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You Can Call Arnie Spanier a Stinkin’ Genius

Tyler McComas



Arnie Spanier walked into a gymnasium where his little brother was playing a high school basketball game. He had just quit his job at an advertising firm in Los Angeles, where he was employed for one year and a day. The firm wanted Spanier to be a full-time employee, but there was just something about the 8-5 lifestyle that turned him off. He declined and walked into the gymnasium that night, jobless, in his 20’s and still not far removed from college. 

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The game that night was to be broadcasted on a local cable channel. However, the two guys doing the game never showed. In a mad panic, it sent the TV station into a frenzy trying to find someone who could broadcast that night’s basketball game. Spanier calmly walked up and offered his services. Sure, he was wearing sweat pants, but he knew his brother’s team really well. The only issue, besides the sweat pants, is that he didn’t know the other team at all. With no previous experience in the broadcast world, Spanier called the game that night on TV. The bug started at the most unusual place and time of his life. Afterwards, he knew he needed to try to find a way on the radio.

When Spanier arrived at The University of Arizona, pursuing sports radio as a career was the furthest thing from his mind. The format was still in its very early stages and not nearly as prevalent as it would be a few years later. With little experience and no tape to show program directors, Spanier was literally starting from the bottom in his pursuit of a career he had just recently become interested in.  

One station Spanier was aware of, was the Sports Entertainment Network in Las Vegas. He listened to one of the shows on the network and thought he could do just as good of a job as the host he was listening to. So, Spanier headed to Vegas to try his luck on getting a shot with the station. Upon meeting with one of the big decision makers, Spanier expressed his desire to do some fill-in work. The man asked the question that anyone else in charge of a big station would ask, “How much experience do you have?” Unfortunately, Spanier had nothing to offer on that front and was honest about it.

 “Get the hell outta here! Go work some place like Little Rock for a couple of years and then give me a call,” was the response Spanier heard. But instead of walking out the door and dealing with striking out, Spanier asked the guy to reconsider. Finally, he was told to call back in a couple of months to see what the station had. He loaded up and drove back home both hopeful and excited. 

All throughout that summer, Spanier’s calls to the station went unreturned. Living in his parents’ house didn’t make the waiting any easier, but he had to, seeing as he had no money at the time. Finally, out of the blue, he got a call from the network and asked if he still wanted to do some shifts. Without hesitation, Spanier said yes. He was instructed to do the midnight to 6 a.m. shift on Christmas Eve, Christmas Day, New Year’s Eve and New Year’s Day. Probably the four-worst shifts he could have been asked to do, but he didn’t care, his opportunity had finally arrived. 

More than anything, Spanier was excited he’d have some tape to show other stations that were potentially hiring. He didn’t know what to expect, only that he would be leaving with cassette tapes in hand to mail across the country. When he walked into the studio, he had no idea what he was doing. Much like his career, his knowledge of a working radio studio was starting at the bottom. 

Regardless, Spanier made it work and did all four shifts he was asked to do. In his mind, it went well, so he approached the boss on the following Monday morning to thank him for the opportunity. But as he walked to his office, all he heard was yelling and a lot of four-letter words. Two men came storming out and left. Spanier casually walked in and was told, “Who are you?!” “Woah, woah,’ Spanier said, “My name is Arnie and I just want to thank you for giving me the opportunity to let me host the four shows over the holidays.”

The response that Spanier got was one he’ll never forget. 

“If you want to thank me, you can start today from noon to 3 p.m.”

Just like that, not only did Spanier have his first job in radio, he was now hosting a national show. Talk about fortunate. For a week he did the noon to 3 shift. After that, he was in drive time from 3 to 6 p.m. The soon to be ‘Stinkin’ Genius’ was just getting started

Along with a ton of excitement, stops in several markets across the country would follow in Spanier’s career, such as Atlanta, Dallas and Phoenix. Spanier and his wife Beth even appeared in an episode of The Newlywed Game. Today, you can hear him every weekday on 101.3 The Game in Burlington, Vermont from 3 p.m. to 6 p.m. along with Rich Haskell and Brady Farkas. Spanier is also still doing national radio. You can hear him every Sunday night on Fox Sports Radio alongside Chris Plank.  


TM: You’re talking every day with your co-hosts on the show in Burlington. Mostly, face to face, I’m sure. But what about your Fox Sports Radio show on Sunday night? You’re in Vermont and Chris Plank is in Oklahoma. Have you ever seen each other in person?

