BSM Writers
ESPN Planning ‘Futuristic Look’ For MLB Home Run Derby
“Despite the network planning to display advanced renderings and interpretations of sports data into the broadcast, the top priority remains showing the viewer each pitch as it happens, along with giving viewers unrivaled access to the field, players and spectators.”

Published
2 years agoon

As the “Worldwide Leader in Sports,” ESPN continues to pioneer the future of sports event production through its partnership with various properties, including the National Football League, National Basketball Association and Major League Baseball. The decades-old staple of the entertainment and sports industry plans to amplify its coverage of Major League Baseball All-Star Week in a contemporary, progressive manner not yet seen in sports television.
According to the network, it will “provide expansive coverage of the 2021 MLB All-Star festivities from July 11-13 in Denver,” including the first round of the 2021 Major League Baseball Draft, the Home Run Derby and the All-Star Celebrity Softball Game.
The Major League Baseball Draft was exclusively presented on MLB Network beginning in 2009 when Los Angeles Angels’ outfielder and American League all-star starter Mike Trout was taken with the 25th pick in the first round. Since then, the MLB Draft has grown into an event that interests baseball fanatics, and has become an opportune time for other events to be cross-promoted. ESPN and MLB Network simulcast the Draft for the first time in 2020, with the event taking place out of ESPN’s studios in Bristol. For the first time in its history, the Major League Baseball Draft will take place during Major League Baseball All-Star Week, after plans to hold it in conjunction with the College World Series in Omaha fell through due to health and safety concerns associated with the COVID-19 pandemic.
“We had already been pushing to add simultaneous coverage of the Draft with MLB Network,” said Phil Orlins, who serves as the senior coordinating producer of Major League Baseball, Little League and College Baseball for ESPN. “When the draft happened around early July last year, we were super eager to do it because, at that time, we didn’t have many live sports. We wanted to do it again this year, but it’s just not in the construction of our deal with Major League Baseball. I think we were fairly confident that it would work out, [as] it optimizes the visibility of the event for [both] ESPN and MLB Network to cover it.”
When Major League Baseball made the decision to move 2021 All-Star festivities from Atlanta to Denver in early April, logistical challenges were presented to Orlins and his team, who generally start preparing for these slate of events in the early autumn of the previous year. Unlike Truist Park in Atlanta, Coors Field in Denver does not have a connecting venue with the capability to host the Draft, coercing the network to find alternate ways to transmit the event from the new venue, the Bellco Theatre, to the ballpark, venues that are 1.4 miles away from each other.
The move also impacted the planning of the Home Run Derby, an event that has engendered much interest since its inception in 1985. While the original nine-month timetable was quickly compressed down to three due to the decision by the league to relocate the festivities, Orlins knew that his team would be able to handle the challenge.
“We’ve been doing this for a lot of years,” said Orlins. “[The move] caused a little bit of extra urgency and speed to the work, [but] I don’t think it has any real impact as to how the event will be covered.”
Orlins produced the first Home Run Derby broadcast on television in 1993, in which Seattle Mariners superstar and National Baseball Hall of Fame member Ken Griffey, Jr., crushed a home run off of the B&O Warehouse at Oriole Park at Camden Yards in Baltimore. Originally a 30-minute taped show, the veteran producer considers the impact he had in the event’s evolution as one of the signature moments of his career.
“I remember back in the day the seats were free for fans,” reminisced Orlins. “Then, it grew to a $5 charity donation per seat, and now it is a jewel event. It’s been amazing seeing that event capture the public’s fancy.”
