With a sigh, I will humor these madmen. I’ll actually pause to consider their outrageous idea, which must come from watching too many dystopian movies. Me, I’m thinking about how to get off the planet, but let’s assume hundreds of baseball players would abandon families amid our apocalyptic anguish, isolate like lab rats for months in the Arizona desert and embrace a bleak, twilight-zone, coronavirus-sheltered existence.
They’d play in spectator-less ballparks, immediately return to antiseptic quarters and do little else, trying to salvage an inconsequential major-league season by sleeping, bathing, eating, drinking (frequently) and testing for the virus in quarantined lockdown while having contact only with teammates and team personnel. Gee, owners even could sell naming rights to their vast bubble of TV studios. The Purell Dome? The Hydroxychloroquine Hut?
The Donald J. Trump Supertent?
And somehow, they would ignore the overwhelming pall: that Covid-19 is a vile and unshakeable monster, capable of boomeranging in bigger and more destructive waves with no vaccine near. And the impossible challenge: that maintaining social-distancing inside such a bubble is impractical. And the chilling peril: that players would return home and risk spreading the virus to loved ones and others when, so far, only one percent of the U.S. population has been tested. And finally, the bare, inconvenient truth: that restarting sports inevitably will lead to deaths.
Got it? Play ball!
I’d prefer, though, not to dabble in absurd desperation from sports leagues prioritizing lost billions over common pandemic sense. If it’s not safe for fans to watch events in person, why it it safe for athletes to proceed? Rather than risk more lives and waste scarce medical resources best utilized inside hospitals during a DEADLY GLOBAL CRISIS, for God sakes, I would like the gasping, heaving, $200 billion sports industry — and the TV rightsholders panting like starving dogs — to shut down indefinitely. You know, start saying “if’’ and not “when’’ about the resumption of games. It’s becoming a sport in itself: the persistent rush to kickstart the sports economy vs. the sensibility and decency of waiting until, oh, I don’t know, people stop dying? The crisis is far from over, but every time a smidgen of hope surfaces, leagues are in our faces with new contingency plans. Insensitive … galling … pick the word.
Let’s hope one robust example of resistance leads to a surge of sanity. Some 2,800 miles from a chaotic, mixed-message-fraught White House, a voice of reason emerged when Gavin Newsom, governor of California, pressured ESPN to shut down the brazen Ultimate Fighting Championship. Yes, a network desperate for eyeballs, revenues and tourniquets had been all-in for a pay-per-view show, UFC 249, at a California casino resort on tribal land. ESPN didn’t see much wrong with the event … until Newsom did. Targeting ESPN’s parent, California-based DIsney Company, and UFC bossman Dana White — the most delusional of the sports entrepreneurs — Newsom triggered a cancellation after Sen. Dianne Feinstein (D-Calif.), in a statement, accused UFC of defying the state’s shelter-in-place order.
“This event would involve dozens of individuals flying to California and driving to a casino for a purpose no one can honestly claim is essential,’’ wrote Feinstein, adding, “… at best, this event ties up medical resources and sends a message that shelter-in-place orders can be flouted. At worst, participants and support staff could carry the virus back to their home communities and increase its spread.’’
Said a whimpering White, who had vowed to stage his freak show on ESPN+: “Today, we got a call from the highest level you can go at Disney, and the highest level at ESPN. The powers-that-be there asked me to stand down and not do this event.’’ White says he’ll now promote events on a private island outside the U.S., expecting ESPN to air the fights. He thinks coronavirus is someone else’s problem, in oddball lockstep with WWE’s Vince McMahon, who is resuming three live, fan-less shows this week on Fox and USA Network despite the recent positive test of an an-air, non-ring-performing employee.
As for ESPN? “Nobody wants to see sports return more than we do,’’ the network said in a statement, “but we didn’t feel this was the right time for a variety of reasons.’’
Such as: Newsom called top Disney honchos, including executive chairman Bob Iger, and urged them to stop the lunacy. If he wants to be President of the United States someday, and not just a bro-dude governor, Newsom must curry the favor of powerful folk. Which is why I’m gobsmacked that he body-slammed two entertainment behemoths — Disney, which is paying $1.5 billion to UFC in a five-year deal, and Endeavor, which owns UFC. it takes balls to tell Iger, King of Hollywood and Disneyland, to purge a big-revenue fight card in California. But Disney had reason to be concerned about optics: The home of Mickey Mouse and family fun was charging a whopping $64.99, with 17 million Americans out of work, for a social-distancing mockery — fighters sweating and pouncing on each other in Octagon warfare. It constituted a major health risk while defying all logic and pandemic sensitivity. Oh, and it was happening as Disney stock climbed, thanks to the Disney+ streaming service that eclipsed 50 million subscribers, easing the pain of ESPN’s virus-driven troubles.