AS: We’ve never seen each other face to face in the 5 or 6 years we’ve been doing a show together. We’ve only spoken on the phone, like, less than a half dozen times. It’s around once a year, we’ll call each other maybe for the holidays or something. But we do text each other a bunch during the week. If there’s something I see that we can use for our show, or even his local show, I send it.

TM: What are the challenges of doing a national show, compared to a local show? Is it harder?

AS: I don’t think it’s harder. It’s different in a few ways, you’ve got to figure out the main topics and which games are the most relevant to talk about. Like on Sunday, you had the Saints playing the Rams, you had the Packers and Patriots, so you concentrate on those games.

You really don’t know what’s going to happen or take off nationally. I like both of them, because I’ve done a lot of local radio and I’ve done a lot of national. But I don’t find national any harder, you just have to keep up with things a little more. The only thing that may be tougher is college basketball. Even though you’re not going to talk about the smaller teams or even breakdown the games, keeping up with everything going on makes it tougher. 

TM: In that sense, is there any way that doing a national show makes you better as a host? Just because you have to broaden your horizons and talk more than just what’s local?

AS: I think both ways. I think the fact that I’m up in Vermont and a small market for the first time in my life, we do a lot of Patriots and a lot of Giants. The stuff I talk about locally, I can definitely bring over to my national show, because we breakdown the Pats like no other. Then, I can bring stuff from my national show and let them know what the rest of the world is thinking about the Patriots, Giants, Knicks and the rest of the area teams. I think it’s not just one way or the other, the local show helps the national show and the national helps the local. 

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TM: Where did your nickname ‘Stinkin’ Genius’ originate from? 

AS: Nebraska was playing Arizona State and they absolutely crushed them. Nebraska absolutely crushed them. If I remember correctly, gosh, it’s been so long, Nebraska scored on a late touchdown and I think they won 77-28. Immediately, I said, “Ohhh, you’re going to pay for that, big boy! Running up the score! I said, you watch and see if Arizona State doesn’t sit on this one for a year and circle this one on the calendar! I wouldn’t be surprised if they shut them out!”

The next year, Arizona State shutout Nebraska 19-0 and I think it was the biggest prediction. Nebraska hadn’t been shutout in a long time. So, some people said, wow, you’re just like a stinkin’ genius! That kind of stuck and it’s been going on for several years. 

TM: As fun and cool as it is to have that nickname, how much has it helped people identify you?

AS: I think it’s definitely helped, especially early in my career. But I think other things also, just little things like the way I give out the phone number, or my style, just other things. But yeah, Stinkin’ Genius, that really helped people identify me early in my career. 



TM: Even though you mentioned that you really didn’t know what you were doing in the beginning stages of your career, was there something inside of you that thought you were pretty good?

AS: Yeah, of course in my mind. We were told to take a lot of phone calls, so I would churn out like 50 calls an hour. After 6 hours that would definitely take a toll on you, but that’s what they wanted back then.

We used to get a lot of calls and have a lot of fun. I was like, damn, this is working out good. We have a good show with a lot of calls, the boss even likes me, I’m actually getting paid, living in Las Vegas, I got a mustache and a ponytail, what more could I want?

TM: You’ve done shows all over the country, but can you say that you enjoyed one market over any other?

AS: I would say Phoenix. I went to U of A so being in Phoenix was unbelievable. There was a lot of ASU and U of A, the Suns were good at the time, and I got to bring the morning show from the network along with me. I got John Cannon hired, and another guy hired, it was like my own station. We just completely captured the city and had big turnouts all over the place. Remember, I worked in some good markets. Dallas, Atlanta, but I would say Phoenix was the most influential one. 

BSM Writers

What Tom Brady Needs To Know Before His First Fox Broadcast

“Our panel includes a fellow player-turned-analyst, a legendary play-by-play man, and a broadcasting coach.”

Demetri Ravanos




Stop me if you’ve heard this one before. Tom Brady announced he is retiring from the NFL today. It happened literally a year to the day since the last time he retired.

The last retirement lasted just 40 days. Before the end of March of last year, Tom Brady had decided he was done pretending to be happy about embracing life off of the field and announced he was returning to the Tampa Bay Buccaneers for a third season.

I guess we cannot rule out that that will happen again. The difference this time around, at least for Tom Brady’s professional life, is that he has a plan for his future. Now that his playing days are over, it is time for him to start his ten-year deal with FOX to be the analyst in the network’s top NFL booth.

