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Murph & Mac Act Like There’s No Tomorrow

“You’re definitely aware of your own mortality,” shrugs Paulie. “We just try to have fun with it. Even on the air, that’s just how it is.”

Jack Ferris

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It’s 10:01 am on a Wednesday in KNBR’s North Beach studios.  The sun splashed the Cumulus building and the rest of San Francisco just about 3 hours earlier.

Generally this marks quitting time for Brian Murphy and Paulie McCaffrey but today they have one promo read that stands between them and the door.  The day’s 4 hour Murph and Mac show was pretty typical for the longest running sports radio tandem in the Bay Area.  Brian discussed the turbulent nature of his recent colonoscopy and Paulie asked earnest questions about the process.  All live on 50,000 watts.

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Preparing for their 30 second spot, the two radio vets are a shining example of the idea that opposites attract.  Brian, in a quarter zip and khakis, is looking over the copy tossing out ideas about how they should attack the read.  Paulie, in his hoodie and jeans, answers with Good Will Hunting quotes, all while tapping his black converse-adorned foot to a tune he’s humming to himself.  This dance between the San Francisco icons lasts for about 3 minutes before they ultimately decide on nothing, other than just to try it.

They nail it on the first take.

The shorthand between Murph and Mac is tough to describe.  They have the kind of connection you can only forge over nearly 14 years of live radio.  They can have full conversations with a moment of eye contact.  Theirs is a relationship beyond coworkers or even friendship.  It almost feels like a marriage.

“I only see one problem with the marriage comparison,” admits Bonnie-Jill Laflin, owner of the show’s third microphone for the last year.  

“Married people fight way more.”

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Like any tale worth telling, the origin story of Murph and Mac starts with two young men who had no aspirations of becoming what they are today.

Brian Murphy graduated Mount Tamalpais just north of San Francisco in 1985 and headed off to UCLA to pursue a career in sports writing.

“The dream was to write for Sports Illustrated,” Murphy recounts. 

“Back then, there was a traditional route.  You’d find a job out of college working for any paper that would have you, then work your way up from there.  That was my plan.”

His plan eventually earned him a position with the San Francisco Chronicle covering golf in the early 2000s and catching the attention of the market’s sports radio giant.

“My first interaction with KNBR came as a guest, actually.  They’d have me on to talk golf leading up to a major or some big tournament.  It was a lot of fun.”

What the sports writer viewed as “fun,” the powers that be at KNBR viewed as potential.  In the spring of ’04, Murphy was recruited to fill in opposite Ralph Barbieri on The Razor and Mr. T while Tom Tolbert was traveling for NBA duties.

“You can definitely say my radio career is owed to Tom’s television career,” Murphy offers with a slight chuckle.

In less than a year, Murphy was offered a full time position on the station’s morning drive – one he cautiously accepted.

“I always thought, ‘OK, if this doesn’t work out, I’ll just go back to writing.'”

In November of 2004, KNBR had one half of what would become their cornerstone morning show.  Unknown to the station and Murphy at the time, the co-host they were looking for had already worked at the station for nearly a decade…as a copywriter.

Paul McCaffrey grew up “bicoastal” well before it was cool, which could not be more Paul McCaffrey.  

After spending time in a handful of cities, his college years found him in Boston where he attended Curry College.

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“They had a great college radio station, so I would hang out there and eventually they had me DJ jazz at like 7 am on Tuesdays and from there I did every genre up to hip hop.”

McCaffrey pauses.

“Late 80s hip hop, man – think of all those great artists!”

Upon graduation, McCaffrey did what he always thought he would do and returned to the City by the Bay.

“The time I spent in San Francisco as a kid, I always knew this place was special.  I always knew I would be back here.  I love this city.” 

By the mid 90s McCaffrey found himself in that copywriter position.  He wasn’t a DJ, but he was just fine with that.

“I was working in radio in a great city.  I wasn’t on air, but I had pretty much let the dream go by then.”

Perhaps Paul was ready to let his on air dream die, but KNBR General Manager Tony Salvatore had no such intention.

“I remember I used to argue with coworkers getting coffee, or in the hallway or something, always about sports – and Tony used to hear me, point and say; ‘I wanna hear more from you.'”

Almost to McCaffrey’s shock, Salvatore gave the copywriter a shot on the station’s newly acquired Ticket 1050.  He didn’t spend years in small to medium markets climbing the ladder to big market radio, and he didn’t grind through print media – but he was a passionate fan.  His voice was that of the listeners and that perspective was cherished by Salvatore.  In a few years, the Curry College grad made a name for himself not only on 1050, but the company’s rock station 107.7 The Bone.  A passion for sports and music along with an infectious sense of humor had made McCaffrey’s dreams come true.  But things were about to get even better.

