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Ryan Ruocco Learned To Manufacture Energy

“If I go back to broadcasting three years ago, I should feel I am better than that.”

Ricky Keeler

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Chances are that if you are watching a sporting event whether it is the Yankees, Nets, the WNBA, or the Women’s Final Four, you will most likely hear the voice of Ryan Ruocco. 

Since starting as a statistician at YES back in 2007, Ruocco worked his way into becoming one of the voices of the Nets in 2011 and later the Yankees, filling in on games for Michael Kay beginning in 2015. In addition to YES, he has been at ESPN as the play-by-play announcer for NBA and WNBA games as well as the NCAA Women’s Tournament. 

One on One: Ryan Ruocco Interview | WFUV

So, how does Ruocco balance the schedule if he has to call different games during a particular week? He says the key is to treat each game as if it were a “final exam” and by taking the events in order: 

“If I have 4 games in 5 days and it’s 4 different networks or sports, I’m going to take care of the first thing first. I’ll do sort of peripheral, skeleton things with boards for games down the road, but I’m not going to let my mind fully dive into the next thing until I get there. Otherwise, it’s going to be cluttered in my head and it might mean that I’m cramming a little bit mentally, but I’m ok to do that. If I know I’ve gotten my skeleton boards done, now I know have 7 hours where I can fully dive in on a given game.

“If I can do that, then I can just kind of compartmentalize it and that’ll give me ample time to do what I need to do to be ready. Sometimes, it’s just looking at your schedule and saying when do I have to do what in order to be prepared on air.”

Ruocco does more regular work with the Nets than the Yankees. That means juggling preparations for MLB and NBA action is necessary. He says when trying to balance where to place his focus, he’ll spend more time on the Yankees’ opponent than he might prepping for a basketball game, simply because he’s around the NBA game more: 

“For the Nets, it’s not as hard for me. I see them all the time. Whereas, if I’m doing the Yankees vs. Mariners and I haven’t seen Seattle at all this year, I can’t just dive into the Mariners the morning of the game. That’s not going to work out. It’s kind of just being smart and honest about what you have to do for each assignment and applying things mentally to keep yourself clear on-air for each assignment.”

In addition to being on TV, Ruocco has spent time on the radio, working for ESPN Radio on shows with Stephen A. Smith, Dave Rothenberg, and being a co-host on The Michael Kay Show. He credits his first co-host, Robin Lundberg, with teaching him about the NBA and says live radio is a great advantage for preparing for any situation: 

“It makes it real easy to craft your words when you have a two-minute fill on a TV broadcast or all of a sudden, the booth isn’t level in Toronto (this actually happened) and they’re going to take 5-10 minutes to fix it. Some people don’t have that experience of talking extemporaneously without having any stimulation in front of them like you have on the radio, they might freak out.”

That preparation for the anything-can-happen on live radio or TV came from when Ruocco worked in college at WFUV Radio at Fordham University. His mentor and executive director, Bob Ahrens, gave him advice saying “when s**t flies, s**t happens.” Here is how Ruocco explained it: 

“That was a great way to calm me down in moments of chaos. When you are on live TV or live radio, inevitably, things are going to go differently than the way you thought they were going to go. The key to having success is not freaking out when it does because the reality is because it’s live, things are going to happen.”

While Ruocco does enjoy certain aspects of live radio, he is not a fan of how it can sometimes lead people into controversy. It’s why he prefers hosting the R2C2 podcast with former MLB pitcher CC Sabathia: 

“I think our podcast, we always wanted to be more about storytelling and people showing their personalities rather than having to drive any sort of controversy or opinion. While we certainly have those moments, that’s not the crux of it. We don’t look at a juicy story and say, oh, that’s for us. Whereas when you do daily radio, you do. No matter what your natural disposition is or even what your commitment is to trying to be more positive, when you do daily radio, it just sort of naturally drags you into controversy a little bit more. I didn’t love that part of daily radio.

