positive and welcoming.
It wouldn’t make sense to root against this approach. It’s nice when the good guys (and girl) win, and when a show that “gets it” happens to be cranking out monster ratings in the process. Check out more on their philosophies and unique career paths below. Find out which host interned for another, the early days of speeding in a Ford Escort station wagon, and doing a show with a meat salesman.
Brian Noe: How long have you had this new trio?
Dawn: August 15th, I think. So not very long. It’s been like six months.
Brent: We broke ground on this version of “3HL” in August.
Dawn: It is just at our six-month mark. We should’ve partied. We made it. We haven’t killed each other.
Noe: What do you think has been the biggest improvement during those six months?
Brent: I don’t know? Have we gotten better?
Dawn: Oh, from day one of me joining? Oh yeah!
Dawn: I hope so.
Mickey: I think it’s just more learning each other’s personalities. Brent and I have known each other for over 20 years. He was my intern when I was a television anchor in the ‘90’s in Kentucky. He knows there are certain things he can say and exactly how I’ll react. We’re kind of learning what’s a hot-button topic for Dawn that you can say something and you know what kind of reaction — and she’s learning the same thing about us. To me that’s the biggest thing is just getting to know each other’s personalities.
Brent: But like a week ago, we finished each other’s sentences a couple of times.
Dawn: And it was completely random to where during the break at one point I looked at him and I go, “How the hell did you know I was going to say that?” You like pulled it out of nowhere.
Brent: It’s been fun and Dawn brings a lot to the table too from a female perspective. That’s rare in this country. It’s awesome because we’ve known her for a long time and she’s got that TV background. We watched her on television [WKRN]. We already knew each other when we hit the ground and Dawn joined “3HL.” I feel like we hit the ground running because of that and because I watched everyday, so I already knew kind of what your mannerisms were. I think that helped.
Noe: How would you explain the differences between having a guy and a girl in that chair?
Brent: Man, that’s a good question. I don’t even view it that way. Honestly, she was a collegiate athlete and her entire background in this business is in sports outside of — well, you did the one show.
Dawn: Outside of slummin’ it in morning show news.
Brent: But even the way that y’all did that morning show — it was kind of the way that we do this show. Even though that was news and this was sports. In terms of entertainment, to me it was basically the same.
Dawn: It was less scripted and personality-driven.
Brent: But in terms of having a different vibe of having a woman in the chair in the room — there really isn’t one to me because she’s such a big sports fan and entertainment fan. She’s a really good communicator — that’s what you need — and a good entertainer. That’s the other thing to me.
Mickey: It does give our show perspective though if there’s a case where there’s a sexual assault. If there’s something that involves a female point of view. Instead of us saying, “Well, here’s what we think” or “This is what I read that somebody said,” you actually can get the female point of view, which to me is huge for us because she can break down any sport, but at the same time she can also say, “Hey, as a woman” — like we were talking about the US Olympic hockey team. They had no benefits, were making no money, and when we talked about them winning a gold medal for the first time in 20 years you said, “No no, they’re champions for women’s rights.” You went through all the things that they had done to make things better for the future generation of women’s hockey players. I think that gives us really an opportunity to offer a viewpoint on things that how many shows in the country even have? Very few.
Noe: Dawn, sometimes I’ll hear a female host, and it’s like they’re just trying so hard to prove they know their stuff. Others feel very comfortable and you come across that way — not going over the top. Where does that come from?
Dawn: I think it comes from being around sports for so long. The minute I graduated college I was doing local TV sports. In local TV sports, you do everything on your own. There’s nobody there to help you or hold your hand so you have to know your stuff because you are your producer. You’re your writer. You’re your shooter.
I’ve been around sports doing it for so long. I think that’s where that comfort comes from. Also, because I’ve been in this town for so long, and I started as a weekend sports anchor, so I’m fortunate that I know the history of the teams here. I can pull from, “Oh, hey do you remember back in 2008 this team did that,” so I think from that standpoint I’m comfortable because I do know what we’re talking about so well. Then, when I work with SEC Network I’m very knowledgeable about it because that’s what I do.
I’m also fortunate that the people in this town from the minute I got here welcomed me in and accepted me. I’ve never felt the need to prove that, “Hey, I know what I’m talking about. I can talk sports. I promise.” I feel like this town was very open to having a female in the sports world and that’s helped me because I haven’t had to go overboard to try and prove myself because people have accepted it.
Noe: What type of role does Program Director, Brad Willis play in your show’s maturation? Is he very hands on or does he let you guys work things out?
Brent: His goal with us always has been — ‘cause we’ve made changes with this show before — he’s more into letting things grow and develop. With the three of us, have it grow organically, and that’s kind of where we are with it.
Dawn: Which I think has been great. Instead of him pushing, “Hey, you need to talk more, you need to do this.”
Brent: Yeah, he treats us like professionals. I’ve been doing this for 21 years. We’ve all been doing this so long that you just take some time to know and learn and understand where he can go, where she can go, where I can go. It just kind of organically happens. He’s been completely hands off. Now, if we have questions about something that we’re doing or trying, he’s always available.
Mickey: I think the key for him is he’s there for a resource, but he wants the show to happen organically. It’s like, “Look, if you have something unique, come to me and let’s work it out,” but on a day-to-day basis it’s, “You guys are all three professionals. I hired you to be professionals. Do what you do.”
That was when I joined the show, which is a little over three years ago, after a couple of weeks he pulled me in an said, “I brought you in to talk. So talk. Just give your opinion on things. You don’t have to work your way in.” It was the same thing with Dawn. We told her, “Hey, just give your opinion. You don’t have to be tentative or anything like that. You just jump in. We’re all here to be equal. To have equal time to have equal opinions, so you just jump right in. Don’t feel like you have to warm up to us. Just jump in.”
Noe: How much have you had to deal with comparisons to previous hosts like Clay Travis and Blaine Bishop? Does that happen a lot?