By Christmas of 2005 Brian Murphy had been handling KNBR’s morning drive for a year – but the station was still searching for his co-pilot.  It was at this point they decided to try Paul McCaffrey opposite Murphy for a handful of shows.  You couldn’t pinpoint the reason why or how, but somehow the sports writer and the college jazz DJ complimented each other perfectly.  The left side of the brain and the right. They fit together as well as their surnames – Murphy and McCaffrey – or as Tony Salvatore first exclaimed after their first few shows: “Murph and Mac!”

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The marriage of Murph and Mac officially began just weeks later.  For better or for worse – in sickness and in health.  Unfortunately for Paulie and Brian, the San Francisco sports landscape during their first couple years was beyond sick – it was on life support.

“It was awful,” Brian remembers, laughing as if to keep from crying.

“Think about it – the Giants were terrible, the Warriors were terrible, the Niners were terrible.  We had nothing!”

From the jump – their partnership was tested.  They were forced to make 4 hours of content everyday out of franchises that weren’t giving them much to chat about.  It was a challenge they overcame by a little old fashioned creativity.

“We tried a lot of stuff,” Paulie recalls through a nostalgic smile.

The two developed a fake auction in which they would push items associated with losing that no one would want, a “grievance game,” and of course – Paulie Mac’s now signature parody songs.

After a year of making lemonade out of lemons – Murph and Mac had established themselves with Bay Area commuters, just in time for the sports scene to turn around.  The “We Believe” Warriors in the Spring of 2007 galvanized the Bay Area in a way that was relatively unprecedented, certainly in the previous ten years.  After the ’07 Golden State run, the Giants rose to relevance with Tim Lincecum’s ascension in ’08 and the team’s playoff push in ’09.  By the summer of 2010, there was a momentum with the San Francisco Giants that no one could really put a word on – no one but Paulie Mac.

“That summer, the Giants would keep winning these close games, and we were the first ones on the next day to talk about it – and Paulie would always say ‘this feels different, everyone, there’s magic in the air!  There’s particles!'”

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It was during that run 9 years ago that Murph and Mac rose to a different level of fame among Bay Area sports fans.  They would soon be stopped on the street by construction workers only to hear jackhammer operators yell “PARTICLES!”

The subsequent 3 World Series titles by the Giants, the renaissance of the 49ers and the Warriors developing into one of the best teams in the history of the NBA put the Bay Area at the center of the sports world, and Murph and Mac were there for the fans every morning.  They became synonymous with success, and fans grew closer and closer to their favorite morning show. 

Ask Brian and Paulie for a specific example of a moment they realized how important their show is to certain listeners and they’re overwhelmed.  They’ve had people reach out to express how their show got them through personal tragedy.  How they offered up a daily distraction from pain and loss.  Neither expected to have such an intimate connection with their fan base, but it’s one they refuse to take lightly.

The secret to their success?  It might be the “act like there’s no tomorrow attitude” they bring to every show.  In an industry that can be as ruthless as any in the world, in a market and a station where they’ve seen a number of coworkers lose their positions without much warning, Brian and Paulie have little delusions about job security.  

“You’re definitely aware of your own mortality,” shrugs Paulie.  “We just try to have fun with it.  Even on the air, that’s just how it is.”

“Yeah we’ve seen Bay Area legends walk out the door – so why not us tomorrow you know?  It’s kind of like gallows humor,” declares Brian.

That humility and subtle vulnerability of Murph and Mac is more than just part of their appeal.  They’re approachable and it comes through on the airwaves. Their bond is built on being next to each other for countless highs and lows in their personal lives. 

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“This guy is the best,” Brian sighs while glancing at this partner.  His voice as genuine as it was while discussing the unpleasant nature of his colonoscopy.

“There’s absolutely days when you don’t feel like telling jokes for four hours – but it’s on those days when you really have to bring it,” describes Paulie.  “You never see David Lee Roth or Mick Jagger come out and cancel a show ’cause they’re having a bad day – why should we?”

In nearly 14 years Murph and Mac has gone from the new show to THE show in the Bay Area.  They’re not looking for your adoration, they’re not looking to be celebrated – they’re just happy listeners continue to make them a part of their commute.

Not bad for a golf beat writer and a copy writing jazz DJ.  

BSM Writers

Is There Still a Place for Baseball Talk on National Sports Shows?

“Its struggle has been the same since the beginning of television. There is too much baseball for any regular season baseball game or story to have national significance.”

