Connect with us
blank

BSM Writers

Garrett Searight Wants 93.1 The Fan To Thrive Right Now

“Part of the good of being a small company and part of the bad of being a small company, is that you are frugal. You’re used to finding corners to cut and save where you can.”

Brandon Contes

Published

on

blank

The last six weeks haven’t been easy for sports media brands throughout the country, whether they’re a small business or publicly traded company.

For 93.1 The Fan in Lima, Ohio they weren’t far removed from challenges of their own when the COVID-19 pandemic caused an unprecedented shutdown of sports and the economy. Last October, The Fan’s longtime weekday host and play-by-play voice Vince Koza was diagnosed with cancer, forcing him to step away from his role with the station. In January, Koza succumbed to the disease.

blank

As a member of the Associated Press Ohio Broadcasters Hall of Fame and a prominent voice on The Fan for over a decade, the station was tasked with replacing a local icon. Launching a new show presented its own challenge for the station and new afternoon host Marty Bannister, but they soon had to deal with the sports shutdown and vast economic impacts of a global pandemic.  

Salary reductions, layoffs and furloughs for national sports media brands made mainstream news, but smaller market companies are equally impacted. Privately owned radio stations might not be dealt the hand of reducing a seven-figure salary, but those mom and pop media companies still represent a chunk of the broadcast industry.

I spoke with Garrett Searight, 93.1 The Fan program director and producer of The Drive With Marty Bannister to see how The Fan is dealing with the negative impacts of COVID-19.

Brandon Contes: How has the business side of 93.1 The Fan been during the last couple of months? Have you seen a significant impact in your number of advertisers, sponsors and clients?

Garrett Searight: We saw a big drop off right at the start. Those weren’t a fun couple of days for our sales team. I understood the apprehension and concern from our clients, but it was difficult. The vast majority of anyone who wasn’t a restaurant, either cancelled or cut back by 50%. This week, though, we’ve started to see a shift and sales pick up a bit. There’s some hope because the governor of Ohio has been talking about reopening part of the state a little at a time beginning May 1st.

Garrett Searight - Program Director - Woof Boom Radio

BC: Are most of your clients locally owned businesses?

GS: Yeah, which is something we’ve talked about, because some other stations in town are iHeart owned. They get national spots that companies are buying on thousands of iHeart stations, while we’re hitting up mom and pop shops that are working from home or offer a non-contact service. It’s an extra challenge for our sales team and you need really strong relationships with these folks. But I would say about 80% of our advertising comes from small, locally owned businesses.

BC: With the clients you have lost, are there ways you look to maintain a relationship with them so if Ohio does start opening back up May 1st, those clients are looking to you with their advertising budget?

GS: A lot of our sellers are really good about that because we can’t just say ‘hey! this station is the top-rated rock station in the market!’ We build relationships where our clients trust our salespeople and know there’s no BS. Our sales team stays in contact with those clients, so they know we’re still here for them.

BC: What about having less commercials, how are you filling those spots? Has it increased the amount of content you need to create in an hour for your local show?

GS: It’s changed, we were doing a SportsCenter update every 20 minutes during our local show and we stopped it recently because the volume of topics to talk about and update listeners on just isn’t there. That creates six more minutes of content you have to fill each hour and then your spot blocks go from four minutes to 90 seconds, so we’ve had to rearrange the format of the show a little bit. Instead of 44 minutes of talking in an hour, it’s now more than 50 minutes and that’s during a time when everyone’s looking for things to talk about. It presents a challenge, but it’s also not a bad thing to have more time for longer form interviews, or delve deeper into different topics.

BC: You have one local weekday show?

GS: Yeah, 4 – 6p with Marty Bannister and then we had a Saturday morning show from 8 – 10a that we put on hiatus for now because those hosts, one is a financial planner and the other works with the Chamber of Commerce. They’re sports hosts, but when it’s not your full-time job, it’s difficult to find two hours of content without sports.