“I think the podcast is great because it allows us the best parts of doing radio, which is the connectivity with the audience and sort of the free flowing medium without having to feel like we need to make mountains out of molehills like I think most people feel compelled to do with daily radio as you’re trying to come up with content.”

Ruocco and Sabathia have hosted the R2C2 podcast together over the last few years. As Sabathia has transitioned from being a player to a podcast host, Ruocco has seen his co-host grow in the industry and it has impressed him: 

“I think he has honed a lot of broadcast skills as well where I can see him segueing and pivoting topics and asking follow-ups and generating conversations and going places where I’m like, that’s where I wanted to go next. That’s really impressive stuff for someone who hasn’t been in a booth to learn and I think he continues to really improve on that front as well.” 

Ryan Ruocco Keeps It Candid on Podcast with Yankees Pitcher CC Sabathia

On Saturday, Ruocco was on the call for the Las Vegas Aces vs. Seattle Storm WNBA game as the league began its 25th season. Since he started calling games in 2013, he’s noticed that it is no longer cool to make jokes about the WNBA:  

“More and more people are understanding just how cool these women are and this league is and how great the basketball is… I think it was very in vogue to make a joke about it or act like it wasn’t as cool and now, nobody thinks it is funny anymore. No one thinks it’s cool to put down the WNBA, at least nobody who I would want to hang out with or respect would do that. It’s juvenile. I’m happy to see more and more people getting it.”

Ruocco was in Seattle for that game, something which a year earlier may have seemed impossible. The challenges created by the pandemic forced a lot of adjustments for broadcasters and networks, earning high praise from Ruocco for the work done by operators and technicians. Working without the usual tools and calling games during times of uncertainty helped Ryan learn just how important the energy he brings to any broadcast is: 

“Without having crowds and without having the action in front of you and calling games in more sterile environments like my living room or my kitchen, it’s even more important to be able to manufacture the energy that should go along with an audience watching a professional game. I think that I kind of just always thought that’s my style, that’s how I broadcast trying to have energy, but energy that makes sense too, which I’ve always prided myself on. This period of time actually gave me more of an appreciation for the significance of broadcasting with energy because you will hear people who are broadcasting from their home and it sounds like they are trying not to wake up their house. All of a sudden, that really changes the experience for the viewer and not in a good way.”

While Ruocco has had to call games from his living room and kitchen in the past year, he’s also had the opportunity to take part in cool experiences like ESPN’s Marvel-themed NBA broadcast of Warriors-Pelicans. As a big Marvel fan, he felt like he was walking onto a movie set when he went into the studio. He says he’s a fan of networks trying these type of new ideas: 

“It always makes me laugh when I see sort of the old guard traditionalist from Twitter ripping on these innovative broadcasts because creativity started all of this. Every single thing we see in sports and entertainment is the brainchild of someone taking a chance creatively. Maybe those things don’t end up having legs or maybe they don’t end up being long-term, but I will never, ever criticize any company or network for trying something because that’s how you get innovation.”

A few days ago, Mike Breen, a Fordham alum, was inducted into the National Basketball Hall Of Fame as the 2020 winner of the Curt Gowdy Award. When Ruocco was in college, he got great advice from Breen about listening back to past work and how to grow from it: 

“He [Breen] would go back once a year and listen back to an old game or two to continue to try and give yourself honest feedback and he said it’s funny even now, you have me listen to games from 2 years ago, and this was when he was already a well-established NBA voice and calling The NBA Finals. I would be like, oh, that’s not good or I can’t listen to that and I think that’s how you should feel.” 

“If I go back to broadcasting three years ago, I should feel I am better than that. The way you get there is from listening to that stuff. I did that extensively during the Final Four. I listened to several broadcasts and there were a couple of things I picked up on that I was like, I think I could do that better…I’m not just trying to be good at this, I’m driven to be great at this.”

One of the things I asked Ruocco at the start of our conversation was what would he tell himself if he could go back and chat with the 2007 version of himself. He mentioned that not one experience can ever be duplicated whether it’s calling games at Fordham with his friends or doing the Women’s NCAA Tournament, every experience is unique: 

“No matter what, there are things that end up having better audiences and represent progress in my career, but I think the key thing to realize is every single step has its own unique reward and can’t be duplicated.”