Mickey: When you follow a personality like Clay, obviously there are going to be people who compare things. I’ve gotten to know Clay since I’ve moved to town and we get along great. Anytime I see him we always catch up and kind of talk about how things are going. He’s been great to get to know and it’s been a lot of fun to see all the stuff that he’s accomplishing on a national level.
There were some people who were really unkind in the beginning especially. There’s still a handful of people out there who are hanging onto it. My thing was I just had to be myself. If you like that, you like it. Maybe the nicest thing that people have said to me over the last 3+ years is, “I wanted to hate you, but once I listened to you, I realized I liked you. I thought when the show changed I would hate the show, and hey, I don’t hate you. Matter of fact I kinda like you.”
Literally people have said things like that to me, so I’m winning that way. But I know the dynamic of the show changed. It did. I think it’s okay to like him and like what he does. I think it’s okay to like me and like the current version of the show. That’s all I would ask anybody for the chance to.
Noe: Has there been anything that gets under your skin or you just go home and are like, “Man, I would’ve been better off not receiving that message”?
Dawn: Well, if you work in broadcasting, especially sports broadcasting, you’re always going to get a message where you’re like, “Yeah, well.” (sarcastic laugh)
Mickey: Well, and you [Dawn] were on TV — and women to other women who were on TV — you wouldn’t believe the things about your dress or your hair.
Dawn: Let me tell you, morning news viewer complaints are the worst thing I’ve ever endured in my life. Nothing that any sports person can ever say to me will ever upset me as much as some of the females and Facebook messages I got during morning news.
Brent: Social media is a wild place.
Dawn: It’s a different world nowadays — even from when I first started in the business. If somebody didn’t like you, you got a phone call or a hand-written letter. Now, it’s different because people immediately can facelessly tell you that they don’t like you, but this town is pretty good honestly. You’re always going to have people that don’t agree with what you say.
Mickey: But the feedback is overwhelmingly more positive than negative. But you can say, “I like donuts,” and you have some overwhelmingly negative responses to that. That’s just the world that we live in.
Brent: We live in a world where people just love to hate things. You see that on social media, but doing what we do as she said, we all have a thick skin. You have to or you won’t have success in this business anyway aside from some hater on social media. We don’t pay attention to it necessarily. To get to where we are, you’ve got to be confident in yourself. Sure, we try new things and sometimes we make mistakes and we’re harder on ourselves than anybody could be that listens. I think some mean guy on Twitter or whatever, I think that’s more about him than it is me.
Noe: How much does your role differ from a three-person to a two-person show just in terms of driving it? Not repeating one of their takes or sacrificing your own opinion to just move it forward. Does it differ greatly between the two?
Brent: I look at my job as a facilitator — almost like a scoring point guard. I’m trying to set him up with stuff and her up with stuff, but also trying to take my shot. The way I kind of visualize it in the moment — because I’m watching break time and how long is the break coming up? When do we need to hit that break? Who’s got a live spot coming? What caller needs to go next? I’m trying to balance all of those things while also throwing topics and throwing opinions. To me it’s a fun challenge. The way I visualize that is I’m going down a river with currents and I’m just trying to keep the boat as straight as possible. That doesn’t change whether it’s two or three people.
Noe: Is there anything specific to Nashville regarding topics that surprisingly work? Where you feel like, “Really? That’s what you guys are interested in?”
Brent: It’s kind of meat and potatoes honestly.
Dawn: Daily, there’s something that I’m like, “Wow, people really want to talk about that.”
Brent: Has it been a surprise to you? So, we get out of football and now it’s crazy topics that you can bring up. The response to some of those crazy topics I think surprises you sometimes.
Dawn: Yeah, it really surprises me and when we first started to go on kind of like tangents that had to do with sports but weren’t maybe necessarily specific SEC football talk, I would get nervous over there in the chair. I’m like, “Why are we not talking sports? We gotta go back to talking sports.” They’re like, “Relax. We’ve got a long show. It’s okay. It’s how it works.”
I think what surprised me the most — and I had been on the show with you guys before a couple of times, just sat in for an hour or two hours — what surprised me is some of the random topics that people want to talk about that maybe aren’t necessarily completely sports.
Brent: Here’s an example — yesterday we were talking about the Olympics and the US women had won the gold medal. I watched it. I stayed up and I thought it was the moment of the Olympics. I thought it was awesome. I thought that would get a little bit of traction. These guys started talking about the cross country race, which I didn’t even see. The next thing we know, Mickey finds the audio. We play the play-by-play and it’s one of the best sports calls ever. We go 45 minutes with people calling in about how awesome that was.
Mickey: The one guy said they were three wide like NASCAR and he was in the middle of the night watching it at his house. He felt like he raced the race with them. He felt like he sent them enough America to push them through. People get so emotionally invested in the Olympics ‘cause that’s your flag. That’s your country. They’re representing all of us. Your college football team represents your state or your region, but this is everybody. That was one of the most passionate phone calls we’ve ever had from anybody about anything.
Dawn: Talking about women’s cross country skiing. Like who cares, you know?
Brent: ‘Cause the basics are you’ve got to talk about the Titans every day in this market. You have to. When they suck, they get a 20 share on television. Over the last year and a half the Predators have risen to one of the better teams in the NHL so you need to spend a little time on them. Even though, as good as they are, their regular-season TV numbers are like a tenth of what the Titans are. We pay attention to those things. So it’s Titans, NFL, SEC, college football, and then whatever crazy stories you can find.
Noe: How do you guys balance the local stuff that you know is going to hit, with something that might go beyond Nashville that you know is still going to matter to people?
Mickey: Honestly, you can just look and see at what people are talking about on social media. To me that’s a huge metric because we all certainly follow people in this market and we have people that give us feedback — “Hey, did you guys see this? Do you guys know about that?”
Brent: That helps with what we do. Social media, that changed the game because now you can talk about things immediately as they happen. When I got into the business it was the mid-‘90’s. You didn’t have any of this. We weren’t monitoring these things.
You can get a tweet that pops up — I remember one show we were doing, and we were going to do some Preds guest or something and the Manti Te’o story came out on Deadspin. We sent one of our guys out of the studio to read it because it was so long. One segment went by and he was back in there and we were talking about it. That’s how fast things go and we bailed on the guest. We try to be as current as possible and talk about what people are talking about.