BC: And what about evening programming, did you carry local play-by-play, and was that impacted?

GS: We carry girls high school basketball, there’s also a local college that we did 10 of their 25 games. But the majority of it was finished by the time everything shutdown. In Ohio, they cancelled seasons about 20 minutes before the first girl’s state semifinal.

BC: For those local broadcasts, are the announcers hired by the station?

GS: Yeah, we’ve got a rotating group of announcers. And if you go back a bit, station programming was largely built around Vince Coza who hosted our daily show and did a lot of play-by-play. In October, he found out he had stage IV cancer and passed away in early January. So from late September through now, there’s been a lot of upheaval, change and challenges.

BC: I do think there’s something to be said for small market radio stations being used to dealing with abnormalities. Not to say that anyone could have prepared for this pandemic, but running a small business, you’ve had unexpected issues pop up before.

GS: When everything started getting cancelled, our boss asked what are we going to do with the show? My initial reaction was to shut it down and turn on The Will Cain Show. But then I thought, well that’s kind of a crappy, take the easy way out approach – so we stayed with our local show.

Time for The Drive with Marty Bannister! - 93.1 The Fan - Lima's ...

Our market manager Allen Willis would send me articles from Barrett Sports Media about what other stations are doing. But a station like 101 ESPN in St. Louis, might have more people working on one show than we have in our entire building! It’s different, we’re not apples to apples here, but we’re experienced in problem solving and going through challenges. 

BC: And now looking back, how do you feel about the decision to keep the show going?

GS: I’m really happy we didn’t just take the easy way out. People are going to remember who was there for them, who put in the effort and who tried when everything turned. We’re in the same boat as our listeners. All of our lives have been disrupted and it’s been a good way to connect with our audience and say, ‘we’re in this, just the same way you are.’ It brings an authenticity to the show that I don’t know if a syndicated simulcast from New York City could’ve had. 

BC: Because you’re going through this together with the audience, has it helped listeners connect with Marty as the new afternoon host?

GS: For Marty, it’s definitely not easy to step in and replace someone who was a prominent voice in this market for years. But when two months into your full-time stint replacing that person, everybody has to go home and stay there for who knows how long, it’s pretty endearing to be a steady voice for everyone, every day. Now you also have more time to talk and build those connections because it’s not as fast paced of a show that we’re used to. It’s a slower speed and you do get to know somebody that much more because of the situation we’re in. 

BC: Are there things you’ve implemented into the show as a way of trying something new since you don’t have games to react to everyday?

GS: Actually, on Monday we’re starting a segment called ‘Football 4:15’ because no matter what, it’s always football season on sports radio here. Even without sports, no matter what day it is, we can still talk Ohio State football, high school football, Bengals, Browns, it doesn’t matter. So every day at 4:15 we’re talking football. We’ve had segments where we talk to local golf course owners or the city Parks and Rec Department about how they’ve been impacted, while also getting information out there regarding new schedules for local baseball, tee ball and other youth sports. It’s been nice to offer more community-based content that we may not have time for in a two hour show when the world is normal. 

BC: How about when sports do return, will some of these changes carry into the future? Maybe you keep commercial time down or continue with some local spotlights?

GS: The longer we’ve gone without doing SportsCenters, I’ve thought about if it’s better to have more time to talk instead of me just regurgitating that Francisco Lindor hit a homerun last night. There are things to reevaluate. And I’ve told my bosses this, I don’t think we’re just doing good shows considering the circumstances, I think we’ve been creating really good shows even if everything in the sports world was normal. And since we’re all working from home, now we know we can take the show on the road more if we need to for our clients. We can do remotes more easily than I ever thought we could. So we’ll look back at what we liked from this time frame and see what changes to implement going forward.

BC: Have you seen more website or social media traffic in recent weeks?