ESPN is set to exclusively telecast the Home Run Derby on both the primary ESPN channel and ESPN-2, with each broadcast targeted for different segments of the viewing audience. The parent network, ESPN, will be taking a conventional approach, featuring a broadcast team of Karl Ravech, Eduardo Perez, Buster Olney and Marley Rivera calling the action and giving viewers an entertaining, traditional viewing experience. Conversely on ESPN-2, Jason Bennetti, Jessica Mendoza and Mike Petriello will explore the contest from an analytics-driven perspective, relying on Statcast technology to examine metrics such as launch angle, distance, exit velocity and barrel percentage to name a few, implementing them into the broadcast. This style of broadcast, which first debuted on ESPN’s coverage of Major League Baseball just prior to the turn of the century, is designed for the astute, perspicacious viewer, and will use graphics and groundbreaking technology to envision these data-powered metrics in an elucidatory, provocative mode.
“The pervasiveness and the capability of what Major League Baseball has been able to do through Statcast is unbelievable,” affirmed Orlins. “We felt [this broadcast] was a chance to more aggressively-serve… diehards who absorb sports and want all the information in every way [it can be presented]… without alienating more casual viewers.”
Since the Home Run Derby began its utilization of an alternative presentation in 2018, the network has watched the proliferation of its viability, and plans to take the broadcast to new heights this year. Even though the Major League Baseball All-Star Game will be exclusively broadcast on Fox as normal, the networks will share equipment to ensure that both their broadcasts eclipse the status quo.
“We have a really aggressive plan to differentiate the visual coverage of the at-bats with significant augmented reality,” said Orlins. “I think it’s going to be a very futuristic look.”
Despite the network planning to display advanced renderings and interpretations of sports data into the broadcast, the top priority remains showing the viewer each pitch as it happens, along with giving viewers unrivaled access to the field, players and spectators. With these concomitant objectives, broadcasting the event to serve all of them was something that presented a challenge to ESPN prior to the advent of the split-screen coverage box.
“We keep a pretty comfortable portrait-style type shot of the batter and pitcher, and we [have an approximately] 4 x 3 coverage box on the right side of the screen,” explained Orlins. “We have a constant shot of the pitch and the swing on one side, and we’re able to track the balls and reactions on the bigger box on the other side. Until we made that move, we were just in an uphill battle at all times; in the worst-case scenario, pitches were being thrown before home runs were landing. There’s a comfort in never losing track of when the pitch is coming.”
Something different from previous years, however, is the highly-saturated marketplace that exists for live sports. The Home Run Derby, usually a showcase, professional sporting event leading up to the Midsummer Classic, has to compete with the N.B.A. Finals between the Milwaukee Bucks and the Phoenix Suns, along with the buildup towards the 2020 Tokyo Olympics, which are set to begin later this month after a year-long delay. These premium events notwithstanding do not take away from the appeal of the Home Run Derby, as the setting for this year’s event is the high-altitude Coors Field, which, on average, yields the longest home run distances out of any ballpark in the major leagues. Moreover, its showcase participant is the man who is being called the closest thing to Babe Ruth since, well, Babe Ruth himself: the Los Angeles Angels’ two-way phenom, Shohei Ohtani.
“I can’t believe I’m actually saying this,” expressed Orlins, “but the Babe Ruth comparisons actually almost fall short at this point because, while Ruth was an excellent pitcher and the greatest hitter of all-time, he really never did them both at the same time to this degree, and he certainly wasn’t being measured on Statcast either. [Ohtani] is going to be the number one seed, [and] he’s positioned to bat in the spot that will lead our audience to there. I think there is a mystique and intrigue as to what will happen.”
The rest of the field for the Home Run Derby, which includes New York Mets’ slugger and reigning event-champion Pete Alonso, Texas Rangers’ outfielder Joey Gallo and the prolific Washington Nationals’ all-star Juan Soto, is sure to generate peak ratings and cultivate feats worthy of awe and incredulousness among fans and analysts alike.
“We promote the event extremely-aggressively,” said Orlins. “We are very fortunate to have one of the strongest possible promotional stand-out elements of the event, which is holding a home-run hitting contest at a high altitude.”