Noe: In terms of things being current — topics move so fast and have a short shelf life — a Vols football game on Saturday, of course you’re going to talk about it on Monday, but how do you have that sense of, “This is a little old. It’s not what people are talking about now”?
Brent: 100% you think about that. You’ve got to figure out a different way to present it. Ask questions because people definitely still want to talk about that. SEC football season? You want to talk about that every day. Like every day.
Dawn: I feel like football transcends that thought. You can talk about a game that happened two weeks ago and people are still interested.
Brent: But you would present it differently in the afternoon than you would on Sunday morning where Jamal Lewis ran for 225 yards. Stuff like that. You’re thinking about different ways to present it.
Mickey: By that time you’ll have different ways where you may analyze it and look at it or maybe what it means more for what’s going to happen ahead of time. This market is just so funny. It’s such a football-centric market. Let’s say we came on today and we talked about Ole Miss football. Vols fan – he’s interested in that. Mississippi State fan — she’s okay with that.
SEC fans, you can talk about any other school or program and they’re okay with that ‘cause they want to know what they’re doing too, right? To me that’s the most interesting thing maybe about living in an SEC-centric market is it doesn’t matter what team or what program or what coach you talk about, there’s just an unbelievable level of interest by every team and every program’s fans about another team’s fans and program.
Dawn: We also have so many alums from all of those schools.
Mickey: It used to be they all moved to Atlanta and Brent says they’re coming here now.
Brent: This is the SEC melting pot. Just downtown condos — this is where the young people that are graduating college in this area are coming. They’re not going to Atlanta. They’re coming to Nashville. This city is growing and the vibe is different and awesome. It’s really exciting.
Noe: When you have high ratings and Brad Willis comes to you with a major lineup change, how do you react to that?
Brent: The first question is who is going to be on the show with us, right? Then when you find out it’s Dawn Davenport, I have zero concern whatsoever. I know that we’re going to keep rockin’ because I know how competitive she is and that’s what I want. I want somebody that’s going to win every day. She’s got that track record. From my perspective I wasn’t concerned at all. I was excited.
Noe: How about you, Dawn? When you’re going into the mix and they’re getting monstrous ratings, do you feel any extra pressure?
Mickey: No pressure.
Dawn: Yeah, no pressure at all.
Brent: You can relate to that too Mickey.
Mickey: Yeah, no pressure.
Dawn: Radio ratings are different obviously than TV ratings. I got them every day on the morning show.
Brent: And we don’t get them that often. She would ask and I’m like, “I don’t know.” (laughs)
Dawn: I’d ask, “How are we doing? Are we doing okay?” Brad would say, “Oh, we’re doing great!” I’m like, “Okay, well can I see? Do you have numbers from last week or whatever?” I had to learn how it actually worked. I was definitely nervous stepping into a successful show and replacing a former athlete [Blaine Bishop] that people really valued his opinion. I was definitely worried about it, but I had listened to the show enough to know that I felt like it would be a good fit and that we would be okay.
Noe: Do you have a TV background at all, Brent?
Mickey: You were my intern for one semester.
Brent: Yeah, I needed one class to graduate at UT, the University of Tennessee, and I needed to do an internship. Living here and I was hanging out in Bowling Green. I had some friends at Western Kentucky. I was like, “Well, if I’m going to do an internship, I might as well do TV. I might as well go to WBKO,” which is in Bowling Green — the ABC affiliate there. So, I just knocked on the door and he can tell you more about it, but I just knocked on the door and got that internship.
We went all over South Central Kentucky on Friday nights covering high school football and it was awesome. There were a couple of things that happened along the way where I was like, “I don’t want to do TV.” (laughs) “I don’t want to do TV.” Because you work all day — there is a rush during the news when the stuff you’ve been working on all day is going, but things that you can’t control happen.
Mickey: He saw a couple of times where we went out and shot seven games and brought the tapes back and the tapes got out of order and you didn’t know what highlight you were doing. He saw things like that. Or the tape machine would fail or the teleprompter would go out. We don’t have a tape machine or a teleprompter. They just turn on the microphones and we talk.
Dawn didn’t really know the story — it was either a Saturday or a Sunday night. We had a 5 o’clock news — I was the weekend sports anchor at WBKO. The weatherman walks out. He comes back in and he goes, “There’s some kid outside in the parking lot that wants to ask to be your intern.” I go out and it was that kid right there.
So, it’s been over 20 years ago in the fall of 1996. I come out and here’s Brent Dougherty. He says, “Man, I wanna be your intern.” He starts explaining things and I said, “Look, man, that’s fine. You can just be my intern.” We had great chemistry and we drove a Ford Escort station wagon for several thousand miles that fall covering games.
Brent: At 100 miles an hour.
Mickey: Years later, I wind up moving to Nashville to pursue music. I got out of TV. I just came here and wanted to play music.
Dawn: He’s a heck of a bass player by the way.
Mickey: Well, I like to think so. (laughter) I’ve played 12th & Porter, 3rd and Lindsley. I’ve played in Europe and all over the US. I’ve got a couple albums on iTunes, but you know, no big deal. (laughter) I was driving down Interstate 65. This is a true story. I had my radio on scan. I was scanning FM stations after recently moving to town. I went to hit another button and I hit a bump, and I switched my radio to AM and he was on 1510 AM. It was him talking!
I don’t think I even had a cell phone at this point. I drove to my apartment and called the radio station and left him a message. We had lost touch with each other. He was producing a show for a couple of heavy hitters in town. He said, “They’re going to let me do a show on Saturday. You should come and do it with me.” So for years, I managed a real estate office and played music and I would go on Saturday and do a radio show with Brent and another guy named Russ Berrie, who’s a meat salesman. The three of us did a Saturday show for years and years before we both wound up coming over here to The Zone.
Brent: We used to joke about Russ, he was slingin’ his meat all over the southeast. (laughs) He’s a good dude, that guy.