Of course, do realize President Trump is a UFC guy, White is a Trump guy, and California is the furthest thing from a Trump state. Call it an agenda move, but Newsom knew it was the proper call regardless of political fallout. So he angered some millennial and Gen Z types who can’t blow off cabin-fever smoke this Saturday night. Advice, lads: Read a good book.
Hallelujah. Now, If Trump only would send the same message to other short-sighted sports leagues.
The concerns raised by Feinstein apply to the NFL, Major League Baseball, the NBA, the NHL and others hellbent on playing. Of prime concern: the risk of transmission is palpable, even in The Bubble. Yet the NBA, trying to avert $1 billion in losses, wants to sequester playoff teams within the medically sealed grounds of a Las Vegas casino/hotel/arena complex. They’d administer rapid-response blood testing before games, hoping to create amnesia about the league’s March coronavirus outbreak — at least 15 persons from eight teams have tested positive, and probably many more — in a sport requiring athletes to grapple and spray sweat droplets on every possession. Has the NBA forgotten Covid-19 Night in Detroit, when Rudy Gobert battled Christian Wood more than 60 times in halfcourt situations, often just a few steps from Donovan Mitchell? All three tested positive, soon joined by a TV camera operator in a medically induced coma, and Mitchell is said to still resent Gobert, though it’s guesswork to say which player had the virus first.
And the NFL’s videoconference draft, like an ignorant surfer in a tsunami, is locked and loaded for three networks, including ESPN and ABC. The league, which at least is using the event to benefit Covid-19 relief efforts, hopes it’s a prelude to a full regular season — fan-less, if necessary — despite the inherent danger of players tackling, spitting and spreading sweat and dirt on every play. Never mind that the league’s very own chief medical officer, Dr. Allen Sills, tells the league’s very own website: “As long as we’re still in a place where when a single individual tests positive for the virus that you have to quarantine every single person who was in contact with them in any shape, form or fashion, then I don’t think you can begin to think about reopening a team sport. Because we’re going to have positive cases for a very long time.”
The dreamers are marching on anyway, embracing wacky scenarios that aim to circumvent dark realities. All the while, they ignore a mammoth, all-encompassing question hovering above the contagion confusion: Does America even WANT sports to return under such bizarre, force-fed circumstances?
The league and network lords say a resumption of sports would provide a spiritual lift for a wounded and numb American psyche, give us something to do, save our souls. But is that really true, or just a pile of God-complex bunk that overstates the importance of sports amid a pandemic while masking the true reason for the rush to return ASAP: They’re losing their asses financially, the owners and the networks, quietly fearful that a lost 2020 could lead to an industry crash — and a massive sports recession and reckoning in a nation overwhelmed by jobless claims and radically changing priorities. Cord-cutting is a universal calamity, with cable subscribers indignant over being charged the usual sports fees when live games aren’t being played. Many customers can’t afford the $100-plus monthly bills, especially with the cheaper advent of Quibi among plentiful streaming options, which explains why ESPN, Fox Sports and the regional networks are alarmed about possibly losing an entire year of live sports — a doomsday sequence that could cause leagues to lose fortunes in media payments. Include the gambling industry in that pot of anxiety, with the industry’s grand plan to legalize wagering now in the tank, reduced to junkies betting on Belarus soccer, Russian ping-pong, virtual NASCAR and an NBA 2K Players Only event, where, natch, a video-game scandal broke out when inside knowledge about an upset in a pre-taped ESPN event — Derrick Jones Jr. over virus-hit Kevin Durant — leaked to gamblers who put lopsided action on Jones.
Thus, fueled by Trump’s declaration that live games should return “sooner than later’’ as he considers lifting stay-at-home orders in the “biggest decision I’ll ever make,’’ we hear the in-house drumbeat for sports as the national save-all. Not sending kids back to schools. Not returning worshippers to churches and synagogues. Not a gradual resuscitation of essential businesses to help a gut-bombed economy. Nope, sports — where many in the industry are wealthy or at least comfortable in navigating the most horrific health crisis of our time. Why devote resources and supplies to The Bubble when they are desperately needed by health-care frontliners? Why move forward with sports pipedreams when health experts have categorized the virus as seasonal, meaning the great curve could flatten, only to explode again in the autumn and abruptly burst The Bubble? Or, maybe the virus doesn’t recede at all, staying with us indefinitely.