GS: Social media is up, our Facebook numbers have been up and Facebook isn’t typically the ideal social media platform for a sports station. But now we’ve started producing more content for Facebook and Twitter and our audience has reacted pretty positively to those videos and engagements. That’s something we’ll certainly look at continuing in the future.

BC: Do you know if the company applied for or received small business loans?

GS: Yeah, we did, and we did get approved which is certainly reassuring. We see other markets and how it’s not going great for people even in larger markets and big media companies. So it’s good to have that reassurance and know we have some financial help.

BC: How long could the station operate without that assistance?

GS: That’s a good question. Part of the good of being a small company and part of the bad of being a small company, is that you are frugal. You’re used to finding corners to cut and save where you can. It’s something we’ve been cognizant of for years and maybe helped prepare us for this.

BC: Did the station have to make any personnel cuts?

One-Employee 'Furlough' Evidence of FMLA Retaliation - HR Daily ...

GS: No, we’ve been lucky that everybody is still on. There was discussion of having five furlough days before the end of May, but even that was deemed not necessary for now.

BC: Is the unknown exciting in a way? The priority is to survive into next week and next month, but you’re also balancing finding ways to grow and build a better radio station.

GS: I’ve looked at it as, if we shoot for thriving and miss – at least we’re surviving. If I shoot for surviving and miss, then we’re in trouble. Let’s not think about whether or not we’re going to make it through the month, let’s try to win a Marconi this month and if we miss? We’ll still be doing alright. 

BSM Writers

Is There Still a Place for Baseball Talk on National Sports Shows?

“Its struggle has been the same since the beginning of television. There is too much baseball for any regular season baseball game or story to have national significance.”

Demetri Ravanos

Published

on

blank

Last week at the BSM Summit, I hosted a panel focused on air checks. I wish I could say we covered the topic thoroughly, but we got derailed a lot, and you know what? That is okay. It felt like real air checks that I have been on both sides of in my career. 

Rob Parker of The Odd Couple on FOX Sports Radio was the talent. He heard thoughts on his show from his boss, Scott Shapiro, and from his former boss, legendary WFAN programmer Mark Chernoff. 

Baseball was the topic that caused one of our derailments on the panel. If you know Rob, you know he is passionate about Major League Baseball. He cited download numbers that show The Odd Couple’s time-shifted audience responds to baseball talk. To him, that proves there is not just room for it on nationally syndicated shows, but that there is a sizable audience that wants it.

Chernoff disagrees. He says baseball is a regional sport. Sure, there are regions that love it and local sports talk stations will dedicate full hours to discussing their home team’s games and roster. National shows need to cast a wide net though, and baseball doesn’t do that.

Personally, I agree with Chernoff. I told Parker on stage that “I hear baseball talk and I am f***ing gone.” The reason for that, I think, is exactly what Chernoff said. I grew up in Alabama (no baseball team). I live in North Carolina (no baseball team). Where baseball is big, it is huge, but it isn’t big in most of the country. 

Now, I will add this. I used to LOVE baseball. It is the sport I played in high school. The Yankees’ logo was on the groom’s cake at my wedding. Then I had kids.

Forget 162 games. Even five games didn’t fit into my lifestyle. Maybe somewhere deep down, I still have feelings for the sport, but they are buried by years of neglect and active shunning.

Its struggle has been the same since the beginning of television. There is too much baseball for any regular season baseball game or story to have national significance. 

Me, and millions of sports talk listeners like me, look at baseball like a toddler looks at broccoli. You probably aren’t lying when you tell us how much you love it, but damn it! WE WANT CHICKEN FINGERS!

A new Major League Baseball season starts Thursday and I thought this topic was worth exploring. I asked three nationally syndicated hosts to weigh in. When is baseball right for their show and how do they use those conversations? Here is what they had to say.

FREDDIE COLEMAN (Freddie & Fitzsimmons on ESPN Radio) – “MLB can still be talked nationally IF there’s that one player like Aaron Judge or Shohei Ohtani can attract the casual fan.  MLB has definitely become more local because of the absence of that SUPER player and/or villainous team.  I wonder if the pace of play will help bring in the younger fans that they need, but the sport NEEDS that defining star that is must-see TV.”