Ryan Ruocco on Twitter: "That was a blast. Thanks y'all for having some fun  with us. @Marvel @espn… "

When you listen to anything Ryan Ruocco does in TV, radio, or podcasts, he brings that same energy and enthusiasm to every medium. It goes a long way into making a great broadcast.  

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Dagen McDowell Is Ready For A New Adventure With Fox Business

“Every decision in America is born of policy, On the show, we bring that to our show. Talk about the news of the day.”

Jim Cryns

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To know Dagen McDowell, you must understand what she comes from, where she comes from. You won’t know her until you know the lessons, kindness, and determination set forth by her parents.

Her parents operated a small grocery store, LW Roark and Company. Charles and Joyce McDowell were high school sweethearts and both went to college but decided to go back home and open a business. “This is in the middle of nowhere,” McDowell said. “It was a wholesale grocery store. They sold it in the late 90s.”

She said her parents were smart, encouraging, and took every opportunity to teach McDowell and her brother.

“They’d constantly talk up people who came into the store. Both of them have and had an insatiable curiosity about everything. They felt they learned things through their customers. It was more fun to learn about things from other people.”

McDowell’s parents never took a week off work. Never. The family took no vacations as most families would. Once while McDowell was in college at Wake Forest University, the family visited the Air and Space Museum on the Mall in D.C.

“Both of my parents were very interested in architecture and landscapes. We’d go to Williamsburg and just look at the buildings.”

McDowell joined FOX News Channel in 2003 and helped launch FOX Business Network as a founding anchor in 2007.

Her mother passed away three years ago and her father is still very much a part of her life. Her father was a constant teacher.

“One time my father, who we called Dowell McDowell, was putting up an outbuilding and asked me how long one line should be if the other line was such and such. He taught me the Pythagorean theorem when I was about 4 years old.”

McDowell was nurtured by parents with endless curiosity.

“I was raised by parents who would always debate and converse around the dinner table. We shared breakfast and dinner together every day. They loved learning, were always inquisitive, never afraid to ask a question. My parents shared a fearlessness and passed that on to me. I’ve never been embarrassed to ask people questions. I love talking to people and finding out about things.”

For a long time, McDowell had no idea what she wanted to do for a living. She knew if she worked at different jobs she’d eventually figure out what she was good at.

“I knew I was a decent writer, but I always tried to get information out of people, what they were doing. Ask if they were fulfilled and happy.”

At Wake, Forest McDowell majored in art history and had every intention of working in a museum, possibly as a curator.

“I interned at the Center for Contemporary Arts. I lived in Venice, Italy for a while. Wake Forest owns a house in Venice.”

After that it was Colorado. She moved back to New York during the recession of 1991 with a duffel bag. She took the Amtrak to New York City and sublet an apartment for six months.

“I had no TV, just a radio. I knew I could find something good to do in New York, there were so many jobs. I always wanted to live in the city. Either the city or way out in the country. Nowhere in between.”

She said being in New York made her feel anything was possible. This was January in 1994 when job ads were still in the physical newspaper, like the New York Times. McDowell interviewed at Institutional Investor through a referral from a friend.

“It was a brilliant magazine with terrific writing,” McDowell explained. “Very prominent in the industry. They were looking for someone to work with the newsletter written for the financial community.”

She’d cover topics like the bond business, Wall Street, and money management. The magazine made her take a reporting test where you’d make up a story and write it. She was offered a job and worked there for three years.

“I learned to be a journalist there,” McDowell said. “I could write but I became a better journalist. We’d break news, create our sources, and learn more and more about finance. People love to talk about what they do if you show interest.”

The next big job was SmartMoney.com, a resource and web newspaper for private investors. There McDowell wrote a personal finance column. She started doing commentary on television shows, the way a lot of people in different professions tend to do. “Then I started making more appearances on weekend financial or business shows,” McDowell said.