Two independent studies suggest the industry plea isn’t resonating anyway. In a Ketchum Sports poll, only 21 percent of U.S. sports fans want games to resume without fans, opposed to 45 percent who think sports should resume only when fans can attend games and 17 percent who favor a total shutdown. And a poll conducted by the Seton Hall University business school found that 72 percent of respondents won’t attend sports events without a vaccine. No wonder the sports world is in a panic — it could be 18 months, or longer, before a vaccine is made available to the masses. What the league and networks have ignored, in this mad blitz to resume, is that packed stadiums and arenas are vital to a fan’s experience — in person or on TV. LeBron James says fans provide his foremost motivation, home and away, reiterating on a podcast, “Having a game without fans — what is the word ‘sport’ without ‘fan’?” There’s no excitement. There’s no crying. There’s no joy. There’s no back-and-forth.’’ You don’t hear movie and music stars clamoring to come back with live content to soothe the country. The Burning Man festival wisely canceled its stoner-fest in late August. Why must sports act like a religious experience? Are some owners and athletes so deluded by wealth and power that they think they can slay the coronavirus?
“People need something to rally around right now. People need sports,” said Mark Cuban, now merely a “Shark Tank’’ host with his Dallas Mavericks on pause. “We need something to cheer for, something to get excited about, and there’s nothing better than our sports teams to do it.’’
How appropriate that Cuban spoke on a CNBC special, “Markets In Turmoil.’’ Because red ink blinds even multi-billionaires. The virus continues to spread, hotspots popping up like a whack-a-mole game. New York is an unspeakable death zone, its hospitals still overrun with chaos. Outside, we wear masks that aren’t sufficient when clammy runners pass inches away. Inside, we’re either going to die of self-exile, boredom or too much Netflix. But does that mean the resumption of sports will invigorate us and provide a sweeping blueprint for returning to work? It all seems hurried and backwards for the wrong reasons, as if sports is central to the American consciousness when, in crisis, it should be reduced to rightful frivolity.
There hasn’t been enough discussion about the most important issue. Will athletes be safe within The Bubble? Will they want to take the risks? Are we to foolishly assume every player and staffer on dozens of sports teams, through weeks or months of Quarantine Ball, will continue to test negative? As much as 40 percent of the U.S. population might be asymptomatic virus carriers. Can’t the leagues do the math? As Sills said, there will be positive tests; see Japan, where a planned resumption of baseball stalled, and officials say the Tokyo Olympics might be a no-go in 2021. It’s absurd to focus on introducing robot umpires when scrutiny should be on the response if even one person becomes sick in The Bubble. MLB might want to trudge on and test everyone, day after day, which would be onerous when dealing with players, managers, coaches, trainers and staffers from 30 franchises, along with hotel employees, cooks, groundskeepers, clubhouse attendants and limited media. Wouldn’t everything have to shut down at once? Wouldn’t everyone have to evacuate the Purell Dome and return home, where they’d have to self-quarantine for weeks? Do you honestly think megastars such as James and Mike Trout would jeopardize everything they’ve amassed for one season in The Bubble? Or two Bubbles, if MLB went forward with another realignment plan: ditch the American and National Leagues and play Quarantine Ball in two states, Arizona and Florida.
The baseball owners can’t help but push that explosive envelope, when the coronavirus is as serious as a frozen corpse in a parking lot. Superagent Scott Boras has no doubt fans would devour the televised offerings, even if baseball’s ratings have plummeted for years. “It gives them a sense of a return to some normalcy. You talk to a psychologist about it and they say it’s really good for a culture to have sport and to have a focus like that, where for a few hours a day they can take their minds off the difficult reality of the virus,’’ he said.
Isn’t it fascinating how everyone is playing doctor? Instead of talking to a psychologist, hear out New York Gov. Andrew Cuomo, who said: “I would love to see sports back to help with cabin fever. But this is not about hopes and dreams and aspirations and what you would like to see. This is an enemy that we have underestimated from Day 1, and we have paid the price dearly.’’
Want more hard-core realism? Sports faces a future that might not include many fans in seats and business people in suites. Call it the Petri Dish Effect — who wants to wear masks or submit to forehead scans, or risk getting sick in a bathroom or hot-dog line, or sanitize hands every 10 minutes, when the virus will dominate everyday life for the foreseeable future? Expect distancing beyond six feet, forcing stadiums and arenas to monitor entrances and corridors and reconfigure seating sections; imagine the Los Angeles Rams having to rip out seats in the new, privately financed, $6 billion SoFi Stadium? Gamblers and fantasy players won’t care, but purists — and they count — will bemoan the lost atmosphere. And can you believe Trump might bribe “fans in arenas’’ with tax breaks if they attend events? Uh, yeah, I can believe it.