Mickey: He sells ham. Yeah, great guy.
Brent: Man, you went into the long story like Noe’s writing a book or something. The history of us. This is us and no one’s crying.
Noe: Dawn, these two have known each other for 20 years — is it ever weird where two people know each other so well and you’re trying to learn them as you go?
Dawn: I don’t think so. I haven’t felt that at all.
Mickey: And you don’t get our Fletch references though. That’s the one thing.
Brent: The whole key to knowing us is really simple: watch Fletch. It’s the key to life and to understanding making a friend.
Dawn: The good thing, I knew them prior. Especially you [Brent], I’ve known you since I moved here and we’d run into each other at events and I’ve hopped on their radio show a million times. That’s the good thing. We’ve hung out outside of work too. I’m on a daily text with your wife right now [Mickey]. (laughs) So, I feel like I kind of jumped right in. Obviously I haven’t known them for 20 years, but from that standpoint, have really gotten to know them and I know their families.
Noe: Is there anything from the TV world that translates very well to sports radio and things that just don’t fit whatsoever?
Dawn: Well, the don’t fit is I panicked when I first started. In TV, this block is six minutes and 40 seconds, and you’ve got to hit six minutes and 40 seconds so you can hit clicks and do all of that, and everything is scripted. At least for the morning show, for what I did the last five years, everything is in there. It might not all be scripted — there’s a lot of adlib, but for the most part it’s super organized. You know exactly what you’re talking about, and when, and you know exactly what’s coming.
With sports talk radio? When I started I was like, “So, we’re not going to script out every single segment and know exactly when we’re going to talk about what?” And they’re like, “No, because if somebody calls in and some subject gets going, we’ll stick with that.” I was like, “Okay?” It took me awhile to be okay with — not necessarily spontaneity, but kind of — like a lack of specific, everything is timed out.
Brent: And it’s funny, in my course of doing this job I love the freedom to be spontaneous. I love that. It leads you down a creative space that really is unlike anything else that you could do in this business. I love that part of it. I knew from doing this — after having TV people come in and do an hour every so often, they always would say that, like, “Man, that’s so much fun because I’ve got like two and a half minutes to do my sports and that’s what it is. Here’s the script. I never really have time to give my opinion. It’s really not that kind of place to give your opinion.”
Dawn: That’s where I’ve had to grow because I wasn’t allowed to give my opinion at all. Then as a sideline reporter you have 15-20 seconds to do your report. It’s not an opinion-based job. That was something coming in I’ve really had to work on — learning that it’s okay for me to give my opinion now because you can’t in news.
I think the plus of doing news — especially that morning news show that I was part of — there was a lot of adlibbing. There was a lot of personality conversation and that has lent well to stepping into this job because it’s basically what we did, especially in the 4am hour. It’s what I did for five years really. This is just a different level.
Brent: Early on she would ask me during a break, “Did you know you were going to go into Tennessee-Vanderbilt basketball right there?” And I would say, “No, but that microphone is on, and I’m talking, and that’s what came out.” She’s like, “Okay.”
Dawn: In the beginning, it took me awhile to be okay with it.
Brent: Yeah, and I think that’s part of the organic transition and I think we’re there now. But I learned from her to be a little more structured in terms of what we do.
Noe: Did you do anything to try to draw out more opinions because they weren’t used to it?
Brent: I didn’t really have to necessarily, but she has this notebook of stuff that she keeps. She’s got like, I don’t know, eight-nine pages for today. She knows what the topics are because we kind of text during the day. There’s going to be stuff that we all see that we haven’t communicated to each other. It’s almost better that way to me because then you get more into that spontaneous reaction from Mickey about women’s curling or whatever.
There’s a lot of that, but when I do that — I’ve jumped out of an airplane and I’m flying through the air. I’m going from topic to topic in my head and I go into something — I know that she has researched it and has some notes jotted down. I don’t know if you’ve noticed this, but I’ll talk long enough to let you flip through your papers to get to that topic. It’s a growth process.
Noe: Do you find it more challenging in the heart of football season to hit on everything you want to get in there, or is it now where it’s a lot slower? Which is more challenging?
Brent: Challenging might not be the word, it’s just different. I have fun in — I love football, it’s my favorite thing — but doing what we do, I actually think I have more fun in the non-football area because of the random things that we can talk about. We’re a Nashville show. We love the city of Nashville. We’re going to talk about things that happen in Nashville. It’s not necessarily going to be sports-related.
If I walk over to the Tin Roof and sit down and talk with people, if there’s 100 people in there, what percentage of people just want to talk about sports? That’s all they’re interested in. Four? We think of it in terms of, hopefully, entertaining people every day. We have no fear at all, in fact we love doing it — going off topic. That infuriates stick-to-sports guy, but I don’t care.
Mickey: Four percent of the guys who want only sports. They get infuriated.
Brent: This time of year is really, really fun to me. For example today, we’ve got this college basketball corruption scandal and that’s going to be a healthy part of the show, but we also have one of the top-20 tennis players in the world coming on. We’ve got one of the best hockey players in the world coming on. Guests kind of dictate topics with us.
Noe: In terms of the goals you have for the show, does anything change that mindset when you’ve gone thru lineup changes?
Brent: For me, no. My job is to help our clients grow their business. From there it’s to entertain the guy that’s at a job that he hates, is having an awful day, and is in his car for 45 minutes and wants to be entertained. He wants an escape from whatever it is he’s dealing with and everybody’s dealing with something. Those are the two things I think about. As long as it’s a room full of creative people that like to have fun, I’m good.
Mickey: When we were driving around 21 years ago in that Escort station wagon, I used to tell him, “Look, here’s my goal; I’m going to put as many people’s kids on TV tonight as I can. We’re going to spray the crowd. We’re going to have the band. We’ll have an establishing shot of the cheerleaders and I want to put as many people’s kids and grandkids and neighbors and friends on TV as I can, to give more people a reason to watch.”
Brent: I’ve always thought about that too. I remember him saying that and that really stuck out to me. I think about that all the time.