Audiences do not know what to expect. No one can deny that Brady brings star power. He is the GOAT after all, but we cannot say for sure if he will be any good.

The pressure is tremendous too. Not only is Tom Brady embarking on a new career, but football fans seem to have taken a liking to the guy he is about to unseat. Whether Greg Olsen gets kicked back down to the number two booth or he is forced to share the spotlight in a three-man booth, plenty of people will look at Brady as the reason we hear less from the guy regarded by many as the best analyst on TV right now.

Brady does not have much room for error here. Since that is the case, I thought I would get some perspectives from people that can help him out. I asked three people to give me their best advice for Tom Brady.

Our panel includes a fellow player-turned-analyst, a legendary play-by-play man, and a broadcasting coach.


In 2000, the New York Jets used the 27th pick of the NFL Draft to select Anthony Becht. He played for five different teams during his twelve NFL seasons.

Courtesy USA Today

His broadcasting career began in 2013. Becht worked on ESPN for eight years as an analyst on the network’s college football games. He has since abandoned the booth to return to the sidelines. He will be the head coach of the St. Louis Battlehawks when the XFL starts its third first season this month.

I texted and asked him to look back on his broadcasting career. What does he wish he knew before he started? Here are the three pieces of advice that he had for Tom Brady.

1. Less is more. Folks want to watch the game and just know the “why”. Providing tangible information in a five or six second window is key.

2. Fans want to know about your personal experiences as a player – information and stories they can’t get or wouldn’t even know about because they never did it at the level we did. Share those when the time comes in a game.

3. Have a strong opinion about what you agree or disagree with, but be able to voice it without being demeaning towards players and coaches. It’s an art form and takes time to articulate that in a way that’s done right. I never bash any player or coach because a lot of work goes into be a professional athlete and coach. That needs to be respected but critiqued appropriately.

Anthony Becht via text message


Tim Brando has worked with a lot of people. That happens when you have been calling football and basketball action on TV for as long as he has. When I called him on Wednesday to discuss what is ahead for Tom Brady, he drew on his experience with another Brady.

Courtesy FOX Sports

Brando was working with Jole Klatt in his early days at FOX, but he and Klatt were not going to be an exclusive team. He remembers Brady Quinn coming in to their booth shortly after his NFL career had eneded. Quinn was about to make his debut for FOX. Before they were ready to turn him loose, the network wanted the former quarterback to get a feel for the pace and atmosphere of a broadcast booth.

I do think it’s important that you have a new talent understand what that workplace is like in the booth – the choreography that takes place, because there is choreography. If the ball is deflected, your spotter’s hands are coming together like a bad clap. If there’s a hit, who caused the hit? Who stripped it? So there’s a hand signal for stripping the ball and then recovering the ball with the arms closing together. So who got the recovery? Who caused the fumble? Those things are always helpful.

There are things that are going on frantically in the booth, but you as a broadcaster have to remain calm, understand it, and sound succinct and confident. That just takes time and it takes reps. 

That’s one of the great things I think that Greg (Olsen) probably had an advantage in, as do a lot of analysts that get better over time. They do games of lesser importance that maybe the whole world is not watching. 

Tim Brando via Telephone

Tom Brady won’t have the luxury of time or of reps under the radar. He may get to do a few practice games, but the first time he will be calling a game on live television, it will be one of the biggest of the week.

Brando says in that case, it is really important that Brady use his instincts to his advantage in the booth the way he did on the field.

I don’t know Tom well, but I know him well enough to know that he prides himself on preparation. I don’t doubt for one minute that he will be prepared. He’s obviously an incredible competitor. You know, this is a this is a business of competition too. 

If you’re a great player, just like a coach, you love the ecstasy of victory. You don’t want to admit it, but you love the agony of the defeat as well. That feeling of defeat is something we feed on to motivate you for your next performance. In television and sports television, you don’t get that in terms of winning and losing, but you do get it if you look at it as a great performance, 

I believe that all great broadcasters are performers at heart. It takes a certain level of of a theater. It’s live. It’s not scripted. 

I think some players that get in the booth that are looking to have that same, you know, euphoria that they have after playing and winning a game. Some of them get that and understand that in broadcasting and get out of that the same thing and others don’t.

Tim Brando via Telephone


Plenty of broadcasters turn to Gus Ramsey for critiques and advice. The Program Director for the Dan Patrick School of Sportscasting at Full Sail University is also a broadcasting coach working with clients at all levels of the business. They trust his opinion because of his professional experience.