Until then, the leagues should abandon Quarantine Ball and know this: There is no end game without a cure. Sports used to serve as a meaningful diversion in times of upheaval; I recall urgency as a Chicago columnist, not long after 9/11, to board a near-empty flight to St. Louis for a Cubs-Cardinals game, and later, to chronicle the woe of a heartbroken New York during the World Series. Baseball continued during World War II, and the NFL carried on after John F. Kennedy’s assassination. But Covid-19 is different, elusive, as freakish as errant saliva in the airstream. We wake each day, or in the middle of the night, wondering if someone we know has died or been hospitalized, or if a simple sneeze means the worst.
It’s hard to imagine any sporting event erasing those fears, even for a few hours. And if that game is played inside a quiet, airtight blob in the hinterlands, well, that’s as weird as pandemic life itself.
Jay Mariotti, called “the most impacting Chicago sportswriter of the past quarter-century,’’ is the host of “Unmuted,’’ a frequent podcast about sports and life (Apple, Podbean, etc.). He is an accomplished columnist, TV panelist and radio host. As a Los Angeles resident, he gravitated by osmosis to movie projects. He appears Wednesday nights on The Dino Costa Show, a segment billed as “The Rawest Hour in Sports Broadcasting.’’
Jay Mariotti, called “the most impacting Chicago sportswriter of the past quarter-century,’’ writes a weekly media column for Barrett Sports Media and regular sports columns for Substack while appearing on some of the 1,678,498 podcasts in production today. He’s an accomplished columnist, TV panelist and radio talk host. Living in Los Angeles, he gravitated by osmosis to film projects. Compensation for this column is donated to the Chicago Sun-Times Charity Trust.
Jac Collinsworth Has Learned From The Best
“The way he would take all of the young people, myself included, under his wings. You couldn’t get this anywhere else.”
Jac Collinsworth got his first taste of Notre Dame football while watching his brother Austin play for the Fighting Irish. There was his brother playing on special teams and getting a chance to return kicks.
“I remember sitting in the stands for his first football game inside Notre Dame Stadium thinking this is the coolest thing I’ve been a part of,” said Collinsworth. “The history of this building and my brother is out there in a Notre Dame jersey.”
Not only did Jac eventually go to Notre Dame as well, but he just completed his first season as the play-by-play voice for Notre Dame Football on NBC. As a student, Jac was part of the NBC sideline production team during his four-year education at South Bend from 2013 to 2017 and he was the sideline reporter for the NBC broadcast of the Blue/Gold spring game in 2016 and 2017.
“To work on the broadcasts for four years — as an intern really — with Alex Flanagan and then with Kathryn Tappen for three years down there on the sideline and being in all those production meetings, it was such an invaluable piece of the journey for me.”
And now, the 27-year-old is the television voice of the Fighting Irish.
“To see it all come full circle and be up there in the booth, it was really a special experience every single game,” said Collinsworth.
After graduating from Notre Dame, Collinsworth joined ESPN where he was a correspondent for NFL Live and Sunday NFL Countdown while also hosting the ESPN-owned ACC Network’s football show The Huddle.
Jac then returned to NBC in 2020 and was part of the Notre Dame telecasts during the pregame show and halftime show for two seasons. Collinsworth had the opportunity to learn under veteran play-by-play voice Mike Tirico, especially during the production meetings.
Tirico became a mentor to Collinsworth.
“I felt like I was getting a graduate degree watching him handle those meetings,” said Collinsworth. “The way he would take all of the young people, myself included, under his wings. You couldn’t get this anywhere else. To be able to do that for two years and still have him as a close friend and somebody I can text…I text with him before every single game.”
Another huge mentor to Collinsworth has been the legendary Al Michaels, the former play-by-play voice for Sunday Night Football who is now calling the Thursday night package for Amazon.
“I talk to him all the time,” said Collinsworth. “I’ve had dinner with him. He invites me out to play golf. We just get on the phone and spent 45 minutes just breaking down everything. Every time that phone rings I don’t care what I’m in the middle of, I walk outside and I take that call.”
Collinsworth, the son of former Bengals wide receiver and current NFL Sunday Night Football analyst Cris Collinsworth, first felt the broadcasting itch growing up in Ft. Thomas, Kentucky. It goes without saying that his father was a huge influence, but Jac remembers when Highlands High School was being renovated when he was in 7th and 8th grade.