Following the Home Run Derby, ESPN will feature the All-Star Celebrity Softball Game, which will be broadcast by father-son duo Tim and Jeff Kurkjian. The event will feature notable celebrities including The Miz, Kane Brown, JoJo Siwa and Quavo, along with athletes Larry Walker, Jenny Finch and CC Sabathia.
“It’s an event that probably takes 75 minutes in the ballpark,” Orlins explained, “but gets cut down to about 46 minutes on television. The main thing is [being[ fun and clever [about] things to do with the various participants [at an] aggressive-pace. It’s how you quickly, effectively trim it down, making your commentary make sense when you are trying to eliminate all of the balls not swung at.”
Lastly, on Tuesday night, Jon “Boog” Sciambi and Chris Singleton will be on the call for the Major League Baseball All-Star Gameon ESPN Radio, the 23rd year it has been the national radio home for the midsummer classic. Additionally, Sciambi and Singleton will provide listeners with all the action from the Home Run Derby on the air Monday night.
ESPN’s multimedia coverage of the Major League Baseball All-Star festivities is also available to be streamed on the ESPN App, and will be the first Major League Baseball All-Star Week to occur since July 2019.

Derek Futterman is a features reporter for Barrett Sports Media. In addition, he interns in video production with the New York Islanders and formerly worked as production manager for the team’s radio broadcasts. He previously interned for Paramount within Showtime Networks, wrote for the Long Island Herald and served as lead sports producer at NY2C. To get in touch, find him on Twitter @derekfutterman.
BSM Writers
Amanda Brown Has Embraced The Bright Lights of Hollywood
“My whole goal was that I didn’t need people to like me; I needed people to respect me.”

Published
17 hours agoon
March 17, 2023
The tragic passing of Kobe Bryant and eight others aboard a helicopter, including his 13-year-old daughter Gianna, sent shockwaves around the world of sports, entertainment, and culture. People traveled to Los Angeles following the devastating news and left flowers outside the then-named STAPLES Center, the arena which Bryant called home for much of his career, demonstrating the magnitude of the loss. Just across the street from the arena, Amanda Brown and the staff at ESPN Los Angeles 710 had embarked in ongoing breaking news coverage, lamentation, and reflection.
It included coverage of a sellout celebration of life for Kobe and his daughter and teams around the NBA opting to take 8-second and 24-second violations to honor Bryant, who wore both numbers throughout his 20-year NBA career. They currently hang in the rafters at Crypto.com Arena, making Bryant the only player in franchise history to have two numbers retired.
During this tumultuous time, Bryant’s philosophy served as a viable guiding force, something that Brown quickly ascertained in her first month as the station’s new program director.
“I had people that were in Northern California hopping on planes to get here,” Brown said. “You didn’t even have to ask people [to] go to the station; people were like, ‘I’m on my way.’ It was the way that everybody really came together to do really great radio, and we did it that day and we did it the next day and we did it for several days.”
The 2023 BSM Summit is quickly approaching, and Brown will be attending the event for the first time since 2020. During her first experience at the BSM Summit in New York, Brown had just become a program director and was trying to assimilate into her role. Because of this, she prioritized networking, building contacts, and expressing her ideas to others in the space. This year, she looks forward to connecting with other program directors and media professionals around the country while also seeking to learn more about the nuances of the industry.
“The Summit is kind of like a meeting of the minds,” Brown said. “It’s people throughout the country and the business…. More than anything, [the first time] wasn’t so much about the panels as it was about the people.”
Growing up in Orange County, Brown had an interest in the Los Angeles Lakers from a young age, being drawn to play-by-play broadcaster Chick Hearn. Brown refers to Hearn as inspiration to explore a career in broadcasting. After studying communications at California State University in Fullerton, she was afforded an opportunity to work as a producer at ESPN Radio Dallas 103.3 FM by program director Scott Masteller, who she still speaks to on a regular basis. It was through Masteller’s confidence in her, in addition to support from operations manager Dave Schorr, that helped make Brown feel more comfortable working in sports media.