Courtesy Full Sail University

In a prior life, Ramsey was the producer of SportsCenter on ESPN. He has worked with a number of incredibly talented people and been tasked with taking newbies to new heights, so I asked him what he would be thinking if it were his job to get Tom Brady ready for his first FOX broadcast.

Sometimes great athletes forget that most humans don’t know what the athletes know. Things that are basic or simple or even mundane to the athlete are incredible pieces of wisdom or insight to the average fan.

When I was at ESPN we had Tony Gwynn in for an episode of Baseball Tonight. In our show meeting, Tony was explaining why a hitter was slumping because we was cupping his wrist. He went on explaining it for 30 seconds or so. The room was in total silence, eating up every word. The greatest hitter of our generation was doing a deep-dive on hitting. It was amazing.

Tony suddenly got a little self-conscious, stopped explaining and apologized for “going on too long” and we were all like “No!! Keep going!” Tony thought is was boring. It was just the opposite.

Athletes can think things they’ve learned and repeated their whole lives are common knowledge so sometimes they don’t share that info because they think “everyone knows this.”

I want to walk away from a broadcast feeling like I learned something. Sometimes the ex-athlete doesn’t realize how much educating they can do in a broadcast.

The other thing I always encourage former athletes or coaches to do is to take the viewer where they’ve never been; on the field, in the locker room, in a contract negotiation, etc. If you can get that viewer to fully appreciate the feelings and emotions of what goes on in those places, you enhance the experience for us.

Terrell Davis was an analyst on NFL Network for a bit after his career. He once described Champ Bailey running back an interception 100 yards by saying as Bailey got to the 50 yard line “right here it feels like someone put sandbags on your ankles.” I’ve never run 100 yards in a football uniform in Denver’s altitude, but Terrell’s line helped me better understand what it feels like.

Gus ramsey via text message

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BSM Writers

Mark Packer Loves Reading Your Memories & Tributes to Billy Packer

“I’ve heard from all kinds of coaches. I’ve been blown away. It’s just another reminder of the impact Billy had on so many different people, not just the world of sports.”

Tyler McComas




It still stands today as one of the most iconic moments in the storied history of Arizona basketball. Three simple words said it all as the Wildcats celebrated an overtime win over Duke to win the 1997 national championship. “Simon says championship.” Those were the words of legendary broadcaster Billy Packer as Miles Simon fell to the floor with the ball in his hands. It’s one of many lines his son, Mark Packer, has been reminded of recently.

It was the perfect three words after the country just watched Simon carry Arizona to college basketball glory. Packer captured the moment perfectly, just like he did during every Final Four for 34 years.

Packer passed away last Thursday at the age of 82 but his legacy and impact in sports broadcasting will never perish. He was heard during every NCAA Tournament from 1975 to 2008 and was on the call for some of college basketball’s most iconic moments, including Michael Jordan’s shot to win the 1982 National Championship, Bird vs Magic in 1979, and even Kansas completing an improbable comeback to win the 2008 championship in his last broadcast. And the best part of it all was that Packer did it his own way, with his own unique style.

“It has really been remarkable,” said Mark Packer. “When Billy passed Thursday night we put it out on Twitter and it took off but I didn’t really know what to expect on Friday and Saturday as far as reaction. But the tributes have been fantastic and our family has loved it.

“I have heard from just about everybody and their brother. Folks I never thought I’d hear from, I’ve heard from them, such as commissioners, whether it be the NBA, whether it be other Power 5 leagues, I’ve heard from all kinds of coaches. I’ve been blown away. It’s just another reminder of the impact Billy had on so many different people, not just the world of sports. To me, that’s been comforting to all of us. It just reinforced all the stuff we knew he was about and brings back special memories.”

Packer’s style of broadcasting has been well-documented over the years. He was honest about what he saw and always spoke his mind. Granted, that didn’t always sit well with college basketball fans, but Packer wasn’t concerned about that. He was honest because he cared. 

“He wanted the game of college basketball to be the best it possibly could be,” said Mark.  “When he saw things he did not like, the one thing he always did was speak his mind. He ruffled feathers and he didn’t care. His intent was to make the game the No. 1 priority. You realize now he didn’t have it out for your team, he was just speaking his mind.”