The first part of the renovation was a brand-new broadcast facility.
“It was a studio that had these amazing cameras, a desk, lights and two sets,” recalled Collinsworth. “To this day, I’ve never seen a high school setup…I mean this is better than most college setups…a state of-the-art facility.”
The class was called “Introduction to Filmmaking” and Collinsworth started out wanted to be a cameraman.
“I became obsessed with running around the school and filming all this stuff whatever students were doing,” said Collinsworth.
From there, Jac gained experience in editing and producing but deep down inside he thought he wanted to be a cameraman…that was until his first taste of on-air experience.
“They started a rotation where everybody in the class had to try hosting the announcements live right before the final period of the day,” said Collinsworth.
And the rest is history.
An important part of Jac’s growth as a play-by-play announcer came last spring working NBC’s coverage of the United States Football League. Paired with Jason Garrett, Collinsworth was able to continue the learning process before taking over the Notre Dame duties. He appreciated the fact that these were really good football players that were among the best players on their college teams and could very well be in the NFL.
And just like for the players, the USFL was an opportunity for Jac to get better at his craft.
“Just continuing to learn the art form of calling a game,” said Collinsworth. “The timing and getting out of the way sometimes and letting the broadcast breathe and rising for those big moments.”
An incredibly big moment for Jack would be if the opportunity to work a game with his father ever presented himself. It’s something that he’s thought about and would love to see come to fruition somewhere down the road.
But if that happens, there could be a problem for the viewers.
“Would anybody be able to tell who is talking?” joked Jac.
Jac and his father sound so much alike it’s scary. In fact, during our twenty-minute phone conversation, I really had to pay attention to listen for any discernable difference between Jac and his dad and it was very hard to find any.
But it would still be fascinating to hear them work together.
“I think it would be a very cool experience,” said Jac. “We would have so much chemistry that it would be a crazy experience. I would love to do it. I’d be getting out of his way and let him make points and I wouldn’t be afraid to take a couple of shots at him. I think it would be damn entertaining.”
While their on-air roles are different, Jac has been able to learn a lot about broadcasting from his father. While he does — for the most part — give his son some space when it comes to work, Cris leaves Jac a note prior to each broadcast, mainly has it pertains to a specific aspect of a telecast like coming back from a break or the flow of a telecast.
But there’s one valuable lesson that Jac learned from his dad years ago that he has adopted for himself.
“Probably the biggest thing I’ve learned from him is, he is a worker man,” said Collinsworth. “He just works at this stuff.”
Jac would constantly see his father going through film at various hours during the day, but Cris would still pay close attention to his son’s studies at school and would let Jac know about it if he saw something wasn’t right.
Like when Jac would be having some difficulty with a math assignment.
“I’m like ‘Dad, this is calculus, I can’t figure out how to do this equation’,” said Jac. “He would put that clicker down and come up and he would be deep in the math book going through the chapters learning all this calculus that he hasn’t done in 40 years. I’d come down at six in the morning and he’d still be flipping through the math book while I’m eating breakfast and he’s teaching me the lesson to make sure I got it for the quiz.
“That’s how he was…just the work element is the biggest thing that I still use every day and I definitely got it from him.”
Aside from his football duties, Collinsworth has also been a NASCAR studio analyst for NBC and he’s also been the voice of Atlantic Ten Men’s Basketball and the Atlantic Ten Tournament. There’s something to be said for getting experience in multiple sports because each sport has its own pace and its own flow.
Some play-by-play voices specialize in one sport and some can handle multiple assignments. In Jac’s case, there’s one sport that stand above all the others.
“The rhythm, feel and flow of a football game is my favorite,” said Collinsworth. “Football has always been my first love and grew up around it. Basketball happens fast not to mention you’re on the court and you’re right there in the middle of it. I’ve called baseball games too and that’s a very slow game.”
Jac Collinsworth is still very early in his broadcasting career but he has great talent and he’s been rewarded with some amazing opportunities like Notre Dame Football and being part of NBC’s NFL coverage.
But he knows that he’s had some help along the way and he’s very grateful for it.
“I feel like I’m living out a dream and I feel like I’m standing on a lot of people’s shoulders that helped me get there,” said Collinsworth. “I think about a lot of people who didn’t need to but chose to help me when I was a kid. I feel like I have a great responsibility to take that advice and take it as far as I can and that’s what I’m trying to do.”
And it all started with a high school television studio and his willingness to try all different aspects of the business.