Demetri Ravanos

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Last week at the BSM Summit, I hosted a panel focused on air checks. I wish I could say we covered the topic thoroughly, but we got derailed a lot, and you know what? That is okay. It felt like real air checks that I have been on both sides of in my career. 

Rob Parker of The Odd Couple on FOX Sports Radio was the talent. He heard thoughts on his show from his boss, Scott Shapiro, and from his former boss, legendary WFAN programmer Mark Chernoff. 

Baseball was the topic that caused one of our derailments on the panel. If you know Rob, you know he is passionate about Major League Baseball. He cited download numbers that show The Odd Couple’s time-shifted audience responds to baseball talk. To him, that proves there is not just room for it on nationally syndicated shows, but that there is a sizable audience that wants it.

Chernoff disagrees. He says baseball is a regional sport. Sure, there are regions that love it and local sports talk stations will dedicate full hours to discussing their home team’s games and roster. National shows need to cast a wide net though, and baseball doesn’t do that.

Personally, I agree with Chernoff. I told Parker on stage that “I hear baseball talk and I am f***ing gone.” The reason for that, I think, is exactly what Chernoff said. I grew up in Alabama (no baseball team). I live in North Carolina (no baseball team). Where baseball is big, it is huge, but it isn’t big in most of the country. 

Now, I will add this. I used to LOVE baseball. It is the sport I played in high school. The Yankees’ logo was on the groom’s cake at my wedding. Then I had kids.

Forget 162 games. Even five games didn’t fit into my lifestyle. Maybe somewhere deep down, I still have feelings for the sport, but they are buried by years of neglect and active shunning.

Its struggle has been the same since the beginning of television. There is too much baseball for any regular season baseball game or story to have national significance. 

Me, and millions of sports talk listeners like me, look at baseball like a toddler looks at broccoli. You probably aren’t lying when you tell us how much you love it, but damn it! WE WANT CHICKEN FINGERS!

A new Major League Baseball season starts Thursday and I thought this topic was worth exploring. I asked three nationally syndicated hosts to weigh in. When is baseball right for their show and how do they use those conversations? Here is what they had to say.

FREDDIE COLEMAN (Freddie & Fitzsimmons on ESPN Radio) – “MLB can still be talked nationally IF there’s that one player like Aaron Judge or Shohei Ohtani can attract the casual fan.  MLB has definitely become more local because of the absence of that SUPER player and/or villainous team.  I wonder if the pace of play will help bring in the younger fans that they need, but the sport NEEDS that defining star that is must-see TV.”

JONAS KNOX (2 Pros & a Cup of Joe on FOX Sports Radio) – “While football is king for me in sports radio, I look at baseball like most other sports. I’m not opposed to talking about it, as long as I have an angle or opinion that I am confident I can deliver in an entertaining manner. A couple of times of any given year, there are stories in baseball that are big picture topics that are obvious national discussions. 

“I think it’s my job to never close the door on any topic/discussion (except politics because I don’t know anything about it).

“But also, if I’m going to discuss a localized story in baseball or any other sport for that matter – I better have an entertaining/informed angle on it. Otherwise, I’ve let down the listener and that is unacceptable. If they give you their time, you better not waste it.”

MAGGIE GRAY (Maggie & Perloff on CBS Sports Radio) – “While I was on WFAN there was almost no amount of minutia that was too small when it came to the Mets and Yankees. On Maggie and Perloff, our baseball topics have to be more centered around issues that can be universal. For example, ’Is Shohei Ohtani the face of the sport? Is Ohtani pitching and hitting more impressive than two sport athletes like Bo Jackson and Deion Sanders? Do you consider Aaron Judge the single-season homerun king or Barry Bonds?’ Any baseball fan or sports fan can have an opinion about those topics, so we find they get great engagement from our audience.”

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BSM Writers

Who Can Sports Fans Trust Once Twitter Ditches Legacy Verified Blue Checks?

The potential for Twitter chaos after April 1 is looming.

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As of April 1, Twitter will finally make a dreaded change that many will view as an April Fools’ prank. Unfortunately, it won’t be a joke to any user who cares about legitimacy and truth.

Last week, Twitter officially announced that verified blue checkmarks will be removed from accounts that have not signed up for a Twitter Blue subscription. Previously, accounts whose identity had been verified were allowed to keep their blue checks when Twitter Blue was implemented.

But shortly after Elon Musk purchased Twitter and became the social media company’s CEO, he stated his intention to use verification as a revenue source. Users would have to pay $8 per month (or $84 annually) for a Twitter Blue subscription and blue checkmark verification. Paying for blue checks immediately set off red flags among users who learned to depend on verified accounts for accredited identities and trusted information.