JONAS KNOX (2 Pros & a Cup of Joe on FOX Sports Radio) – “While football is king for me in sports radio, I look at baseball like most other sports. I’m not opposed to talking about it, as long as I have an angle or opinion that I am confident I can deliver in an entertaining manner. A couple of times of any given year, there are stories in baseball that are big picture topics that are obvious national discussions. 

“I think it’s my job to never close the door on any topic/discussion (except politics because I don’t know anything about it).

“But also, if I’m going to discuss a localized story in baseball or any other sport for that matter – I better have an entertaining/informed angle on it. Otherwise, I’ve let down the listener and that is unacceptable. If they give you their time, you better not waste it.”

MAGGIE GRAY (Maggie & Perloff on CBS Sports Radio) – “While I was on WFAN there was almost no amount of minutia that was too small when it came to the Mets and Yankees. On Maggie and Perloff, our baseball topics have to be more centered around issues that can be universal. For example, ’Is Shohei Ohtani the face of the sport? Is Ohtani pitching and hitting more impressive than two sport athletes like Bo Jackson and Deion Sanders? Do you consider Aaron Judge the single-season homerun king or Barry Bonds?’ Any baseball fan or sports fan can have an opinion about those topics, so we find they get great engagement from our audience.”

Continue Reading

BSM Writers

Who Can Sports Fans Trust Once Twitter Ditches Legacy Verified Blue Checks?

The potential for Twitter chaos after April 1 is looming.

Avatar photo

Published

on

blank

As of April 1, Twitter will finally make a dreaded change that many will view as an April Fools’ prank. Unfortunately, it won’t be a joke to any user who cares about legitimacy and truth.

Last week, Twitter officially announced that verified blue checkmarks will be removed from accounts that have not signed up for a Twitter Blue subscription. Previously, accounts whose identity had been verified were allowed to keep their blue checks when Twitter Blue was implemented.

But shortly after Elon Musk purchased Twitter and became the social media company’s CEO, he stated his intention to use verification as a revenue source. Users would have to pay $8 per month (or $84 annually) for a Twitter Blue subscription and blue checkmark verification. Paying for blue checks immediately set off red flags among users who learned to depend on verified accounts for accredited identities and trusted information.

The entire concept of verification and blue checks was simple and effective. Users and accounts bearing the blue checkmark were legitimate. These people and organizations were who they said they were.

As an example, ESPN’s Adam Schefter has faced criticism for how he framed domestic violence and sexual misconduct involving star NFL players, and deservedly so. But fans and media know Schefter’s tweets are really coming from him because his account is verified.

Furthermore, Twitter took the additional step of clarifying that accounts such as Schefter’s were verified before Twitter Blue was implemented. He didn’t pay eight dollars for that blue checkmark.

blank

The need for verification is never more vital than when fake accounts are created to deceive users. Such accounts will put “Adam Schefter” as their Twitter name, even if their handle is something like “@TuaNeedsHelp.” Or worse, some fake accounts will create a handle with letters that look similar. So “@AdarnSchefter” with an “rn” in place of the “m,” fools some people, especially at a quick glance when people are trying to push news out as fast as possible.

Plenty of baseball fans have been duped over the years by fake accounts using a zero instead of an “o” or a capital “I” instead of a lowercase “l” to resemble Fox Sports and The Athletic reporter Ken Rosenthal. That trick didn’t get me. But when I covered Major League Baseball for Bleacher Report 10 years ago, I did fall for a fake Jim Salisbury account that reported the Philadelphia Phillies traded Hunter Pence to the San Francisco Giants. Capital “I,” not lowercase “l” in “Salisbury.” Pence was, in fact, traded to the Giants two days later, but that didn’t make my goof any less embarrassing. I should’ve looked for the blue checkmark!