Peter Schwartz has been involved in New York sports media for over three decades. Along the way he has worked for notable brands such as WFAN, CBS Sports Radio, WCBS 880, ESPN New York, and FOX News Radio. He has also worked as a play by play announcer for the New Yok Riptide, New York Dragons, New York Hitmen, Varsity Media and the Long Island Sports Network. You can find him on Twitter @SchwartzSports or email him at DragonsRadio@aol.com.
Chris Kinard Has 106.7 The Fan, The Team 980 Primed For Continued Success
“Coming right out of the books and beating our direct competitor in the first month will always be something I’m proud of.”
When Jim Riggleman resigned as manager of the Washington Nationals in June 2011, it was the first time Chris Kinard thought the fanbase cared about the team.
Riggleman wanted the Nationals to pick up the option on his contract and effectively remove the “interim” tag from his job description, and once they declined to do so, he essentially packed up and left.
From the time he was young, Chris Kinard was interested in media, and he had early exposure in the industry since his uncle Lee worked as a television news anchor in Greensboro, N.C. The elder Kinard was the pioneer of the Good Morning Show on WFMY News 2 and was honored with the dedication of the main studio in his honor from where he worked since 1956.
By the time he was in fifth grade, Chris Kinard began listening to radio and realizing it may be a viable career path for him to pursue. He shadowed his uncle in 1996 to learn about news media and television broadcasting; however, he gravitated towards working in radio in part because of WJFK-FM, and had an affinity towards professional sports.
“A local morning show here in D.C. on a top 40 station was kind of my entry point,” Kinard said. “I listened to that show actually when it moved over to WJFK for years in middle school and high school.”
At the time, WJFK-FM was broadcasting in the talk format and was among the network of stations syndicating The Howard Stern Show and other programming targeted towards the male 25-54 demographic. Kinard was an avid listener of the station, tuning in to its programming for several hours a day over the course of many years.
Today, it is known as 106.7 The Fan and it is managed, along with Audacy’s cluster of radio stations by Kinard himself. He was responsible for flipping the station’s format from talk to sports in 2009 and has helped cement the brand as dominant in the ratings.
“Flipping the station to sports will always be a bittersweet thing for me,” Kinard said. “I grew up with the station [in] the previous format and I took a lot of pride in what we were doing at the time, but I think we launched with great success. Coming right out of the books and beating our direct competitor in the first month will always be something I’m proud of.”
During his freshman year at American University, he got word that The Sports Junkies were making a public appearance a few minutes away from his childhood home. Additionally, he found out the show was looking for people to volunteer to serve as interns, an opportunity he knew was simply too good to pass up.
Inherently shy, Kinard introduced himself with the hopes of landing an internship at WJFK-FM. A few weeks later, he received a phone call informing him that he was selected to work as an intern, a surreal opportunity for him to begin working in sports media. Little did he know he would still be working at the station, albeit in a more substantial role, 25 years later.
“When it started and when I was actually in the building and seeing the behind the scenes, I was kind of in awe,” Kinard said. “….I had no idea what I was doing really except that I really wanted to be there and couldn’t believe that I was and wanted to soak it all in.”
Three months later, one of the show’s producers who largely acted as a call screener left the station to pursue another opportunity in media. As a result, there was a gap to be filled, and since Kinard had been diligent and responsible as an intern, he was hired part-time to take over the role. At the conclusion of his sophomore year in college, he was hired full-time as the producer of The Sports Junkies – a development in his career he calls “fortuitous” initially difficult to foresee balancing with two years remaining to earn his undergraduate degree.
“It was a really kind of interesting conversation with my parents about whether to do it or not and how it would impact my schoolwork and that kind of thing,” Kinard said. “I just was determined to take that opportunity; I knew how scarce they were I guess just by seeing people who had been at the station and working part-time [for] several years who had left because they couldn’t get a full-time position.”
By the time he was in his junior and senior years, Kinard had valuable professional experience from working at WJFK-FM and also interning at the local ABC affiliate station. Although he participated in some of the student-run media outlets at the school, his mindset was to prioritize what he was doing off campus.
“I’m not sure that I actually got a lot out of college to be honest with you because I was doing it outside of school already just by kind of virtue of connections,” Kinard said. “Being in Washington, D.C. and all the opportunities that are available here, [that was] really… my focus more than anything else.”
During his first year as show producer, The Sports Junkies became nationally syndicated on Westwood One Radio and was achieving notoriety and high ratings within the marketplace. The show is hosted by four childhood best friends – John Auville, Eric Bickel, Jason Bishop, and John-Paul Flaim – who began the program on public access television in Bowie, Maryland before joining WJFK-FM as evening hosts in 1996. None of them had any formal broadcast training, instead utilizing their indelible chemistry and local background to auspiciously impact sports media.