The entire concept of verification and blue checks was simple and effective. Users and accounts bearing the blue checkmark were legitimate. These people and organizations were who they said they were.

As an example, ESPN’s Adam Schefter has faced criticism for how he framed domestic violence and sexual misconduct involving star NFL players, and deservedly so. But fans and media know Schefter’s tweets are really coming from him because his account is verified.

Furthermore, Twitter took the additional step of clarifying that accounts such as Schefter’s were verified before Twitter Blue was implemented. He didn’t pay eight dollars for that blue checkmark.

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The need for verification is never more vital than when fake accounts are created to deceive users. Such accounts will put “Adam Schefter” as their Twitter name, even if their handle is something like “@TuaNeedsHelp.” Or worse, some fake accounts will create a handle with letters that look similar. So “@AdarnSchefter” with an “rn” in place of the “m,” fools some people, especially at a quick glance when people are trying to push news out as fast as possible.

Plenty of baseball fans have been duped over the years by fake accounts using a zero instead of an “o” or a capital “I” instead of a lowercase “l” to resemble Fox Sports and The Athletic reporter Ken Rosenthal. That trick didn’t get me. But when I covered Major League Baseball for Bleacher Report 10 years ago, I did fall for a fake Jim Salisbury account that reported the Philadelphia Phillies traded Hunter Pence to the San Francisco Giants. Capital “I,” not lowercase “l” in “Salisbury.” Pence was, in fact, traded to the Giants two days later, but that didn’t make my goof any less embarrassing. I should’ve looked for the blue checkmark!

But after April 1, that signifier won’t matter. Legacy blue checkmarks will be removed from accounts that haven’t paid for Twitter Blue. Some accounts that were previously verified might purchase a subscription to maintain that blue check. But those that were deemed legitimate prior to Musk taking over Twitter likely won’t. (There are also rumors that Twitter is considering a feature that would allow Twitter Blue subscribers to hide their blue check and avoid revealing that purchase.)

That could be even more true for media organizations, which are being told to pay $1000 per month for verification. Do you think ESPN, the New York Times, or the Washington Post will pay $12,000 for a blue check?

We’ve already seen the problems that paying for verification can cause. Shortly after Twitter Blue launched, accounts pretending to be legacy verified users could be created. A fake Adam Schefter account tweeted that the Las Vegas Raiders had fired head coach Josh McDaniels. Users who saw the “Adam Schefter” Twitter name went with the news without looking more closely at the “@AdamSchefterNOT” handle. But there was a blue checkmark next to the name this time!

The same thing occurred with a fake LeBron James account tweeting that the NBA superstar had requested a trade from the Los Angeles Lakers. There was a “@KINGJamez” handle, but a “LeBron James” Twitter name with a blue check next to it.

Whether it’s because fans and media have become more discerning or Twitter has done good work cracking down on such fake accounts, there haven’t been many outrageous examples of deliberate deception since last November. But the potential for Twitter chaos after April 1 is looming.

If that seems like an overstatement, it’s a very real possibility that there will be an erosion of trust among Twitter users. Media and fans may have to take a breath before quickly tweeting and retweeting news from accounts that may or may not be credible. False news and phony statements could spread quickly and go viral across social media.

Even worse, Musk has announced that only verified Twitter Blue accounts will be seen in your “For You” timeline as of April 15. (He can’t claim it’s an April Fools’ Day joke on that date.)

Obviously, that carries far more serious real-world implications beyond sports. Forget about a fake Shams Charania account tweeting that Luka Dončić wants to be traded to the Lakers. It’s not difficult to imagine a fake Joe Biden account declaring war on Russia and some people believing it’s true because of the blue checkmark.

We may be nearing the end of Twitter being a reliable news-gathering tool. If the accounts tweeting out news can’t be trusted, where’s the value? Reporters and newsmakers may end up going to other social media platforms to break stories and carry the viability of verification.

When Fox Sports’ website infamously pivoted to video in 2017, Ken Rosenthal posted his MLB reporting on Facebook prior to joining The Athletic. Hello, Instagram. Will someone take their following and reputation to a fledgling platform like Mastodon, Post, Spoutible, or BlueSky, even if it means a lesser outlet?

If and when that happens, Twitter could still be a community but not nearly as much fun. Not when it becomes a matter of trust that breaks up the party.

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BSM Writers

There’s a Lesson For Us All in Florida Atlantic’s Elite 8 Broadcast Struggle

“It is a ton of faith our industry has been forced to place in a single mode of delivery.”