“I never felt like I was a woman in a male-dominated industry,” Brown said. “I always just felt like I was a part of the industry. For me, I’ve kind of always made it my goal to be like, ‘I deserve to be here; I deserve a seat at the table.’”
Brown quickly rose up the ranks when she began working on ESPN Radio in Bristol, Conn., working as a producer for a national radio show hosted by Mike Tirico and Scott Van Pelt, along with The Sports Bash with Erik Kuselias. Following five-and-a-half years in Bristol, Brown requested a move back to California and has worked at ESPN Los Angeles 710 ever since. She began her tenure at the station serving as a producer for shows such as Max and Marcellus and Mason and Ireland.
Through her persistence, work ethic and congeniality, Brown was promoted to assistant program director in July 2016. In this role, she helped oversee the station’s content while helping the entity maintain live game broadcast rights and explore new opportunities to augment its foothold, including becoming the flagship radio home of the Los Angeles Rams.
“Don’t sit back and wait for your managers or your bosses to come to you and ask what you want to do,” Brown advised. “Go after what you want, and that’s what I’ve always done. I always went to my managers and was like, ‘Hey, I want to do this. Give me a chance; let me do that.’ For the most part, my managers have been receptive and given me those opportunities.”
When executive producer Dan Zampillo left the station to join Spotify to work as a sports producer, Brown was subsequently promoted to program director where she has helped shape the future direction of the entity. From helping lead the brand amid its sale to Good Karma Brands in the first quarter of 2022; to revamping the daily lineup with compelling local programs, Brown has gained invaluable experience and remains keenly aware of the challenges the industry faces down the road. For sports media outlets in Los Angeles, some of the challenge is merely by virtue of its geography.
“We’re in sunny Southern California where there’s a lot of things happening,” Brown said. “We’re in the middle of Hollywood. People have a lot of opportunities – you can go to the mountains; you can go to the beach. I think [our market] is more about entertainment than it is about actual hard-core sports. Yes, obviously you have hard-core Lakers fans; you have hard-core Dodgers fans, but a majority of the fans are pretty average sports fans.”
Because of favorable weather conditions and an endless supply of distractions, Brown knows that the way to attract people to sports talk radio is through its entertainment value. With this principle in mind, she has advised her hosts not to worry so much about the specific topics they are discussing, but rather to ensure they are entertaining listeners throughout the process.
“People know the four letters E-S-P-N mean sports, but really our focus is more on entertainment more than anything,” Brown said. “I think the [talent] that stick out the most are the ones that are the most entertaining.”
Entertaining listeners, however, comes through determining what they are discussing and thinking about and providing relevant coverage about those topics. Even though it has not yet been legalized in the state of California, sports gambling content has been steadily on the rise since the Supreme Court made a decision that overturned the Professional and Amateur Sports Protection Act established in Murphy v. National Collegiate Athletic Association (2018). Nonetheless, Brown and ESPN Los Angeles 710 have remained proactive, launching a sports gambling show on Thursday nights to try to adjust to the growing niche of the industry.
Even though she has worked in producing and programming for most of her career, Brown is eager to learn about the effect sports gambling has on audio sales departments. At the same time, she hopes to be able to more clearly determine how the station can effectuate its coverage if and when it becomes legal in their locale.
“I know that a lot of other markets have that,” Brown said regarding the legalization of sports gambling. “For me, I’m interested to hear from people who have that in their markets and how they’ve monetized that and the opportunity.”
No matter the content, though, dedicated sports radio listeners are genuinely consuming shows largely to hear certain talent. Brown recalls receiving a compliment on Twitter earlier this quarter where a listener commented that he listens to ESPN Los Angeles 710 specifically for Sedano and Kap. Evidently, it acted as a tangible sign that her philosophy centered around keeping people engrossed in the content is working, and that providing the audience what it wants to hear is conducive to success.