“They’re very authentic,” Kinard expressed. “I think when people hear them, they can relate to them. They sound like every guy’s group of friends sound when you get together. I think they sound like our city; they sound like sports fans in Washington over the last 30 years.”
All four co-hosts recently inked four-year contract extensions to keep The Sports Junkies on 106.7 The Fan, officially putting pen to paper together in studio earlier this month.
Since 2016, The Sports Junkies has been simulcast on NBC Sports Washington, and although listeners now have the ability to add a visual component to their experience, it did not change how any of the co-hosts approach the job. From the beginning, there was a mutual understanding that the show would still operate in the same way with the cameras serving the purpose of pulling back the metaphorical curtain.
“It is really a fast-paced show in terms of the camera switching and the direction of it because there’s four guys, so I think this show translates really well,” Kinard said. “There’s a lot going on because there are four hosts, not just two talking heads. There’s also two producers that chime in a lot. There’s a lot of movement, I think, within the show because of just how dynamic of a cast it is.”
Since its official shift to the sports talk format in 2009, 106.7 The Fan had primarily competed with The Team 980 to try to win in the ratings. In November 2020, Audacy, officially agreed to acquire various stations across the United States owned by Urban One, including The Team 980, effectively ending that competition. Part of Kinard’s job is to oversee both sports talk stations, which now compete with ESPN 630 DC.
“We have some really talented staff,” Kinard said. “I’m not sure we’ve ever had more talent under one roof than we have now. Having two stations in my market allows me to groom new people and give people opportunities quicker than I could with just one station.”
Moreover, he helped launch 1580 The Bet, a radio station broadcasting in the growing sports gambling format in partnership with the BetQL Audio Network and CBS Sports Radio. Its creation coincided with a nationwide effort by Audacy to better utilize certain signals to their full potential, and with the proliferation and legalization of sports betting in select states across the country, many of them flipped to this format.
“I think it was important to have the BetQL Network represented in Washington at a high level because of the proximity to the MGM National Harbor, which is just kind of 15 minutes away from the radio station,” Kinard said. “[It is] on a signal that, in the past, had not been a big ratings play, so that was a great opportunity to just kind of own sports in Washington – to have 106.7 The Fan; The Team 980; and 1580 The Bet all under one umbrella.”
A compelling draw to sports radio is live game broadcasts, and as brand manager of Audacy DC, Kinard is responsible for maintaining 106.7 The Fan’s relationship with the Washington Capitals and Washington Nationals. When the teams are doing well, it usually results in better metrics for the station.
“There’s a huge correlation between winning and listenership and also advertiser interest,” Kinard said. “There’s a segment of the fanbase, I think, that thinks that local sports radio roots against the teams. It’s not that we root for the teams necessarily, but if you ask any host probably on any radio station in America whether it’s better for their individual show’s success and their overall station success if the teams are successful, I think everyone’s going to say it’s way better.”
Prior to the start of this NFL season, Audacy DC parted ways with the Washington Commanders due to a disagreement regarding “the value of the broadcasts.” The Team 980 was previously owned by the Washington Commanders franchise itself and had been the flagship station of the team for several years through its sale to Urban One in 2019. The Fan had not had the radio broadcast rights to the Commanders since 2006 before it was broadcasting in the sports talk format, hence why The Sports Junkies co-host Eric Bickel stated that the station had had no relationship with the team for two decades.
Since the Commanders officially entered into a new partnership with iHeartRadio, its flagship station has been BIG 100, which airs a classic rock format. Consequently, The Team 980 had the opportunity to change its on-air strategy, airing five hours of pregame coverage every week followed by extensive postgame coverage. During the games themselves, the station has broadcast Burgundy & Gold Gameday Live, a show that has had stellar listenership thus far.
“I think play-by-play rights are really important and do have a ton of value, but only if it’s done in a way where there’s partnership on both sides but also an understanding on both sides that the team has a job to do and the radio station has a job to do,” Kinard expressed. “Our focus is just to continue to provide great talk and coverage of the teams.”
As media continues to evolve with changes in technology and consumption habits, Kinard remains optimistic about the future because of the influx of new talent and the leadership at Audacy.
“We have just a wealth of talent and content, and I think that content will cut through no matter what’s going on with technology,” he said. “I think that we will continue to push to make sure that we are on the platforms that we need to be on and that we own that content and can monetize it for the future. I don’t know how anyone could compete with that, so I’m really excited about it.”