That style meant fans would often yell at games, ‘You hate Duke! You hate North Carolina!’ Packer’s honesty was often taken by fans as he hated their favorite team. He used to laugh at that, just as Mark does know when he thinks about those moments. That’s because Mark can remember feeling the same way as other fanbases as a kid growing up rooting for NC State. 

“When he was calling an NC State game I thought he was always out to get my team,” laughed Mark. “He’d be doing a game in Raleigh — we grew up in Winston-Salem — and the next morning after the game I would be eating breakfast before school and I would say ‘Man, Billy, you really got on so-and-so last night, what’s your problem with NC State?’

“He used to just laugh, because I thought he had an agenda against my team. Of course the funny thing is, we’d go on trips with him to other games and you’d hear fans say, ‘Billy Packer hates my team!’ It almost became a laughing joke, even amongst the family members, that Billy Packer was out to ruin your team’s day when he does a ballgame.”

Mark has always referred to his dad the same his television partners did. That goes for his two other siblings, as well. “Dad” was rarely, if ever, said in the Packer household. Instead, the legendary broadcaster was called by his first name.

“The fact they called him Billy on television, we never called him dad,” said Mark. “We just called him Billy.”

As you can imagine, ‘Billy’ had a lot of stories. That’s normally the case when you’re around the game’s greatest players and broadcast the legendary games we still talk about today. Packer was always quick to share those stories with his family, which made for an entertaining childhood.

Out of the hundreds of messages Mark has received since his dad’s passing, he says he hasn’t heard any stories he’s never heard before. But that doesn’t mean people haven’t been telling him stories about his father.

“We’ve heard them all, quite frankly,” laughed Mark. “Maybe the thing that was so funny about it was that it reinforced some that we thought were total BS when we heard them the first time.”

Packer will always be synonymous with college basketball and the NCAA Tournament. He was the voice of the sport during its golden era and helped bring the magic to TV sets across the world. If Mark had to guess what his dad is most proud of regarding his broadcasting career, he says it would be just that. 

“From a broadcasting standpoint, probably the Final Fours,” said Mark. “When you, I think the number was 34 I heard, and he did so many of them, for us, we kind of took it for granted. It was just something he did. It was March and Billy is about to go do March Madness. It was just fabric for not only him personally, but also the family. He just loved the sport and wanted it to be good.”

Mark has carved out an incredible broadcasting career of his own. He’s hosted both radio and TV shows with outlets such as the ACC Network, WFNZ in Charlotte, and ESPNU. Having a front row seat to one of the most iconic careers in broadcasting, undoubtedly helped shape his career. Mark is very forthcoming as to what lesson he took from his dad the most. 

“Oh, that’s easy,” Mark said. “That’s prep. He always studied. He was always coming up with notes and angles and facts. I have always done that with the radio and TV shows, that you constantly prep, you constantly read and make notes. You may not use but 10 percent of whatever you’ve been studying, but somewhere down the road you’ll use it again.

“When we were cleaning out his closet I ran into an entire box of old notes that he had from games from yesteryear. I kept every one of them and I can’t wait to look at them and relive those games and see his prep work and point of detail for all those games.”

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Anatomy of a Broadcaster

Anatomy of an Analyst: Doris Burke

“Doris Burke has an ease about her. A quiet confidence if you will.”

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Basketball and Doris Burke have been synonymous for many years. At the age of 7, she started to play the game that would eventually get her to the top of her profession. Along the way she’s recorded many firsts for women in this field which I’ll detail later. Burke has also become an inspiration to other women already in broadcasting and those thinking about a career in media. Pretty impressive. 

Burke was raised in Manasquan, New Jersey. She was the youngest of eight children, and started playing basketball in the second grade. She starred at Providence, where she was the team’s point guard all four of her years there and made an impact immediately. 

During her freshman year, Doris Burke led the Big East in assists. She was a second-team All-Big East player once and twice made the all-tourney team of the Big East Women’s basketball tournament. Burke held seven records upon graduation, including finishing her career as the school and conference’s all-time assists leader, a record that has since been broken. She served as an assistant coach for her alma mater for two years from 1988-90.

From there it was time to embark on a Hall of Fame career.


Burke began her broadcasting career in 1990 as an analyst for women’s games for Providence on radio. That same year, she began working in the same role on Big East Women’s games on television, and in 1996 she began working Big East men’s games. 