At this year’s BSM Summit, Brown will be participating on The Wheel of Content panel, presented by Core Image Studio, featuring ESPN analyst Mina Kimes and FOX Sports host Joy Taylor. Through their discussion, she intends to showcase a different perspective of what goes into content creation and the interaction that takes place between involved parties.
“A lot of times in the past, all the talent were on one panel; all the programmers were on one panel,” Brown said. “To put talent and a programmer together, I think it’s an opportunity for people to hear both sides on certain issues.”
According to the most recent Nielsen Total Audience Report, AM/FM (terrestrial) radio among persons 18-34 has a greater average audience than television. The statistical anomaly, which was forecast several years earlier, came to fruition most likely due to emerging technologies and concomitant shifts in usage patterns.
Simultaneously, good content is required to captivate consumers, and radio, through quantifiable and qualifiable metrics, has been able to tailor its content to the listening audience and integrate it across multiple platforms of dissemination. The panel will give Brown a chance to speak in front of her peers and other industry professionals about changes in audio consumption, effectuated by emerging technologies and concomitant shifts in usage patterns.
Yet when it comes to radio as a whole, the patterns clearly point towards the proliferation of digital content – whether those be traditional radio programs or modernized podcasts. Moreover, utilizing various elements of presentation provides consumers a greater opportunity of finding and potentially engaging with the content.
“We do YouTube streaming; obviously, we stream on our app,” Brown said. “We’ve even created, at times, stream-only shows whether it’s stream-only video or stream-only on our app. We all know that people want content on-demand when they want it. I think it’s about giving them what they want.”
As a woman in sports media, Brown is cognizant about having to combat misogyny from those inside and outside of the industry, and is grateful to have had the support of many colleagues. In holding a management position in the second-largest media market in the United States, she strives to set a positive example to aspiring broadcasters. Additionally, she aims to be a trusted and accessible voice to help empower and give other women chances to work in the industry – even if she is not universally lauded.
“I’ve kind of always made it my goal to be like, ‘I’m no different than anyone else – yes, I’m a female – but I’m no different than anyone else,’” Brown expressed. “My whole goal was that I didn’t need people to like me; I needed people to respect me.”
Through attending events such as the BSM Summit and remaining immersed in sports media and the conversation at large about the future of sports media, Brown can roughly delineate how she can perform her job at a high level.
Although the genuine future of this business is always subject to change, she and her team at ESPN Los Angeles 710 are trying to come up with new ideas to keep the content timely, accurate, informative, and entertaining. She is content in her role as program director with no aspirations to become a general manager; however, remaining in her current role requires consistent effort and a penchant for learning.
“Relationships are very important overall in this business whether you’re a programmer or not,” Brown said. “Relationships with your talent; relationships with your staff. If you invest in your people, then they’re going to be willing to work hard for you and do what you ask them to do.”
The 2023 BSM Summit is mere days away, and those from Los Angeles and numerous other marketplaces will make the trip to The Founder’s Club at the Galen Center at the University of Southern California (USC).
Aside from Brown, Kimes and Taylor, there will be other voices from across the industry sharing their thoughts on aspects of the industry and how to best shape it going forward, including Colin Cowherd, Rachel Nichols, Al Michaels and Eric Shanks. More details about the industry’s premiere media conference can be found at bsmsummit.com.
“I’m excited to be a female program director amongst male program directors for the first time and get a seat at the table and represent that there can be diversity in this position,” Brown said. “We don’t see a lot of it, but… there is an opportunity, and I hope I can be an example for other people out there [to show] that it’s possible.”

Derek Futterman is a features reporter for Barrett Sports Media. In addition, he interns in video production with the New York Islanders and formerly worked as production manager for the team’s radio broadcasts. He previously interned for Paramount within Showtime Networks, wrote for the Long Island Herald and served as lead sports producer at NY2C. To get in touch, find him on Twitter @derekfutterman.