Kinard’s vertical movement in the industry might not have been possible without finding a mentor in Michael Hughes, the station’s general manager. Over the years working in the industry, Kinard grasped that managers are often not thinking about the needs and wants of individuals because of the myriad of responsibilities they are juggling related to the entity as a whole over any given period of time.
As a result, it is essential for subordinates to communicate with their superiors, as they are “at the mercy of the communication [they] receive,” according to Kinard.
“I had a conversation with him about… wanting to be a program director,” Kinard said of Hughes. “I think he took that seriously and took that to heart and he said, ‘Well, let me help you be prepared for that when the time might come.’ It just so happened that it came less than a year later.”
Derek Futterman is a features reporter for Barrett Sports Media. In addition, he serves as the production manager for the New York Islanders Radio Network and lead sports producer at NY2C. He has also worked on live game broadcasts for the Long Island Nets and New York Riptide. He previously interned for Paramount within Showtime Networks and wrote for The Long Island Herald. To get in touch, find him on Twitter @derekfutterman.
Pete Thamel Was ESPN’s College Football Missing Link
His no-frills approach is refreshing in a time when many “insiders” view being as famous as the athletes they cover as a quasi-goal for their futures.
For a network often accused of “running” college football, it always seemed odd to me that ESPN never had that true news-breaking reporter it had for other sports. That is, until it hired Pete Thamel in January of this year.
ESPN poured resources into “insiders” like Adam Schefter, Adrian Wojnarowski, and Jeff Passan while it poured rights fees into the SEC, Big 12, Pac-12, ACC, and the College Football Playoff, but from the outside, it looked as if the network just wasn’t interested in having that same type of reporting for college football, which is truly puzzling.
When the entire postseason of the country’s arguably second favorite sport is centered around what is best for your television channel, you would think supplementing it with high level, national reporting would be a priority.
Maybe the right deals never came to fruition or maybe the value just wasn’t seen by the network until Thamel became available, but his contributions to ESPN’s college football coverage have been immeasurable.
In a day and age where reporters break news on Twitter and get around to eventually writing a story for their outlet’s website, Thamel flexed his reporting chops in a major way on Sunday. While the rest of the college football world was still pondering whether Ohio State should consider firing Ryan Day, Thamel dropped a bomb on the sport’s landscape by revealing Wisconsin had hired Cincinnati head coach Luke Fickell to run their program. His initial tweet was accompanied by a link to ESPN’s website with further details about the move.
Pete Thamel was so convinced he was the first and potentially only person working on that ever-changing breaking news story, that he took the time to write the story, submit it through ESPN’s editorial staff, and then release the news before anyone else. In 2022, that’s the equivalent of mailing his story from side of the country to the other in order to break news. And yet, he was so far ahead of the game that he was able to take his time, gather his facts, and report an accurate, succinct story that would be of value to him and his network. What a novel concept.
One of Thamel’s best qualities as an “insider” is he — thus far — hasn’t been plagued by questions that have been a factor in the perception like his ESPN counterparts. Schefter, Wojnarowski, and Passan have each faced their own incidents during their time as the lead reporters for ESPN but Thamel, in my opinion, is unlikely to be pulled into those scenarios. It seems clear Thamel doesn’t release things for the benefit of anyone other than himself and the outlet he works for.
He doesn’t seem to be swayed by agents, athletic directors, coaches, boosters, or anyone else with skin in the game. His no-frills approach is refreshing in a time when many “insiders” view being as famous as the athletes they cover as a quasi-goal for their futures.
Last week, College GameDay host Rece Davis noted on the show’s podcast that Thamel brought “something to GameDay that GameDay’s desperately needed for years”, and he’s right. Not only did ESPN need a news breaker for it’s digital outlets, but it needed that presence on its pregame show.
And when you think about it, nearly ever other pregame show has that role filled. Schefter and Chris Mortensen hold that role for ESPN’s NFL coverage, FOX Sports has Jay Glazer in its NFL pregame show and Bruce Feldman for Big Noon Kickoff. It’s just an area ESPN lacked.
But they made a fantastic hire by bringing Thamel aboard, and his reporting will serve the worldwide leader well over the course of the following weeks as the college coaching carousel heats up.
Garrett Searight is the Editor of Barrett Sports Media and Barrett News Media. He previously was the Program Director and Afternoon Co-Host on 93.1 The Fan in Lima, OH. He is also a play-by-play announcer for TV and Radio broadcasts in Western Ohio.
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