But after April 1, that signifier won’t matter. Legacy blue checkmarks will be removed from accounts that haven’t paid for Twitter Blue. Some accounts that were previously verified might purchase a subscription to maintain that blue check. But those that were deemed legitimate prior to Musk taking over Twitter likely won’t. (There are also rumors that Twitter is considering a feature that would allow Twitter Blue subscribers to hide their blue check and avoid revealing that purchase.)

That could be even more true for media organizations, which are being told to pay $1000 per month for verification. Do you think ESPN, the New York Times, or the Washington Post will pay $12,000 for a blue check?

We’ve already seen the problems that paying for verification can cause. Shortly after Twitter Blue launched, accounts pretending to be legacy verified users could be created. A fake Adam Schefter account tweeted that the Las Vegas Raiders had fired head coach Josh McDaniels. Users who saw the “Adam Schefter” Twitter name went with the news without looking more closely at the “@AdamSchefterNOT” handle. But there was a blue checkmark next to the name this time!

The same thing occurred with a fake LeBron James account tweeting that the NBA superstar had requested a trade from the Los Angeles Lakers. There was a “@KINGJamez” handle, but a “LeBron James” Twitter name with a blue check next to it.

Whether it’s because fans and media have become more discerning or Twitter has done good work cracking down on such fake accounts, there haven’t been many outrageous examples of deliberate deception since last November. But the potential for Twitter chaos after April 1 is looming.

If that seems like an overstatement, it’s a very real possibility that there will be an erosion of trust among Twitter users. Media and fans may have to take a breath before quickly tweeting and retweeting news from accounts that may or may not be credible. False news and phony statements could spread quickly and go viral across social media.

Even worse, Musk has announced that only verified Twitter Blue accounts will be seen in your “For You” timeline as of April 15. (He can’t claim it’s an April Fools’ Day joke on that date.)

Obviously, that carries far more serious real-world implications beyond sports. Forget about a fake Shams Charania account tweeting that Luka Dončić wants to be traded to the Lakers. It’s not difficult to imagine a fake Joe Biden account declaring war on Russia and some people believing it’s true because of the blue checkmark.

We may be nearing the end of Twitter being a reliable news-gathering tool. If the accounts tweeting out news can’t be trusted, where’s the value? Reporters and newsmakers may end up going to other social media platforms to break stories and carry the viability of verification.

When Fox Sports’ website infamously pivoted to video in 2017, Ken Rosenthal posted his MLB reporting on Facebook prior to joining The Athletic. Hello, Instagram. Will someone take their following and reputation to a fledgling platform like Mastodon, Post, Spoutible, or BlueSky, even if it means a lesser outlet?

If and when that happens, Twitter could still be a community but not nearly as much fun. Not when it becomes a matter of trust that breaks up the party.

Continue Reading

BSM Writers

There’s a Lesson For Us All in Florida Atlantic’s Elite 8 Broadcast Struggle

“It is a ton of faith our industry has been forced to place in a single mode of delivery.”

Avatar photo

Published

on

blank

Ken LaVicka and Kevin Harlan probably don’t have a ton in common. Both of them were announcing an Elite Eight game over the weekend, that is one thing tying them together, but their experiences were wildly different. Harlan is on CBS with a production crew numbering in the dozens making certain all goes smoothly. LaVicka, the voice of the Florida Atlantic Owls, is a production crew himself, making certain those listening in South Florida heard the Owls punch their Final Four ticket. At least, that was LaVicka’s plan.

The Florida Atlantic Owls are going to the Men’s Final Four. Even while typing that sentence, it still seems odd to say. Do you know how many college basketball teams are thinking “how can Florida Atlantic make the Final Four and we can’t?” These are the types of stories that make the NCAA Tournament what it is. There is, literally, no barrier stopping any team from this tournament going on the run of their life and making it all the way.