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Ken LaVicka and Kevin Harlan probably don’t have a ton in common. Both of them were announcing an Elite Eight game over the weekend, that is one thing tying them together, but their experiences were wildly different. Harlan is on CBS with a production crew numbering in the dozens making certain all goes smoothly. LaVicka, the voice of the Florida Atlantic Owls, is a production crew himself, making certain those listening in South Florida heard the Owls punch their Final Four ticket. At least, that was LaVicka’s plan.

The Florida Atlantic Owls are going to the Men’s Final Four. Even while typing that sentence, it still seems odd to say. Do you know how many college basketball teams are thinking “how can Florida Atlantic make the Final Four and we can’t?” These are the types of stories that make the NCAA Tournament what it is. There is, literally, no barrier stopping any team from this tournament going on the run of their life and making it all the way.

Everyone listening in South Florida almost missed the moment it all became real for the Owls. With :18.6 to go in Florida Atlantic’s Elite Eight game against Kansas State, the Madison Square Garden Ethernet service to the front row of media seating went completely dark. 

It was on that row that Ken LaVicka was painting the picture back to South Florida. Well, he was until the internet died on him.

Nobody does a single show away from their home studio anymore without trying to avoid the nightmare of Ethernet failure. Gone are the days of phone lines and ISDN connections, all the audio and video is now sent back to the studio over the technological miracle that is the internet. It is a ton of faith our industry has been forced to place in a single mode of delivery.

Take that anxiety and multiply it by 1,000 when that Ethernet line is connected to a Comrex unit for the most important moment of your career. LaVicka had the great fortune of a Kansas State timeout to try something, anything, to save the day. In his quick thinking, he spun around and grabbed an ethernet cable from row two which, as it turns out, still had internet access flowing through it’s cables. That cable, though, was the equivalent of an iPhone charging cord; never as long as you need it to be.

One of LaVicka’s co-workers from ESPN West Palm held the Comrex unit close enough to the second row for the cable to make a connection and the day was saved. LaVicka was able to call the last :15 of the Florida Atlantic win and, presumably, get in all the necessary sponsorship mentions.

It was an exciting end to the FAU v. Kansas State game, a great defensive stop by the Owls to seal the victory. LaVicka told the NCAA’s Andy Katz he tried to channel his inner Jim Nantz to relay that excitement. The NCAA Tournament excitement started early this year. In the very first TV window 13 Seed Furman upset 4 Seed Virginia with a late three pointer by JP Pegues, who had been 0-for-15 from beyond the arc leading up to that shot. It is the type of play the NCAA Tournament is built upon.

It was called in the manner Kevin Harlan’s career was built upon. Harlan, alongside Stan Van Gundy and Dan Bonner, called the Virginia turnover leading to the made Furman basket with his trademark excitement before laying out for the crowd reaction. After a few seconds of crowd excitement he asked his analysts, and the world, “Did we just see what I think we saw? Wow!” Vintage Kevin Harlan.

One reason we are so aware of what Harlan said, and that he signaled his analysts to lay out for the crowd reaction, was a CBS Sports tweet with video of Harlan, Van Gundy and Bonner in a split screen over the play. It gave us a rare look at a pro in the middle of his craft. We got to see that Harlan reacts just like he sounds. The video has more than six million views and has been retweeted more than 6,000 times, a lot of people seem to like it.

Kevin Harlan is not in that group. Harlan appeared on Richard Deitsch’s Sports Media podcast after the video went public and said he was embarrassed by it. Harlan added he “begged” CBS not send the tweet out but to no avail. Harlan told Deitsch “I don’t know that I’m glad that they caught our expression, but I’m glad the game was on the air. I think I join a chorus of other announcers who do not like the camera.”

There’s a valuable announcer lesson from Harlan there; the audience is almost always there for the game, not you. Harlan went on to describe the broadcast booth to Deitsch as somewhat of a sacred place. He would prefer to let his words accompany the video of the action to tell the story. Kevin Harlan is as good as they come at his craft, if he thinks that way, there’s probably great value in that line of thought.

We can learn from LaVicka, as well. You work in this business long enough and you come to accept technical difficulties are as much a part of it as anything. They always seem to strike at the worst times, it is just in their nature. Those who can find a way to deal with them without everything melting down are those who can give their audience what they showed up for. Those who lose their mind and spend time complaining about them during the production simply give the audience information they don’t really care about.

The Final Four is an unlikely collection of teams; Miami, San Diego State, Connecticut and Florida Atlantic. You all had that in your brackets, right? Yep, the Florida Atlantic Owls are going to the Final Four and Ken LaVicka will be there for it. Now, if the internet will just hold out.

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