She got a call from Neil Cavuto about 20 years ago and he told McDowell, ‘Kid, you want a job? I know you don’t have much professional TV experience. We’ll give you some training and you’ll figure it out. If you do, you stay. If not, you go.’

McDowell said she was glad she was a writer first before she arrived at Fox. She writes her own scripts and has a background in finance and business writing.

“Before the business network was launched, they had only one business reporter and two senior business correspondents,” she said. “I’ve gotten to do so many different jobs, use different muscles, so to speak. As the years have passed I’ve discovered other talents I may have and I’m incredibly grateful for that.”

There’s a new show in town. McDowell and Sean Duffy will co-host The Bottom Line which will air on weeknights from 6-7:00 PM ET.

McDowell said she and Duffy come from extremely similar backgrounds. Duffy is from rural Wisconsin and McDowell is from Virginia.

“We know what small-town living is like, “McDowell said. “I might live in New York City but where I grew up affects the way I view the world. I’m still grounded in my hometown. On the show, we look south and west with everything we cover. You have to think of your audience. Rather than talking about them, we talk with them. That’s our shared background and vision. Sean is extremely down to earth and generous.”

McDowell said the show is not financially based, but steeped in business.

She said Duffy’s experience as a former U.S. Congressman, he understands policy as well as financial matters.

“Every decision in America is born of policy,” she said. “On the show, we bring that to our show. Talk about the news of the day.”

This is different from anything McDowell has done in the past.

“It’s a two-anchor show in the evening,” she explained. “This is not taking place during market hours. We tie all the business happenings together from the day. Again, it’s not about Washington or New York. It’s about the people we grew up with. We talk to them. Build a relationship with them on the air. For me, this is not just sitting in front of a camera. I can run off at the mouth as well as anyone, hang in there with the filibuster.”

McDowell says she is blunt, but hopes she isn’t rude. During a recent interview for the new show she used the terms ‘pig potatoes’ and ‘chapped backsides.’

“Those are terms I just made up,” she said. “I make up a lot of phrases and don’t always know what they mean. I have an entire repertoire of those kinds of phrases.”

Duffy assumed they were southern phrases he had to learn from McDowell, but she assured him she’d never heard them anywhere else.

“I’m just making stuff up,” McDowell said. “You can’t curse. Can’t say BS. At least you shouldn’t say BS on television. You don’t want to say manure. You never want to say something that makes people wince or evokes a smell.”

Dealing with people directly and bluntly seems to come from her mother.

“My mother had grit,” McDowell said. “She was also very kind, never syrupy. I used to say she had no magnolia-mouth.

That’s got to be a southern phrase.

McDowell said her mother was not a servile flatterer, but she was kind. Always there when somebody was in need.

“She had real grit. She’d stand and fight for her friends and family members.”

Her mother passed away after being diagnosed with stage-four cancer.

“She went through unimaginable pain,” McDowell said of her mother. “For nearly six years. You want to talk about somebody who was tough. There was nobody more pugnacious than my mother.”

She explained even with her illness, her mother was always on the go. Continuing to live her life. When questioned about being so active while she was ill, her mother continued to show grit.

“My mother would say she didn’t want to walk around looking like she had cancer. She asked, ‘What choice do I have? I could lay in bed and wait to die, or I can get up and do what I can .’”

McDowell said her mother’s illness taught her to be a caregiver in ways she never could have imagined. Her mother taught her to find moments of joy every single day, in the smallest of things.

“It can be as simple as telling a stranger to have a great day. Treat a perfect stranger with kindness. I do it all day long. I know it sounds corny, but I want to be known as a person who brings a casserole to a friend when they’re ill.”

A one-sheet from Fox tells you McDowell and the culmination of her background is perfect for The Bottom Line. The fact is, it’s true.

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Airing The Tyre Nichols Video Was A Necessity

There were hard moments to watch in those videos, hard sounds to hear. But they aired.

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Far be it for me not to address this outrageous and embarrassing instance in humanity. After the videos of Memphis police brutally beating Tyre Nichols were shown on television there really seemed to be more outrage emerging from society this time than from the media, for a change. One would think that’s how we wish things to be.