BSM Writers
Pat McAfee Has Thrown Our Business Into a Tailspin
Yet even with all the accomplishments he’s been able to achieve, McAfee is still anxious and unsatisfied with the state of his show and his career.

Published
17 hours agoon
March 17, 2023
When you have one of the hottest talk shows in America, you’re always up to something. That’s the case for the most popular sports talk show host in America – Pat McAfee.
The former Pro Bowl punter was on top of the world on Wednesday. With over 496,000 concurrent viewers watching at one point, McAfee was able to garner an exclusive interview with frequent guest Aaron Rodgers who announced his intention to play for the Jets.
Yet even with all the accomplishments he’s been able to achieve — a new studio, consistent high viewership, a syndication deal with SportsGrid TV, a four-year, $120 million deal with FanDuel — McAfee is still anxious and unsatisfied with the state of his show and his career.
At the end of the day, he is human and he’s admitted that balancing his show, his ESPN gig with “College Gameday,” and his WWE obligations has taken a toll on him.
McAfee and his wife are expecting their first child soon and he recently told The New York Post he might step away from his deal with FanDuel. Operating his own company has come with the responsibility of making sure his studio is up and running, finding people to operate the technology that puts his show on the air, negotiating with huge behemoths like the NFL for game footage rights, booking guests, booking hotels, implementing marketing plans and other tasks that most on-air personalities rarely have to worry about.
McAfee says he’s looking for a network that would be able to take control of those duties while getting more rest and space to spend time with family while focusing strictly on hosting duties. FanDuel has its own network and has the money to fund such endeavors but is just getting started in the content game. McAfee needs a well-known entity to work with who can take his show to the next level while also honoring his wishes of keeping the show free on YouTube.
The question of how he’s going to be able to do it is something everyone in sports media will be watching. As The Post pointed out in their story, McAfee hasn’t frequently stayed with networks he’s been associated with in the past for too long. He’s worked with Westwood One, DAZN, and Barstool but hasn’t stayed for more than a year or two.
There’s an argument to be made that the latter two companies weren’t as experienced as a network when McAfee signed on with them compared to where they are today which could’ve pushed the host to leave. But at the end of the day, networks want to put money into long-term investments and it’s easy to see a network passing on working with McAfee for fear that he’ll leave them astray when he’s bored.
It’ll also be difficult for McAfee to find a network that doesn’t put him behind a paywall. Amazon and Google are rumored to be potential new homes. But both are trying to increase subscribers for their respective streaming services.
It will be difficult to sell Amazon on investing money to build a channel on YouTube – a rival platform. For Google, they may have the tech infrastructure to create television-like programming but they aren’t an experienced producer, they’ve never produced its own live, daily talk show, and investing in McAfee’s show doesn’t necessarily help increase the number of subscribers watching YouTube TV.
Networks like ESPN, CBS, NBC, and Fox might make sense to partner with. But McAfee faces the possibility of being censored due to corporate interests. Each of these networks also operates its networks or streaming channels that air talk programming of their own. Investing in McAfee could cannibalize the programming they already own.
And if McAfee works with a traditional network that isn’t ESPN, it could jeopardize his ability to host game casts for Omaha or analyze games on Gameday. It’s not impossible but would definitely be awkward on days that McAfee does his show remotely from locations of ESPN games with ESPN banners and signage that is visible in the background.
If SportsGrid has the money to invest in McAfee, they might be his best bet. They have all the attributes McAfee needs and they already have a relationship with him. It is probably unlikely that he’ll be censored and he would even be able to maintain a relationship with FanDuel – a company SportsGrid also works alongside.
Roku is another option — they already work with Rich Eisen — but they would move his show away from YouTube, something McAfee should resist since the majority of smart TV users use YT more than any other app.
