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John Canzano: ESPN’s PAC-12 Coverage ‘A Low-Budget’ Disappointment

Multiple sources told Canzano that ESPN used saved money by utilizing “low budget” trucks to carry the signal on Saturday night.

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It appears that the Pac-12 has the disservice of getting stuck with the short end of the stick at ESPN, and John Canzano of The Oregonian and 750 The Game in Portland has had enough of it.

The longtime columnist wrote a piece yesterday about the quality of broadcast that the Pac-12 has been receiving on ESPN compared to Pac-12 Network broadcasts. He says the difference is pretty clear, calling the ESPN broadcast “a fuzzy, low-budget disappointment.”

Jon Wilner of The San Jose Mercury News captured two different screenshots, one from a broadcast on the Pac-12 Network, and one from an ESPN broadcast this Saturday night.

On the left is the Pac-12 Network and on the right is ESPN’s broadcast last weekend. Anyone who knows anything about cameras or production can clearly see that the ESPN broadcast is just not up to par with what should be the standard nowadays of high definition for a nationally televised college football game.

Multiple sources told Canzano that ESPN used saved money by utilizing “low budget” trucks to carry the signal of Oregon’s win over Washington State on Saturday night.

It appears that ESPN did this simply because they knew that they can get away with it. Pac-12 games are on at 10:30 ET which is typically the lowest viewed game on the network on most college football Saturdays. Canzano reached out to ESPN on the production quality and has yet to hear a response back on the matter.

Canzano hosts a syndicated radio show The Bald Truth across Oregon. With the Oregon Ducks in the thick of the College Football Playoff discussion for the first time in years, it makes sense that he was so agitated by the production of the product.

His biggest takeaway is that the PAC-12 has to be a better advocate for its schools and its football product.

“The Pac-12 needs to take note of this and ensure that it doesn’t happen with future TV contracts,” John Canzano wrote. “Raise the number of minimum cameras at the stadiums. Ensure that the crews are staffed and ask that pylon cameras and isolated camera operators who can better follow the action are mandatory. Also, require ESPN to use a truck that will give viewers a quality picture on their television vs. the low-budget rig it sent to Eugene on Saturday.”

Regardless this type of quality should be unacceptable in 2021 for any major network and the Pac-12 may seriously want to consider this when they do their next round of media right negotiations.

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ESPN Sees Larger Than Average Audience For Big City Greens Classic

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ESPN aired Tuesday night’s New York Rangers and Washington Capitals game. DisneyXD and Disney Channel aired an alternate broadcast that included players being 3D animated to resemble the cast of Disney Channel’s popular cartoon Big City Greens. It turned into a ratings win for the networks.

The alternate broadcast featured players animated in real time to mimic what was happening on the Madison Square Garden ice. Players were equipped with special chips in the padding to aid the animation, and special pucks were used to ensure a smooth transition from video to computer-animated graphics.

An average of 589,000 viewers tuned into the game on ESPN. Meanwhile, nearly 175,000 watched the broadcast between Disney Channel and DisneyXD.

The figure for ESPN represents its largest NHL broadcast since a November 1st broadcast featuring the Pittsburgh Penguins and Boston Bruins.

The combined total for the broadcast — 765,000 — outdrew the World Baseball Classic broadcasts but did not top the NCAA Tournament’s First Four round that was broadcast on truTV.

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Greg Gumbel: I’m Lucky That I’ve Never Been Fired

“I worked for some people who didn’t like me, I’ve worked for some people I didn’t like. It’s a strange business, there’s no doubt.”

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Greg Gumbel

This week, it was announced that Greg Gumbel will no longer be a play-by-play announcer for the NFL on CBS after working on CBS’s NFL coverage every year since 1998. Gumbel has had an illustrious career and he takes pride in the fact that one thing has never happened to him.

Gumbel was a guest on the Tell Me A Story I Don’t Know podcast with George Ofman (Part 2 from an interview back in September) and he told Ofman that while he has never been fired before, but he doesn’t think broadcasters should be embarrassed when they get fired because of what the business is.

“It’s the nature of the business. I honestly think I’ve been extremely fortunate in that I’ve never been fired in a business that is known for firings. Being fired in this business is no shame, no embarrassment because it’s a subjective business. Because this guy at this network likes my work, it doesn’t mean that this guy at that network does. It’s extremely subjective and if you can buy that and understand it the way it is, then it shouldn’t bother you at all.

“It’s never happened to me. If it had, it would not have surprised me. I worked for some people who didn’t like me, I’ve worked for some people I didn’t like. It’s a strange business, there’s no doubt.”

Gumbel has been the host of CBS’s NCAA Tournament coverage for the last 25 years and he knows it’s a job that he is very grateful to have.

“I know there are people who would give their right arm to be sitting there next to Clark Kellogg and Seth Davis on Selection Sunday or sitting next to Kellogg, Kenny Smith, and Charles Barkley when the tournament begins to talk about what we’ve just seen or what we are going to see. I am never, ever going to take for granted the fact that I have been very fortunate to be able to do that.”

One thing Gumbel tries to avoid whenever he is on air is the mispronunciation of someone’s name because he knows how it feels to have his name distorted accidentally by some people.

“Pronunciations are important to me. There’s been a lifetime of people who may not completely mispronounce my name, but distorting it a little bit from time to time. I never want to do that to an athlete. If I ever mispronounce an athlete’s name, I hear it from his family, I hear it from the school or the team and I apologize for it as soon as I can. I don’t think that is something light or should be taken for granted.”

Toward the end of the interview, Gumbel was asked by Ofman when he will know it will be time to end his career.

“Other people have given it more thought than I have. I think when that time comes around, it will hit me over the head more than I will think about it. There are people who ask me why I still do what I do. The very bottom line is I love it, I enjoy it.”

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Sports TV News

Diamond Sports Group Misses Arizona Diamondbacks Rights Payment

It is believed that the missed rights payment by Bally Sports Arizona triggers a clause in the contract that reverts the television rights back to the Diamondbacks and Major League Baseball.

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Last week, Diamond Sports Group — operator of the Bally Sports-branded regional sports networks — claimed it had paid every rights fee it was contractually obligated, except for the Arizona Diamondbacks.

At the time, the company said it had a grace period until it needed to make a payment. That payment was due by Thursday, March 16th at 11:59 PM. That time has come and gone, and the company failed to deliver its fee.

It is believed that the missed rights payment by Bally Sports Arizona triggers a clause in the contract that reverts the television rights back to the Diamondbacks and Major League Baseball.

The Diamondbacks are not the only team affected by the situation. Bally Sports — which filed for Chapter 11 bankruptcy earlier this week — has also reportedly entered a grace period with the San Diego Padres. According to a report from Sports Business Journal, that grace period ends on March 30th, baseball’s Opening Day.

Previous reporting claims that contract is one the network hopes to get out from under. The company loses a reported $20 million per season on its television deal with the Padres. The Cincinnati Reds and Cleveland Guardians are the other two baseball franchises the network holds the rights to that it hopes to terminate deals for.

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