In instances like this, where the video and audio images are far from brief but are instead chaptered as they unfold, there are few options other than to let them run their course. Clocks — breaks hard and soft — are out the window, just as in live coverage.

Because that’s what this was, only the live this time was us, and as we all absorbed and reacted to actions disapprovingly familiar yet somehow foreign at the same time, the impact was still becoming apparent even though we already knew the outcome.

It’s happened before.

Not always like this but we’ve seen it before, police encounters shown on the news overtakes and become the news.

It takes effect as the sights and sounds are digested, dissected, and discussed, often before their potential impact could really be imagined.

In 1991, when the Handycam footage crossed screens for the first time and we learned Rodney King’s name, we didn’t know then but we had a feeling.

We were on the right track, though as newsrooms evolved and street reporting incorporated a different type of storytelling.

I was a cop in 1991. Changes came. Some.

It’s 2023, I’m no longer a cop. Changes will come again. Some.

Turning points — or the overused watershed moments — mean just as much to the news media as they do to law enforcement.

The “why’s” that make this a turning point are more society and community based this time around than they were in 1991.

At least I think so. And I don’t think it makes a bit of difference who’s involved this time.

There were hard moments to watch in those videos, and hard sounds to hear. But they aired. Where they couldn’t air, they were described in great detail; descriptions sometimes can be worse than the real thing. Sometimes, not this time.

And they should air, they shouldn’t stop airing. This is what happened and this is what people need to see and hear and this is exactly why we are here.

Warn them, provide them with a heads up that they’re not going to like what happens next. It’s life and we show life, and we show what some of us do with it when it’s someone else’s.

Overall, I would say the news platforms held their composure, even after the videos were released. I saw, read, and heard some refreshingly neutral coverage, even from outlets where I expected hard turns into the lanes on either side of the road.

Legitimate questions were asked by anchors and reporters and much of the time, the off-balance issues were raised more by those on the sidewalks and those on the other side of the cameras and microphones.

As much as I find myself in disagreement with what I often see on the cable networks — all the cable networks — I did find a sense of symmetry watching CNN’s Don Lemon speak with Memphis City Council Chair Martavius Jones in the hours after the videos were released.

Regular protocols be damned, Lemon and producers lingered patiently as Jones, visibly overcome by emotion, struggled to regain breath and composure enough to be able to speak. Rather than cut away or move to other elements, they stood fast and it became an example of what often requires no words.

There were fewer punches pulled on other platforms as well.

The sounds of the screams, the impacts, and the hate-filled commands were broadcast through car radios.

As were Tyre Nichol’s calls for his mom. They aired. They had to.

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Does the Republican Establishment Get It?

For many it seemed that the Republican establishment stood idly by as Democrats changed the rules and worked behind the scenes to alter elections.

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In a move that seemed to go against the wishes of the patriotic American grassroots, the Republican party on Friday re-elected RNC Chairperson Ronna McDaniel. 

The media immediately took notice, as many on television and radio are now wondering why the party would re-elect a chairperson who has been so unpopular with the base of its party. 

Grant Stinchfield discussed this issue Friday night on his program, Stinchfield Tonight, which airs on Real America’s Voice network.

“Ronna McDaniel holds on to her chairmanship of the Republican Party. By a whopping total of — what were the numbers– 111 to 54. Harmeet Dhillon only received 54 votes. Mike Lindell 4 votes. This is proof to me that the Republican establishment is dug in,” Stinchfield — formerly of Newsmax — said. “Don’t tell me they’re out of touch. See, you tell me they’re out of touch, that implies ignorance. They’re not ignorant about anything.”

As sentiment for Dhillon grew in the days leading up to Friday’s vote, many influential politicians and party donors publicly offered her their support and endorsement. These included Gov. Ron DeSantis (R-FL), as well as donors Mike Rydin, Dick Uihlein, and Bernie Marcus.