Mickey: When you go out and you’re in the grocery store and you’re the TV person and they go, “You had my nephew on the other night,” and I say, “Oh, did he score a touchdown?” And she said, “No, you just said how cool he looked. He was the tuba player,” and I’m like, “Oh, I remember him.” But that meant the same thing to her as the kid who scored the touchdown that won the game. That’s her nephew or friend or son or grandson or whatever. To me that was so powerful to do that.
When we go out and people tell us, “Life is going this way and there’s some bad things happening, but I’ll tell you what, I know when I’m in the car listening to you guys, I can forget about it.” That’s the greatest, to me, thing that anybody can say about what we do is you helped me forget my problems for an hour or for 30 minutes, or gosh there are some people who are going to listen to the whole show I guess on their computer at work.
Brent: God love ‘em.
Mickey: Yeah, those are special people, but for somebody to say, “Man, I’m going through this terrible thing, but I know I’ve got a refuge for X amount of time with you guys every day.” That’s one of the main reasons that we do what we do. We love doing it, but we love the interaction with people and knowing that you can actually help somebody have a better day, forget something bad that’s going on in their life.
Even if we come in and things aren’t great for us, we still think, “Gosh, there’s a whole lot of people listening — they have bigger problems, they have bigger things they’re dealing with than we do, not that we’re immune to dealing with things, but let’s just get together. Let’s entertain them. Let’s enlighten them. Let’s tell them what’s going on in the sports world. Let’s have a few laughs. Let’s give them a little kind of place they can go for four hours a day.”
Noe: Do you think hosts lose track of that where it’s “I want to be a hot-take guy” and it gets too far away from wanting to entertain people?
Brent: Yeah, but everybody has to be themselves and this is who we are, and I love it. I’m so blessed to have been able to do this on this radio station. 104.5 The Zone is one of the best radio stations in the country. I am so blessed to have been able to work with four of the most talented radio people that I could ever be around. I’m so happy with the team we have here with Mickey and Dawn. I’m looking forward to the next however long y’all want to do this. 50 years? 60?
Dawn: Time to retire. (laughing) Seriously this guy, they were like, “Oh, you guys want Presidents’ Day off?” I’m like, “Oh yeah, let’s take it off.” They’re like, “Oh, well are you sure? Are you sure you don’t want to work?” I’m like, “What is wrong with you? I love my job, but you guys are not normal.”
Brent: I mean there’s flame-thrower guy out there, that’s not me. That’s not what we do. That’s not who we are.
Dawn: We don’t have the hot-take, piss-you-off, be-mean-to-you-kind-of person really. Unless you really push our buttons.
Mickey: The angry Chihuahua. One of the first conversations we ever had was let’s just pretend like we’re in a sports bar talking to our friends. Let’s talk to people. We’ve always tried to talk with people and not at people.
Brent: There are times when everybody gets riled up. It’s an opinionated business. We’re paid to have an opinion. That’s the reality of the situation, but I think we’re more into building people up.
Does Mike & The Mad Dog Reunion Really Have Broad Appeal?
“My confusion is not about the content. It is about the strategy.”
I know this is an unpopular opinion, especially on a site built on the back of sports radio, but I also know that I am not alone when I say this. I do not get why ESPN is reuniting Mike & the Mad Dog on First Take on Wednesday.
That is not a comment about Mike Francesa or Chris Russo as people. I am not going to sit here and tell you their show was not groundbreaking or pretend that its success did not make it easier for the sports format to spread across the country. They deserve all of the credit and accolades they get from our industry.
My confusion is not about the content. It is about the strategy. Who outside of New York and/or outside of the broadcast industry feels like this is must-see TV? This feels like some real whiffing of our own farts.
When ESPN writes a press release about the success of First Take, they tend to highlight two demographics. It’s either with men 18-49 or with men 18-34. The age range is important because Mike & The Mad Dog hasn’t been a thing for almost 15 years. Francesa and Russo have had their own success in that time. It is not like they disappeared, but 2008 was a long time ago. Even lifelong New Yorkers in the desired demos may not have a strong connection to Francesa and Russo as a brand.
And then there are those of us outside of New York. We may understand that Mike & The Mad Dog was a thing, but what does it really mean to us? Outside of industry professionals, I would venture a guess that if you say “Mike and the Mad Dog” to someone from the Central, Mountain or Pacific time zones, the very best-case scenario is that they would tell you that it sounds familiar, but they have no idea why.
Mike and the Mad Dog is a very specific dynamic, and credit to Stephen A. Smith and his producers, it is a dynamic that is perfect for First Take, but thanks to First Take, it isn’t a dynamic that I can only get from those two guys anymore. Their loud, unrelenting debates were revolutionary in 1989 when the show launched. Since then, the style has spawned so many imitators that I would worry the significance of the reunion will be lost on the average Joe tuning in from outside the Tri-State Area.
Smith is important enough to ESPN that if this is what he wants to do on First Take, then the bosses needed to make it happen. I respect that. But selling this as an event? It seems more exclusionary than anything. To us everywhere-elsers, Wednesday is just going to be an extraordinarily loud episode of First Take.
I have been working for Barrett Sports Media long enough to know the influence that people that are successful on New York radio have across the sports media industry. Why else would FS1 rearrange its schedule to make room for Craig Carton? If First Take were a show dedicated to debating ratings points and the value of digital audiences versus broadcast audiences, then a Mike & the Mad Dog reunion would be a home run.
But First Take is where sports fans turn to hear discussion of the Cowboys’ most recent playoff failure and the possibility that Nikola Jokic wins a third straight MVP award. Those are topics that cast a wide net – think like the net that commercial fishing vessels drop into the ocean. Using a walk down memory lane with Francesa and Russo as a ratings driver is like trying to catch fish with a pool skimmer.
Well okay, maybe not a pool skimmer. New York is really big, so let’s so it is like trying to catch fish with a laundry basket.