Doris Burke has been working for ESPN covering basketball in different roles since 1991. It has also allowed her to do other things along the way that were unchartered for women in the business. In 2000, Burke became the first woman to be a commentator for a New York Knicks game on radio and on television; she is also the first woman to be a commentator for a Big East men’s game, and the first woman to be the primary commentator on a men’s college basketball conference package.  In 2017, Burke became a regular NBA game analyst for ESPN, becoming the first woman at the national level to be assigned a full regular-season role. 

If that wasn’t enough, from 2009 to 2019 she served as the sideline reporter for the NBA Finals on ABC. I mentioned it was a Hall of Fame career and it was officially deemed as such in 2018. Burke was selected to enter the Basketball Hall of Fame as the Curt Gowdy Media Award winner.


“Doris Burke has an ease about her. A quiet confidence if you will.” Relying on her past experiences in the game as a player and coach, the information she brings her audience is relatable. Some analysts struggle to bring home a point in a way that a casual fan will understand. Burke has no trouble with this. Her ability to spell it out, concisely and conversationally sets her apart from most analysts, male or female. 

Burke attacks her job, knowing that some will question her authority when it comes to commentary on the NBA. She doesn’t mind steering into the skid.

“I am mindful of the fact that I have not played or coached in the NBA,” Burke said to last year. “It doesn’t mean that I can’t do a very competent job. I think I try to do that every single night, and I’m never afraid to ask questions.” 

It’s all about the information to Burke, and has nothing to do with the fact she’s a woman covering the NBA.

“If you enhance a viewer’s experience, it doesn’t matter what your gender is,” she said. “As long as you are competent and put in the work … you’re going to be accepted.”

Doris Burke learned the ropes so to speak from several women that came before her. In an piece from January of last year, she outlined how much she enjoyed watching former ESPN SportsCenter anchor Gayle Gardner. Early on in her career at ESPN, Burke got to work with Robin Roberts on WNBA and women’s college basketball broadcasts along with Ann Meyers Drysdale and Nancy Lieberman. Roberts was Burke’s inspiration as she started her career path. She admired the professionalism that each displayed. 

“Working alongside Robin Roberts … the one thing I would tell you is the most powerful means to change or impact somebody is by your actions,” Burke said. “She was the epitome of professionalism and competency and garnered the respect of the people around her because of the work habits she had. Watching Robin early on let me know that the basis for everything is the work you put into something.”

While Roberts may have been influential to Burke, Burke has been a beacon for other woman that are getting opportunities in broadcasting.  When asked about their role model, YES Network analyst Sarah Kustok, 76ers play-by-play broadcaster Kate Scott and former WNBA player and current Miami Heat studio analyst Ruth Riley Hunter all mentioned Burke by name.

“Burke is the best example for anyone — male or female,” Hunter told “I love the way she describes the game. She adds so much to every broadcast, and when I was playing in the WNBA I was always really inspired by her work.”

Burke is popular amongst her colleagues at ESPN/ABC, thanks to a tireless work ethic an ability to adapt to whichever sport she may be calling that day. Count Jeff Van Gundy among her biggest fans.

“She’s the best, most-versatile analyst and commentator at ESPN,” Van Gundy said of Doris Burke in 2017 via Deadspin. “She does it all—great interviewer, commentator, studio analyst—everything. And she is an expert at it all—women’s and men’s college basketball, the NBA and the WNBA. She’s the LeBron James of sportscasters. There’s no better broadcaster out there right now.”

Burke is equally a big fan of Van Gundy and the top broadcast crew for ESPN/ABC’s NBA coverage. That includes Mike Breen and Mark Jackson as well. 

“We are talking about three of the best to ever do it. Mark, Jeff and Mike have held down the NBA Finals for over a decade with commentary that is the best of the best. Hubie Brown is a living legend. All of those men have been nothing but gracious and supportive of me,” Burke told the Athletic. 

Doris Burke is considered one of the best NBA analysts around.  Her bosses at ESPN made sure to re-sign her to a multi-year deal and promised she will be involved in “high profile” NBA games in both the regular season and playoffs. Burke will also call finals games on ESPN Radio and appear on the NBA Sunday Showcase program on ABC.

Good for her and good for fans of the NBA on ESPN/ABC.


In 2010, she was featured as the new sideline reporter for 2K Sports ‘NBA 2K11’ video game. She has appeared in every version since, including the latest ‘NBA 2K23’.   

As a senior at Providence in 1987 she was the school’s Co-Female Athlete of the Year.  

Her basketball idols growing up were Kyle Macy, Kelly Tripucka and Tom Heinsohn.  

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