If the NFL gave McAfee editorial independence, they would make the perfect partner but the likelihood of that happening is slim to none. NFL Media has independence but it was clear during the night of the Damar Hamlin incident that they will do whatever is necessary to stay away from serious topics that make the league look bad until it’s totally unavoidable.
It’s hard to think of a partner that matches up perfectly with McAfee’s aspirations. But once again, at the moment, he’s on top of the world so anything is possible. The talk show host’s next move will be even more interesting to watch than the other fascinating moves he’s already made that have put the sports media industry in a swivel.

Jessie Karangu is a columnist for BSM and graduate of the University of Maryland with a bachelor’s degree in journalism. He was born and raised in Baltimore, Maryland but comes from Kenyan roots. Jessie has had a passion for sports media and the world of television since he was a child. His career has included stints with USA Today, Tegna, Sinclair Broadcast Group and Sightline Media. He can be found on Twitter @JMKTVShow.
BSM Writers
5 Tips For Networking At the BSM Summit
“Have a plan and don’t leave home without it.”

Published
17 hours agoon
March 17, 2023By
Jeff Caves
Bring your game plan if you attend the BSM Summit in LA next Tuesday and Wednesday. No matter your purpose for attending: to learn, get a job, speak, or sell an idea, you must be able to read the room. To do that, it helps to know who will be there and how you can cure their pain.
Have a plan and don’t leave home without it. If you have time, buy How to Work a Room by Susan Roane. If you don’t, just follow these five tips:
- INTRODUCE YOURSELF: Before you arrive at The Summit, figure out what you want, who you want to meet, and what you will say. Once you get there, scout out the room and see if anyone of those people are available. Talk to speakers after they have spoken- don’t worry if you miss what the next speaker says. You are there to meet new people! Most speakers do not stick around for the entire schedule, and you don’t know if they will attend any after-parties, so don’t risk it. Refine your elevator pitch and break the ice with something you have in common. Make sure you introduce yourself to Stephanie, Demetri and Jason from BSM. They know everybody and will help you if they can.
- GET A NAME TAG: Don’t assume that name tags will be provided. Bring your own if you and make your name clear to read. If you are looking to move to LA or want to sell a system to book better guests, put it briefly under your name. Study this to get better at remembering names.
- LOSE THE NOTEBOOK: When you meet folks, ensure your hands are free. Have a business card handy and ask for one of theirs. Remember to look people in the eye and notice what they are doing. If they are scanning the room, pause until they realize they are blowing you off. Do whatever it takes to sound upbeat and open. Don’t let their clothes, hair, or piercings distract from your message. You don’t need to wear a suit and tie but do bring your best business casual wear. A blazer isn’t a bad idea either.
- SHUT UP FIRST! The art of knowing when to end the convo is something you will have to practice. You can tell when the other person’s eye starts darting or they are not using body language that tells you the convo will continue. You end it by telling them you appreciate meeting them and want to connect via email. Ask for a business card. Email is more challenging to ignore than a LinkedIn request, and you can be more detailed in what you want via email.
- WORK THE SCHEDULE: Know who speaks when. That is when you will find the speakers hanging around. Plan your lunch outing to include a few fellow attendees. Be open and conversational with those around you. I am a huge USC fan, so I would walk to McKays– a good spot with plenty of USC football memorabilia on the walls. Sometimes you can find the next day’s speakers at the Day 1 after party. Need a bar? Hit the 901 Club for cheap beer, drinks, and food.
You’re welcome.

Jeff Caves is a sales columnist for BSM working in radio, digital, hyper-local magazine, and sports sponsorship sales in DFW. He is credited with helping launch, build, and develop SPORTS RADIO The Ticket in Boise, Idaho, into the market’s top sports radio station. During his 26 year stay at KTIK, Caves hosted drive time, programmed the station, and excelled as a top seller. You can reach him by email at jeffcaves54@gmail.com or find him on Twitter @jeffcaves.
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