Also on board were musician and outspoken conservative John Rich, along with the state GOP of Nebraska and Washington State. Countless journalists and media personalities, such as Charlie Kirk, Miranda Divine, and Lou Dobbs, also came out publicly in support of Dhillon. Former President Donald Trump remained neutral, not making a public choice of either of the three candidates.

For many of Dhillon’s supporters, the deciding factor was public sentiment across the party’s base.

“They’re reading the same chat boards. They’re getting the same emails I’m reading. I will literally post something about this race when I was supporting Harmeet Dhillon. There was not one comment – not one – that supported Ronna McDaniel. Everyone wanted change,” Stinchfield said, noting that the party elite saw the same groundswell of support for change.

“Now, nobody has an issue as Ronna McDaniel is some evil kind of person. I don’t believe she is. I believe, though, that she is part of the establishment. She’s been around too long as far as the establishment goes. And she’s been ingrained in doing business as usual. It’s not working.”

In making their choices known, many Dhillon supporters simply pointed to the scoreboard during McDaniel’s reign.

“Think about where we are. 2018, we lost the House. 2020, we lost everything. 2022, we won the House, but we should have really steamrolled the House and we should have taken back the Senate, which we didn’t do,” Stinchfield said. “That means we’re on a real losing track since she took over. I don’t like being on a losing track. I like being on a winning track.

“Something has got to change when you talk about all of this. So how does Ronna McDaniel get 111 votes and Harmeet Dhillon only get 54 votes, when everyone, every Republican voter I talk to said it was time for change?” pondered Stinchfield.

And even more than the losses, for many it seemed that the Republican establishment stood idly by as Democrats changed the rules and worked behind the scenes to alter elections. The most recent example of which came in Arizona, where presumptive gubernatorial favorite, Kari Lake, was “defeated” when countless voting irregularities occurred in some of the state’s most deep-red areas.

“Under her watch, Democrats instituted a mail-in ballot scheme. That may be even worse than losing, when you talk about the House and the Senate and all these things. The fact that we now have a junk mail-in ballot scheme across the country under Ronna McDaniel’s watch is serious trouble. Very serious trouble,” Stinchfield said on Friday. “And so the reason it is is because the Democrats are rigging the system.”

For years – until Donald Trump descended the golden escalator and took the world by storm – the Republican party had the reputation of being the party of the rich. Rush Limbaugh used to refer to this wing of Republicans as “the country club crowd.” President Donald Trump flipped the narrative completely, offering a clear vision of hope and patriotism to working-class America.

Reputable polling — such as Richard Baris’ Big Data Poll — consistently showed Trump running well ahead of almost every Republican candidate during the 2022 mid-term election cycle. In other words, Trump still maintains considerably more support across the country than most of the individual Senate or House candidates experienced.

Many experts believe this is because voters still view Trump as an outsider, while they view the Republican party much less favorably.

“Let’s tell you how out of touch they are, how elitist they are,” Stinchfield said, calling out the GOP establishment. “This meeting that went on, do you know where it is? It’s at the Waldorf Astoria Monarch in California. One of the most expensive resorts in America. You’re lucky if you get a room for a thousand dollars a night down there on Dana Point. Now, it’s a beautiful hotel, but why is the Republican Party holding an event there? Then I went back and I looked at what RedState did. RedState went back and looked at some of the expenses that the Republican Party under Ronna McDaniel’s leadership was spending money on.

“Take a look at this. $3.1 million on private jets. $1.3 million on limousine and chauffeur services. $17.1 million on donor mementos. $750,000 on floral arrangements. Now you compare this to the Democrats. The Democrats spent $35,000 on private airfare. A thousand dollars on floral arrangements. A thousand. Not $750,000. A thousand. And the $17.1 million they spent on donor mementos, the Democrats spent $1.5 million.

“Democrats know where to put the money. It’s not giving donors gifts. Donors shouldn’t want gifts. If you give money, give money. You don’t need the fancy pin to put on your lapel.”

Following her loss, Dhillon warned her party that it must listen to the base, saying, “if we ignore this message, I think it’s at our peril. It’s at our peril personally, as party leaders and it’s at our peril for our party in general.”

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