Demetri Ravanos is the Assistant Content Director for Barrett Sports Media. He hosts the Chewing Clock and Media Noise podcasts. He occasionally fills in on stations across the Carolinas. Previous stops include WAVH and WZEW in Mobile, AL, WBPT in Birmingham, AL and WBBB, WPTK and WDNC in Raleigh, NC. You can find him on Twitter @DemetriRavanos and reach him by email at DemetriTheGreek@gmail.com.
Jamie Erdahl Reflects On First Season of Good Morning Football
“I learned a lot [and] I got the nuances of the show down. Next year, I hope to elevate even more [and] just push the box a little bit more in.”
Jamie Erdahl, who was named in July 2022 as a new host of Good Morning Football on NFL Network following Kay Adams’ departure from the show, has looked to redefine the role of studio host and shatter the boundaries of being simply a moderator passing the baton to analysts throughout her career in sports media.
“I don’t personally feel that it’s my job to include them,” Erdahl said of her colleagues. “I like to think that this show is the four of us including each other in the conversation, and I happen to be the one that gets us on the air [and] gets us off the air, but everywhere in-between that it’s very much an equal lift if you will.”
Since its inception in August 2016, Good Morning Football has provided football fans unparalleled coverage of their favorite sport through recurring segments, interviews with active players and alumni, live demonstrations and insightful analysis. Aside from Erdahl, the show cast consists of Kyle Brandt, who was the former executive producer of The Jim Rome Show, along with NFL analyst Peter Schrager, former NFL cornerback and Super Bowl champion Jason McCourty.
Erdahl never thought hosting a national morning football show produced by a league-owned media outlet was realistic nor possible in the first place, wherefore she focused her early career endeavors towards covering local teams. In fact, her first exposure to sports media was as a 16-year-old shadowing broadcasters and answering the phones at KFAN Sports Radio in Minneapolis, screening callers who wanted to discuss the Minnesota Vikings among other topics.
After transferring from St. Olaf College to American University, Erdahl was placed into a production internship with ESPN through the Association for Women in Sports Media in a role she refers to as one of her “most formative professional experiences off-camera.” Her principal responsibility was cutting highlights for Baseball Tonight and SportsCenter, along with writing scripts for the anchors to recite over the highlights during the broadcast.
“To this day, I don’t think I would be as great or as strong at reading highlights if I had never had that opportunity at ESPN,” Erdahl said. “….I don’t think you can be really good on the air if you don’t have a full understanding of what it takes to get there from a production standpoint.”
Out of college, Erdahl returned to Minneapolis, where she worked as a freelance reporter at Fox Sports North, a regional sports network. In that role, she was a sideline reporter for various high school basketball games and Minnesota Lynx WNBA contests. One year later, she made the move to Boston to join NESN as an on-air anchor and reporter, contributing both to studio coverage and in-person event coverage ranging from the Boston Marathon to Boston College hockey.
Through several years of persistence and determination, Erdahl was afforded more opportunities and chances to continue elevating her skills. During her first year at NESN, she was working on NESN Sports Today as an anchor and reporter while also filling in for Jenny Dell as a field reporter for Boston Red Sox games. By September 2013, she was named the new rinkside reporter for Boston Bruins live game broadcasts where she succeeded Naoko Funayama, an established broadcaster who held the role for nearly six years.
“[Boston], more than any [market] I’ve ever been around, expects the world of you,” Erdahl said. “They expect the world of their athletes; of their coaches; of their organizations; and then of the media that covers the team. They’ll sus you out right away if they have a sense that you don’t know what you’re talking about or if you don’t know their team like the back of your hand like they do.”
Over her season as the rinkside reporter for Boston Bruins games on NESN, Erdahl performed her job well but internally struggled to report solely on the team. In being immersed in the dynamic atmosphere of a professional team, it is entirely plausible that while the storylines may change, much of the quotidian routine is mundane in nature.
Akin to a beat reporter, Erdahl’s job was to focus her work on the Bruins and NHL at large while remaining cognizant of Boston sports. Through it all, she inherently desired something more – a role in which she could cover several teams within a sport rather than just one.
“I am amazed at the people who can do 162-plus baseball games a year,” Erdahl said. “I just applaud them so much. I think your wealth of knowledge is admirable, but I found it so challenging to, let’s say, do 82-plus [games] of hockey because I felt like I wanted more sport variety.”
In 2014, Erdahl signed with CBS Sports as a sideline reporter for the NFL on CBS, traveling every week around the country to uncover stories and perspectives enhancing the game broadcast. She primarily worked with the No. 3 broadcast team of Greg Gumbel and Trent Green, along with director Suzanne Smith, who has served as one of Erdahl’s mentors. The move from reporting in one city to adopting a peripatetic lifestyle helped her with professional development and allowed her to cultivate relationships around the country.
“When you are at the regional [sports network], you’re just answering to that one team,” Erdahl said. “I loved reporting but what I loved about when I got to CBS was [that] you are answering to the broadcast; you are answering to players from both sides. You had to work to make sure that your coverage was fully equal.”
After several seasons covering the NFL, Erdahl was named the lead reporter for college football on CBS Sports, including within its SEC broadcast package. Despite the game being similar in many ways, college football presented challenges to Erdahl, largely due to the size of the rosters and the fact that many SEC on CBS Game of the Week broadcasts regularly included the Alabama Crimson Tide, Georgia Bulldogs and Louisiana State University Tigers.
Next season will be the final year CBS will broadcast SEC games before the conference’s media rights agreement with The Walt Disney Company (ABC/ESPN) takes effect: a 10-year deal worth a reported $300 million annually. CBS will broadcast the Big Ten Conference instead, inking a 7-year deal for the second-best rights package worth a reported $350 million annually.
“Here I was back again [asking], ‘Okay, how do I make things new and fresh?,’” Erdahl said. “You can’t talk to Tua Tagovailoa every time on the phone. You’ve got to branch out; you’ve got to tell other guys’ stories.”
In addition to reporting on college football and NFL games, Erdahl was one of the first anchors on CBS Sports HQ, a free 24/7 sports news network available to stream on multiple platforms. She also reconnected with her athletic roots when she provided sideline reporting for CBS Sports’ coverage of March Madness. Her alacrity for the game and proficiency in its vernacular gave her an advantage as a media member reporting on one of the year’s premier events.