Everyone listening in South Florida almost missed the moment it all became real for the Owls. With :18.6 to go in Florida Atlantic’s Elite Eight game against Kansas State, the Madison Square Garden Ethernet service to the front row of media seating went completely dark. 

It was on that row that Ken LaVicka was painting the picture back to South Florida. Well, he was until the internet died on him.

Nobody does a single show away from their home studio anymore without trying to avoid the nightmare of Ethernet failure. Gone are the days of phone lines and ISDN connections, all the audio and video is now sent back to the studio over the technological miracle that is the internet. It is a ton of faith our industry has been forced to place in a single mode of delivery.

Take that anxiety and multiply it by 1,000 when that Ethernet line is connected to a Comrex unit for the most important moment of your career. LaVicka had the great fortune of a Kansas State timeout to try something, anything, to save the day. In his quick thinking, he spun around and grabbed an ethernet cable from row two which, as it turns out, still had internet access flowing through it’s cables. That cable, though, was the equivalent of an iPhone charging cord; never as long as you need it to be.

One of LaVicka’s co-workers from ESPN West Palm held the Comrex unit close enough to the second row for the cable to make a connection and the day was saved. LaVicka was able to call the last :15 of the Florida Atlantic win and, presumably, get in all the necessary sponsorship mentions.

It was an exciting end to the FAU v. Kansas State game, a great defensive stop by the Owls to seal the victory. LaVicka told the NCAA’s Andy Katz he tried to channel his inner Jim Nantz to relay that excitement. The NCAA Tournament excitement started early this year. In the very first TV window 13 Seed Furman upset 4 Seed Virginia with a late three pointer by JP Pegues, who had been 0-for-15 from beyond the arc leading up to that shot. It is the type of play the NCAA Tournament is built upon.

It was called in the manner Kevin Harlan’s career was built upon. Harlan, alongside Stan Van Gundy and Dan Bonner, called the Virginia turnover leading to the made Furman basket with his trademark excitement before laying out for the crowd reaction. After a few seconds of crowd excitement he asked his analysts, and the world, “Did we just see what I think we saw? Wow!” Vintage Kevin Harlan.

One reason we are so aware of what Harlan said, and that he signaled his analysts to lay out for the crowd reaction, was a CBS Sports tweet with video of Harlan, Van Gundy and Bonner in a split screen over the play. It gave us a rare look at a pro in the middle of his craft. We got to see that Harlan reacts just like he sounds. The video has more than six million views and has been retweeted more than 6,000 times, a lot of people seem to like it.

Kevin Harlan is not in that group. Harlan appeared on Richard Deitsch’s Sports Media podcast after the video went public and said he was embarrassed by it. Harlan added he “begged” CBS not send the tweet out but to no avail. Harlan told Deitsch “I don’t know that I’m glad that they caught our expression, but I’m glad the game was on the air. I think I join a chorus of other announcers who do not like the camera.”

There’s a valuable announcer lesson from Harlan there; the audience is almost always there for the game, not you. Harlan went on to describe the broadcast booth to Deitsch as somewhat of a sacred place. He would prefer to let his words accompany the video of the action to tell the story. Kevin Harlan is as good as they come at his craft, if he thinks that way, there’s probably great value in that line of thought.

We can learn from LaVicka, as well. You work in this business long enough and you come to accept technical difficulties are as much a part of it as anything. They always seem to strike at the worst times, it is just in their nature. Those who can find a way to deal with them without everything melting down are those who can give their audience what they showed up for. Those who lose their mind and spend time complaining about them during the production simply give the audience information they don’t really care about.

The Final Four is an unlikely collection of teams; Miami, San Diego State, Connecticut and Florida Atlantic. You all had that in your brackets, right? Yep, the Florida Atlantic Owls are going to the Final Four and Ken LaVicka will be there for it. Now, if the internet will just hold out.

Continue Reading
Advertisement

blank

Barrett Media Writers

Copyright © 2023 Barrett Media.