“My translation speed, let’s say, of what I hear in a basketball huddle is so much faster to laymen’s terms in basketball than it is for football,” Erdahl said. “That’s just a matter of I played basketball; it is a part of my lifeblood; it is part of my body and soul and upbringing.”
Erdahl eventually moved back into sideline reporting for the NFL on CBS; however it differed the second time around because she had two young children at home and had to leave them from Thursday to Sunday each week. Although she was content with her role at CBS and had the support system in place to make it possible, she wanted to be able to see her children grow up and spend time with them.
At the same time, continuing to cover football was important to her and a reason why she considered a studio-based hosting role. In the end, she was ultimately named the new co-host of Good Morning Football on NFL Network.
“Professionally, I think I was very much honing my skill set to become a really great, strong sideline reporter at CBS,” Erdahl said. “I grasped at the opportunity to become a really great, strong studio host. I’m not there yet – it’s only been six or seven months – but I really wanted this job in particular to get me to a place within the NFL [and] within the industry to be a really good host.”
For 15 hours per week, Erdahl is on television discussing the game of football with Brandt, Schrager, McCourty and Selva, along with a plethora of other guests and industry experts. Entering the role from the perspective of a sideline reporter, she has found many aspects of her previous role permeate into this job, most notably those pertaining to listening to others.
“As a sideline reporter, all you can do is be eyes and ears and you’re just hoping that if you’re not the one saying it on the broadcast, you’re relaying information back to the truck or to the play-by-play guy to make sure that what you’re seeing or hearing on the field is getting on to the broadcast…. I like to take that back into a studio setting. Very easily we could sit around the table and we could each talk for a minute and give our takes, but then you’re not really listening to each other.”
Before landing the job, Erdahl had conversations with Kay Adams where they discussed the role and just what makes it unique. Their discussions left Erdahl energized and eager to get started and disseminate her opinions and points of view to consumers on weekday mornings.
“You get to have your own arc of creativity, no matter what chair you’re sitting in,” Erdahl expressed. “I think Kay did that incredibly well for six years. People loved Kay for all the things that she did – but the job isn’t, ‘Here’s how Kay did it; do it the way Kay did.’ That’s not how it was presented [to] me [and] I don’t think Kay would have wanted it that way.”
Over the years, Erdahl has established relationships with colleagues and competitors alike in sports media, staying in touch and reaching out for advice. She was friendly with many of her colleagues at the NFL on CBS, including Tracy Wolfson, Amanda Balionis and Melanie Collins, along with ESPN/Amazon Prime Video’s Charissa Thompson and NFL Network host Sara Walsh. She also estimates speaking to SEC on CBS analyst Gary Danielson weekly, someone who was instrumental in her development as a broadcaster and learning more about the game of football.
Erdahl and the rest of the Good Morning Football on-air personalities do not simply show up to the studios to broadcast each morning; rather, there is an immense amount of preparation that goes into each and every show beginning the night before.
On a shared document, show producers compile a layout for the next day’s program and Erdahl and the other personalities write notes and perspectives to better inform the rest of the crew as to their individual thought processes. There is a production crew that works overnight to monitor the news cycle and prepare production elements for the next day’s program so by the time 7:00 AM ET comes around, the team is ready to produce three hours of insightful football coverage.
“The information wheel in the NFL is just constantly turning so it’s easier for me just to kind of, throughout the day, remain aware of it so then at night, I can answer all my stuff and then tomorrow, I feel a little bit more prepared,” Erdahl said. “I’m not cramming for an hour before the show…. It’s easy to kind of stay swimming in it.”
As Erdahl reflects on the impending completion of her first full season on the show, she intends to learn from her mistakes, such as relying on certain statistics or storylines as a crutch for extended periods of time, to improve as a studio host. She also aims to augment her creativity, learn more about the history of the game and demonstrate energy for the game – all qualities imbued within Brandt, Schrager and McCourty, respectively – to become a “master of the NFL.”
“I was lucky I got through the season,” Erdahl said. “I learned a lot [and] I got the nuances of the show down. Next year, I hope to elevate even more [and] just push the box a little bit more in terms of making sure I don’t have those crutches.”
Viewers of Good Morning Football or other NFL Network programming might be skeptical towards the legitimacy of some opinions because of the oversight the league has on the broadcast outlet. Yet over her time with NFL Network, Erhardt does not feel as if she has been suppressed in editorializing her views.
Moreover, it is the responsibility of the show to balance subjectivity and the maintenance of professional relationships in football with the display of objectivity and proffering of genuine analysis. After all, she believes the league trusts that she is on the air for a reason, and works to ensure the league communicates its storylines in a way discernible to a variety of demographics.
“I haven’t felt the hindrance whatsoever in terms of editorial direction that would make me feel like I shouldn’t do something,” Erdahl said. “I would say mostly on the daily, I get the green light from the things that we try to accomplish as a show.”
There are many football fans across the United States, and it can be safely assumed that many of them have at least thought about potentially covering the game as a media member. Yet very few aspiring media professionals reach the point Erdahl has; in fact, some of her most memorable moments over the years are when she was told she had received certain jobs. Although her skills on the air are evident, her demeanor and team-oriented mindset has separated herself from other candidates and led to sustained success and growth amid a competitive marketplace.
“Sixty percent of being good at this job has nothing to do with being on television, in my opinion,” Erdahl articulated. “I think it’s about a good, honest, ethical person that is nice to people; that is easy to be around; that coaches and athletes in particular want to be around and want to talk to [and] tell their story to. The other stuff will come because you are speaking to something that you went about the right way.”
Derek Futterman is a features reporter for Barrett Sports Media. In addition, he serves as the production manager for the New York Islanders Radio Network and lead sports producer at NY2C. He has also worked on live game broadcasts for the Long Island Nets and New York Riptide. He previously interned for Paramount within Showtime Networks and wrote for The Long Island Herald. To get in touch, find him on Twitter @derekfutterman.
Why Do NFL Fans Want More Greg Olsen and Less Tony Romo?
Olsen creates the perception that he studies each team, breaking down film of offenses and defenses, in preparation for the telecast.
Five years ago, Tony Romo retired as an active NFL player, jumped into the CBS broadcast booth, and immediately became the darling of fans and media for the excitement he brought to his telecasts. Romo’s enthusiasm for the game and understanding of modern offense allowed him to predict plays successfully, making him an instant sensation.
Greg Olsen will finish his second season as a full-time broadcaster on Feb. 12 from the NFL’s biggest stage, calling Super Bowl LVI for Fox with play-by-play partner Kevin Burkhardt. Olsen hasn’t drawn the must-see buzz that Romo did early in his TV career. No fan likely tuned into Fox’s top NFL telecast, “America’s Game of the Week,” to listen to Olsen’s analysis. His work doesn’t draw nearly the same amount of acclaim.
But the shine has worn off Romo with viewers during the past couple of NFL seasons. Watching a game with Romo in the booth previously felt like sitting alongside a fellow fan, jubilant at fantastic plays or clever strategy, and disappointed at performances that fell short. His energy also elevated Jim Nantz as a play-by-play announcer, bringing him back to life after 13 seasons alongside Phil Simms.
Now, however, Romo’s outbursts — noises in place of words, or outright yelling — seem like a crutch when coherent thoughts can’t be articulated. Where there was once fascinating insight from the analyst position, the former Dallas Cowboys quarterback often resorts to clichés and platitudes that don’t add to a fan’s understanding of what’s happening on the field.
Worst of all, Romo sometimes talks merely to talk, filling a quiet space when a broadcast needs to breathe or the images are saying enough on their own. That’s especially awkward when paired with a veteran like Nantz, who’s a master at letting the moment speak for itself rather than trying to punctuate it with unnecessary narration.
On Fox’s telecast of the 49ers-Eagles NFC Championship Game, Olsen explained how play-calling changes when an offense intends to go for it on fourth down. He showed an awareness of the strategies that each coach employed to gain an advantage or neutralize what the opponent was doing well.
Early on, he highlighted San Francisco defensive end Joey Bosa holding back on his natural impulse to pursue the quarterback at all costs. Instead, he maintained a position that prevented Eagles quarterback Jalen Hurts from running to gain yardage when pass plays weren’t available.
With analysis like this, Olsen creates the perception that he studies each team, breaking down the film of their respective offenses and defenses, in preparation for the telecast. He doesn’t appear to be surprised by what he sees because that prep work — watching film, talking to coaches and players — informs him of the eventualities and possibilities that could arise during a game.
The hardcore football fan, those who repeatedly watch highlights and replays, loves that kind of analysis. Such attention to detail feels gratifying because it demonstrates that the person calling the broadcast is as serious about this stuff as the viewer who’s waited all week for the big game.
Yet a more casual fan is also drawn in because of Olsen’s amiable personality and ability to explain things simply and clearly. It’s similar to what viewers enjoy about ESPN’s “ManningCast” for Monday Night Football. Yes, there are jokes and funny moments. But Peyton and Eli Manning both explain strategy and preparation very well.
By comparison, Romo comes off like a broadcaster who’s winging it, letting his personality and enthusiasm fill gaps created by a lack of preparation. That might be a completely unfair criticism. We don’t know what kind of work Romo puts in leading up to a telecast. Maybe he watches as much film as Olsen. Perhaps he talks to everyone available to the broadcast crew in production meetings.
If so, however, that doesn’t show itself on the CBS telecast. Romo’s work on Sunday’s Bengals-Chiefs AFC Championship Game telecast was an improvement over his call of the Bengals-Bills divisional playoff clash. During the previous week, Romo acted as if he didn’t have to provide any insight because this was the match-up fans had anticipated all season and already knew everything about the two teams.
Perhaps in response to that criticism, Romo made a point of highlighting the importance of each team’s defensive coordinator — Cincinnati’s Lou Anarumo and Kansas City’s Steve Spagnuolo, respectively — in disrupting the performance of quarterbacks Patrick Mahomes and Joe Burrow. But rather than demonstrate an actual strategy during a replay, he stated that each defense would come after the opposing QB and create pressure.
Ultimately, the difference between Romo and Olsen seems to be schtick versus knowledge. But it’s also a product of how each analyst reached their position. Romo joined CBS’s No. 1 NFL broadcast team without previously calling any games. (As BSM’s Garrett Searight points out, that immediacy and recent connection to the game fueled what felt like fresh analysis.)
Meanwhile, Olsen called games during bye weeks while he was still an active player and was on Fox’s No. 2 crew with Burkhardt before being elevated to top status following the departure of Joe Buck and Troy Aikman to ESPN. He’s had to get better out of necessity. Even now, as Olsen establishes himself as his network’s top analyst, he faces the possibility of being bumped from that position when Tom Brady retires and cashes in on the massive contract Fox offered him.
Compare that to Romo, who’s the highest-paid NFL analyst on television. His $18 million annual salary set the bar other top broadcasters are trying to reach. And he has seven years remaining on the 10-year contract he signed with CBS. That is significant job security. Even if network executives (or Nantz) lean on Romo to improve his flaws, how much motivation is there when he’s already been anointed a broadcasting king?
However, NFL fans and sports media are making it clear what they prefer from their football broadcasters. They want insight and substance. They want to learn something from the commentary, rather than just be told what they can see for themselves.
Olsen is providing that and is being rightly lauded as a broadcaster living up to his status. Romo is suffering a fall from acclaim and has become a weekly punching bag. If he and CBS want to change that, he’ll have to bring more to the booth each week. In the meantime, Fox should consider appreciating what it already has, rather than welcome a glitzy name.
Ian Casselberry is a sports media columnist for BSM. He has previously written and edited for Awful Announcing, The Comeback, Sports Illustrated, Yahoo Sports, MLive, Bleacher Report, and SB Nation. You can find him on Twitter @iancass or reach him by email at firstname.lastname@example.org.